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What Measure is a Monster? or Sympathy for the Devil…

I loved Super 8. It was just a wonderfully made coming-of-age tale that paid excellent homage to those old Spielberg films (even those he produced, like The Goonies, not just the ones he directed). However, as I got thinking about the film, and the plot that focuses on a rather ugly-looking alien escaped from government custody, I did find myself somewhat conflicted in what to make of the menace. Was it a poor victim of torture and inhumane treatment at the hands of the United States military, or was it a genuinely evil creature that deserved to be put down? It’s interesting how Abrams manipulates us into feeling sympathy for the creature, despite the fact it tends to feast on innocent human flesh.

Well, it's certainly alien...

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Non-Review Review: Super 8

Super 8 is a love letter to film. It’s an ode to the trashy, forgettable – yet still endearing – stuff, like a bunch kids screwing around with an obvious fixation on the work of George A. Romero. It’s also a sweet tribute to the film that emotionally connects with us, like the footage of a long lost relative projected against a wall, almost convincing us for a second that they’re still with us. JJ Abrams might consciously evoke early Spielberg with his style, but it’s only to celebrate the common ground they both share, the believe that film is truly powerful and emotion medium, one that strikes a chord on the most improbable of notes, teaching us life lessons and engaging us in nothing short of magic. The posters and trailers might convince you that Super 8 is a classic monster movie with seventies trappings – and it is – but it’s also that other difficult-to-get-quite-genre, the coming-of-age tale. Just one that features giant monsters.

Nice camera work...

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When it Hits the Fan: What Do Creators Owe Fans?

Fans are a very dangerous group to court – although I suppose that’s implied, what with the word being an abbreviation of “fanatic”. Sure, they’ll follow a particular project with zeal and enthusiasm that most producers could only dream of, and (perhaps) prove an invaluable marketing tool in this era of the viral campaign – at the very least, they are more likely to invest a lot more money in your product than a regular consumer. However, that investment comes with a downside – one that I wonder how much creators ultimately end up resenting. To call it “demand” perhaps understates the matter – after all, plenty of non-fanatic movie fans wait for the big blockbusters of the year – but there tends to be a note of what is best described as “possessiveness” or “entitlement” that comes with a large invested fan group. And is that necessarily a good thing? Do these fans feel that these creators “owe” them something for their extended loyalty? Is it fair to demand that from any producer or writer or director?

Heated fan disagreements sometimes get out of hand...

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