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Star Trek: Deep Space Nine – Tacking Into the Wind (Review)

Tacking Into the Wind might just be the last truly great episode of Star Trek: Deep Space Nine.

Of course, there are some very good episodes lying ahead. However, none of them hum as perfectly as Tacking Into the Wind does. The Dogs of War is fantastically constructed and does pretty much everything that a penultimate episode of a long running series needs to do, but it largely feels like a prelude episode to the grand finale. What You Leave Behind is a powerful and emotive piece of television, and an effective conclusion to seven years of storytelling, but it suffers from some pacing issues and some poor storytelling choices in its second half.

The end of an era.

However, Tacking Into the Wind is just brilliant. Deep Space Nine has produced more than its fair share of (relatively) standalone classic episodes: Duet, The WireThe Way of the Warrior, The Visitor, Trials and Tribble-ations, Far Beyond the Stars, In the Pale Moonlight. Even in the seventh season, there have been any number of episodes that work beautifully on their own terms: Treachery, Faith and the Great River, Once More Unto the Breach, The Siege of AR-558, Chimera. Even those tied into larger arcs like the Dominion War still worked as relatively standalone units of story.

However, Tacking Into the Wind is brilliant in a way that is very particular to this moment of Deep Space Nine. Perhaps the closest companion pieces are episodes like Call to Arms or Sacrifice of Angels, episodes that work well enough on their own terms, but become transcendental when approached as the culmination of long-running story threads that pay off months of storytelling decisions. Taking Into the Wind takes this approach and escalates it further. Taking Into the Wind is the culmination of a narrative that has been brewing for the better part of a decade.

Surviving by the skin of his teeth.

Tacking Into the Wind is an episode that could never have worked on Star Trek: The Next Generation or Star Trek: Voyager. It is too dependent on lingering narrative threads, on long-running arcs, on a grand and sweeping (and ironic) view of history. Tacking Into the Wind ties up the fate of the Klingon Empire, an institution that has been in decline since Heart of Glory and rotting from the inside out since Sins of the Father. It parallels that with a fundamental underlying shift in the Cardassian society introduced in The Wounded.

Tacking Into the Wind is an episode that could only possibly work as the pay off to serialised storytelling, and which demonstrates the power of a good dramatic pay-off almost a decade in the making. In many ways, Tacking Into the Wind is the perfect episode for this so-called “Final Chapter”, the perfect distillation of everything that the creative team have been trying to do with this ten-part sprawling epic.

Cloak of office.

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Star Trek: Deep Space Nine – Apocalypse Rising (Review)

Apocalypse Rising stands quite apart from the other Star Trek: Deep Space Nine season premieres.

Most obviously, it the only single-part season premiere across the entire seven seasons of Deep Space Nine. Emissary and Way of the Warrior were two-hour television movies. The Homecoming fed into the franchise’s first official three-part story. The Search, Part I and The Search, Part II were obviously a two-part episode, while Image in the Sand and Shadows and Symbols provided a two-part introduction to the seventh season. A Time to Stand segued directly into Rocks and Shoals while also setting up a six-episode arc.

The times, they are a-changeling...

The times, they are a-changeling…

This is not to suggest that Apocalypse Rising is a more typical Star Trek season premiere. It is not a continuation of Broken Link in the same way that The Best of Both Worlds, Part II is a direct continuation of The Best of Both Worlds, Part I or that Basics, Part II is a direct follow-on from Basics, Part I. While Apocalypse Rising does resolve a cliffhanger left dangling by Broken Link, that cliffhanger was only really set up in the final two minutes of the episode. Indeed, the cliffhanger dangling from Broken Link recalls the endings of The Jem’Hadar or The Adversary.

Apocalypse Rising is also notable for being the first season premiere that is not positioned as a jumping on point, that is not intended to either expand the scope of the show or recruit new viewers. One of the luxuries of avoiding the traditional cliffhanger structures to bridge seasons was the freedom to begin each season with a relatively clean slate and introduce new elements. The Search, Part I and The Search, Part II introduced the Defiant and retooled the show to focus on the Dominion. The Way of the Warrior brought Worf over and shifted emphasis to the Klingons.

Klingon to the status quo...

Klingon to the status quo

While Apocalypse Rising does represent a slight shift in the tone of the show, it is not a radical new departure. More than that, it leans rather heavily on the show’s established mythology and in some ways indicates a desire to get the show back on track following an extended detour into war with the Klingons during the fourth season. Apocalypse Rising confirms what was made clear during the fourth season of the show, that Deep Space Nine has eventually evolved into its final form. Apocalypse Rising is a show so comfortable with itself that there’s no need to reinvent.

Although a little cramped and rushed in places, Apocalypse Rising represents a strong start to a stellar season. It is an efficient and effective piece of television, one that demonstrates the clarity of focus driving the season that will follow.

Drinking games...

Drinking games…

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