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Non-Review Review: Happy Death Day 2 U

“You mean this is all about money?” asks a confused grad student early in Happy Death Day 2 U, as a stubborn college dean shuts down his (frankly reckless science experiment. The dean explains that the college is primarily interested in cultivating intellectual property and patents, which comes as news to his more innocent students. The dean protests, bluntly, “Somebody has to keep the lights on around here.”

It’s an odd exchange within an odd film, and one that makes relatively little sense in the context of the story being told. however, it feels like a very revealing exchange in terms of the logic underlying Happy Death Day 2 U. The original Happy Death Day was a cinematic highlight of 2017. Somewhat (and fairly) overshadowed by Get Out, the original film was a playful and self-aware slasher movie hybrid which worked as both a charming example of the genre and broad critique of the exhausting and repetitive nature of such films.

Masking his intentions.

Happy Death Day was the story of a young woman who finds herself trapped reliving the same day over and over, facing a masked serial killer and getting murdered in a variety of inventive ways before resetting to do it all over again. Within that premise was a clear critique of horror franchise formulas that tended to trap protagonists within these familiar frameworks over and over and over again. In that context, Happy Death Day 2 U seems almost redundant. Tree has already lived the same story twelve times. What could a sequel possibly add, beyond some dollars to the bottom line?

It is to the credit of Happy Death Day 2 U that the film inherently and intrinsically understands this. Happy Death Day 2 U is a messy and awkward film, but it is crystal clear in at least one respect. Happy Death Day 2 U knows exactly what sort of film it doesn’t want to be. Unfortunately, it never seems entirely certain of the film that it does want to be.

Stab me, Baby, one more time.

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