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Non-Review Review: San Andreas

San Andreas is a b-movie that desperately wants to be taken seriously.

The film is at its best when it engages with its corniness. The characters make terrible baseball-related puns as the world falls to pieces. Our protagonist has a clever idea inspired by a passer-by’s choice of headware. Paul Giamatti sells his seismological terror. A desperate mother decides to plough a boat through a window into the room where her daughter is already close to death. The disaster relief efforts are interrupted so that the news reporters can thank the team of hard-working seismologists who predicted the disaster whole minutes before it happened.

Pilot error?

Pilot error?

However, the film has no real sense of tone or mood. The script longs for a deeper resonance, and so aims a lot higher than it can actually hit. The main characters spend most of the disaster working through the death of a child several years earlier, with cliché flashbacks striving for heart-breaking but landing on groan-inducing. Plot points are dutifully and awkwardly set up, with characters spending most of the first act spewing obvious foreshadowing more than meaningful dialogue.

The result is a mismatched and uneven piece of work, a disaster movie in more than the way that the production team intended.

"Um, I found a plot hole..."

“Um, I found a plot hole…”

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Non-Review Review: G.I. Joe – Retaliation

I’m actually just a little bit divided on G.I. Joe: Retaliation. It is not, by any measure, a good film. It’s messy, it’s muddled, it’s over-complicated and under-developed at the same time, it’s nonsense, it’s dumb, it’s loud and it’s all over the map. However, some small part of me sort of admired that G.I. Joe: Retaliation had managed to so perfectly evoke the sensation of playing with toys. Had you given my eight-year-old self a box of G.I. Joe toys and told me to play for two hours, my playtime might have been plotted somewhat similarly to this film. I will concede that I admire the way that G.I. Joe: Retaliation feels more like a bunch of kids playing with toys than a carefully constructed action movie.

At the same time, however, I’m not afraid to admit that my eight-year-old self would have directed a pretty terrible action film.

Rock on...

Rock on…

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Watch! Fast & Furious 6 Trailer!

I’ll confess that I actually quite enjoyed Fast Five, the fifth instalment in The Fast & The Furious franchise. Not to the extent that I’m salivating at the release of the next instalment, but enough that I’m cautiously optimistic. The series hasn’t been the most consistent from film to film, but when it is good it is very solid popcorn entertainment. Anyway, check out the Superbowl trailer below.

Non-Review Review: Fast Five

Fast Five reminds me a lot of the kinds of cars that its leads drive. Now, please excuse me if the metaphor is a bit clunky. I know nothing of cars. However, whenever we cut to inside one of these enhanced driving machines, it’s clear that virtually every unnecessary component has been stripped out in order to make room for more relevant pieces of equipment. The passenger seat, for example, has been removed and replaced with some canisters I can only assume allow the car to go faster. In many ways, Fast Five feels a bit like that. I knows exactly the film that it wants to be, and it knows exactly what it needs to be that sort of film. Anything else – whether wit, sophistication or character development – is all just dead weight between fast one-liners, impressive action sequences and effective stunt work. And, I am not ashamed to admit, I actually quite enjoyed it on its own terms.

Let’s Rock ‘n’ Roll…

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