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The X-Files – The Unnatural (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

Let me get this straight: a free-spirited alien fell in love with baseball and ran away from the other non-fun-having aliens and made himself black, because that would prevent him from getting to the majors where his unspeakable secret might be discovered by an intrusive press and public and you’re also implying that…

You certainly have a knack for turning chicken salad into chicken spit.

– Fox Mulder and Arthur Dales discuss the merits of The Unnatural

Swing and a hit...

Swing and a hit…

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The Flash – Fastest Man Alive (Review)

So, I’m considering reviewing this season of The Flash, because the pilot looks interesting and I’ve always had a soft spot for the Scarlet Speedster. I’m also considering taking a storyline-by-storyline trek through the 1987-2009 Flash on-going series as a companion piece. If you are interested in reading either of these, please let me know in the comments.

In many ways, Fastest Man Alive plays like the second part of a pilot for The Flash. Like City of Heroes before it, Fastest Man Alive is written by Andrew Kreisberg and Geoff Johns, with Greg Berlanti credited on the story. It is also directed by David Nutter, one of television’s most respected pilot directors – even if his famous “hot streak” of pilots going straight to show was interrupted when CBS did not pick up The Doctor in 2011.

Fastest Man Alive is still about building the world around Barry Allen. City of Heroes established the basics, the ground rules of the world in which Barry operates. Fastest Man Alive exists to delineate them a bit further. It defines the ensemble better, clarifying the roles of Joe West and Iris West in the grand scheme of things; it gives Barry the confidence he needs to do what he does; it imposes limits on Barry’s ability; it clarifies that Harrison Wells is not entirely heroic.

CGI flames! My fatal weakness!

CGI flames! My fatal weakness!

Given the amount of attention and effort that Fastest Man Alive devotes to cementing the foundations of The Flash, it’s understandable that there really isn’t too much room for anything else. Fastest Man Alive is about settling the cast and the writers into a sustainable status quo for the next stretch of episodes – maybe even the entire first season. It makes sure that everybody knows where everything lies and that there’s a solid base upon which to build.

So, while Fastest Man Alive might not be an especially brilliant episode of television, it does a very good job of setting up what it needs to set up.

Born to run...

Born to run…

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