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Doctor Who: Terror of the Zygons (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Terror of the Zygons originally aired in 1975.

Right, let’s see what other damage we can do. Anybody know what this is?

I haven’t the faintest idea.

You tell us.

I will. It’s a self-destructor, and it works like this.

– the Doctor demonstrates to the Duke and Lamont that you don’t ask a question without knowing the answer

Terror of the Zygons is a strange beast. Tom Baker’s first season was bookended by two relics from the Jon Pertwee era. Robot was essentially a Pertwee-era invasion story where the only real difference was Tom Baker’s larger-than-life performance; Revenge of the Cybermen had been commissioned by Barry Letts and felt more like a Pertwee-era space story than anything Hinchcliffe and Holmes would produce.

In contrast, Terror of the Zygons is very definitely an episode of Doctor Who produced by Philip Hinchcliffe and script edited by Robert Holmes. It kicks off one of the show’s strongest seasons, and plays into many of the recurring themes of the era. There are fallen gods and body horror and a sense of the Doctor as a bohemian who won’t be bound by society’s rule. And yet, at the same time, there’s also a sense that Terror of the Zygons is derived from the same basic structure of Pertwee-era invasion story.

In short, Terror of the Zygons feels like it straddles two very different eras of the show, and provides an opportunity for the show to very definitely transform from one form into another.

Let Zygons be Zygons...

Let Zygons be Zygons…

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Doctor Who: The Green Death (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Green Death originally aired in 1973.

Where are you off to?

To pack a suitcase.

Oh, good. Give me a couple of minutes and we’ll be off.

Off? Off where?

Well, Metebelis III, of course.

I’m not going to Metebelis III.

Why? Where are you thinking of going to?

Well, South Wales, of course. Llanfairfach.

– the Doctor and Jo discuss travel plans… why would you want to go to Metebels III when you can visit South Wales?

The Green Death is a great example of the Jon Pertwee era. It offers a pretty solid showcase of the best of the era, along with the glaring structural and thematic weaknesses that the show never really tackled head-on. It’s a great yarn, an affectionate run-around. There is a reason, after all, that the overgrown maggots have managed to wedge themselves in British popular consciousness. There’s a conscious sense that The Green Death is a season finalé, in the biggest and boldest terms possible.

In an era where television wasn’t really structured in that way, you can trace a pretty clear line between The Green Death and the big epic series finalés of the Russell T. Davies era of Doctor Who.

And the Beatz go on...

And the Beatz go on…

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