Advertisements
  • Following Us

  • Categories

  • Check out the Archives

  • Awards & Nominations

Star Trek: Voyager – Demon (Review)

Demon is an episode with some interesting ides that cannot make up for a lackluster execution.

The writing staff on Star Trek: Voyager had been playing with the idea at the heart of Demon for quite some time. It had been a candidate for the third season finale, before Brannon Braga settled upon the story that would become Scorpion, Part I. It was considered for a mid-season two-parter, but the writing staff could never come up with a way to make the story work; Year of Hell, Part I, Year of Hell, Part II, The Killing Game, Part I and The Killing Game, Part II were all written to fill gaps left by a story that refused to materialise.

Spaced out…

As such, there is a faint scent of desperation to Demon. The episode arrives in the final stretch the fourth season, at a point when the production team is very clearly fatigued and where writers are generally desperately grasping for anything resembling a workable story. The harsh production cycle of television means that the start of a twenty-six episode season can be planned over the summer hiatus, but that the tail end of the season is typically assembled on the fly. This is the stretch of the season where even Star Trek: Deep Space Nine produces Profit and Lace or Time’s Orphan.

The problems with Demons are compounded by the fact that it is very obviously a budget-conscious show. While it features a number of elaborate computer-animated sequences, it also films primary on standing sets and features no credited guest stars. The result is a curiously plodding show, one full of extended dialogue scenes that inform neither plot nor character, and which feel like a conscious attempt to sideline the more ambitious elements of the story. The result is the waste of an interesting idea on a forgettable episode.

Something’s wrong here, though Torres can’t quite put her finger on it.

Continue reading

Advertisements

Star Trek: Voyager – Favourite Son (Review)

Favourite Son feels like the culmination of something that has been festering across the third season of Star Trek: Voyager.

The Star Trek franchise is generally regarded as progressive and forward-thinking. There is some debate to be had about whether this is an accurate summary of the franchise, given some of the creative decisions made over the course of its half-century run. However, there are times at which the franchise feels particularly liberal and points at which it feels particularly reactionary. A product of the mid-nineties, running through to the turn of the millennium, Voyager tends to feel very conservative in places.

This is a little bit what watching the episode feels like.

This is a little bit what watching the episode feels like.

In the second season, this reactionary tendency played out through the treatment of the Kazon in episodes like Initiations and Alliances. In the third season, with the Kazon long gone, it seems that Voyager has turned its reactionary gaze upon its female cast members. To be fair, the show’s first two seasons had any number of unfortunate creative decisions when it came to various female characters. Most notably, the decision to turn Seska into a baby-crazed maniac in Manoeuvres did not bode for the first female-led Star Trek series.

Nevertheless, a misogynist streak has manifested itself across the third season as a whole. In some cases, this has been relatively subtle; like the awkward insistence upon sexualising three-year-old Kes in the eyes of her two mentor figures in Warlord and Darkling. In other cases, this has been the entire point of the plot; like the decision to have Q try to sleep with the franchise’s first female lead and introduce his shrewish wife in The Q and the Grey or to introduce a psycho stalker in Alter Ego.

The original red wedding.

The original red wedding.

Other times, this sexist attitude has bubbled through the background of various episodes to the point that it builds to critical mass. Torres is victimised by her male colleagues over the course of three straight episodes, and none of them are held accountable; she is sexually assaulted by Vorik in Blood Fever, stunned by Chakotay in Unity, and tortured by the evil!EMH in Darkling. In each of those cases, the show seems to shrug off the violence committed by male characters against one of the show’s female leads.

All of these elements come to the fore in Favourite Son, an episode that would have been painfully retrograde had it aired as part of the original series during the sixties. Favourite Son is that most uncomfortable myth dressed up in science-fiction drag, the tale of an island of beautiful women using their sexual prowess to lure men into their clutches to emasculate them. It is terrifying to think that this episode made it to air in the late nineties.

A beautiful dream.

A beautiful dream.

Continue reading

Star Trek: Voyager – Non Sequitur (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Non Sequitur is a Brannon Braga script touching on familiar Brannon Braga concepts – big ideas like time and space and reality and existence. Harry Kim wakes up to find himself in bed with his girlfriend, Libby. The two are living in San Francisco on Earth. Ensign Harry Kim never served on Voyager, instead working in Starfleet Engineering on Earth. Unable to explain what has happened, Kim finds himself struggling to cope with the situation.

Luckily, in true Star Trek: Voyager fashion, everything is conveniently reset at the end of the episode.

Feels like going home...

Feels like going home…

Continue reading