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Non-Review Review: Ghost Stories

Ghost Stories is an existential horror dramedy, and gets that unique cocktail to work much better than it really should.

Ghost Stories is adapted by Jeremy Dyson and Andy Nyman from their stage play of the same name. The play premiered in Liverpool in 2010, to rave reviews. Interestingly, Dyson and Nyman worked hard to preserve the mystery and ambiguity around their production, publicising the show with shots of terrified reactions from the audience and asking those who had seen the film not to discuss its twists and turns with those people who had not. As such, Ghost Stories became something of a cult stage phenomenon.

Black mirror.

With this in mind, adapting a play like Ghost Stories to the big screen presents its share of challenges. Not only does a feature film demand more publicity and more conversation than a stage play, having a much higher profile and a much larger distribution mechanism, it also involves a delicate process of translation. Ghost Stories was a concept very firmly anchored in its format, wedded to the conventions of stage shows. Finding a way to preserve the heart of the play within the framework of a motion picture was always going to be tricky.

Ghost Stories works well, although it arguably works better as a psychological meditation on mankind’s relationship with the supernatural than as a horror anthology in its own right. Ghost Stories is a clever and canny piece of work, one undercut slightly by some clumsy narrative choices in the final act. Still, even in its weakest moments, Ghost Stories is a compelling and engaging little film.

Cue, card.

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