direction | the m0vie blog

New Escapist Column! On the Direction of “Andor”…

Posted on November 16, 2022 by Darren

I am doing weekly reviews of Andor at The Escapist. They’ll be dropping every Wednesday evening while the show is on, looking at the Rogue One prequel as it progresses from one episode to the next.

With Daughter of Ferrix, Andor gears up for its season finale. So it seems as good an opportunity to talk about one of the more underrated aspects of the show. Andor has garnered a lot of attention for its writing and plotting, but the show is also one of the best directed shows on television, with its visual language as important to communicating its themes as the dialogue and exposition.

You can read the piece here, or click the picture below.

Filed under: Television | Tagged: andor, benjamin caron, direction, paranoia, seventies, star wars, the daughter of ferrix, todd haynes, Tony Gilroy | Leave a comment »

Millennium – Season 3 (Review)

Posted on August 5, 2015 by Darren

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

Three seasons is a good run.

It’s not a great run, but it is worth noting that Millennium ran longer than any of Chris Carter’s creations other than The X-Files. Given you grim and esoteric Millennium turned out to be, that is quite impressive. Notably, even the third season of Millennium performed better in the ratings than the first season of Harsh Realm. In many respects, Millennium is a very odd television show; it seems surprising that it lasted for three seasons. While fans (and many who worked on it) might have wanted more, Millennium is not a failure.

That said, the third season of Millennium is a disaster. There are a lot of reasons for this. The show was renewed by Fox quite late in the process, meaning the production team had little time to prepare. Glen Morgan and James Wong had no interest in returning to run the show, even if the rest of the staff would have them. Either due to time constraints or frustration, nobody asked Morgan and Wong about resolving the ending of The Time is Now. Michael Duggan was hired as showrunner, only to depart eight episodes into the season.

With all of this going on, the problems with the third season are entirely understandable. The season feels like a disjointed mess because there was chaos behind the scenes. The season was confused about its own continuity because the production team had no idea what to make of the second season. With ratings plunging, the show sought comfort in the familiar; there is an extended stretch near the start of the third season where it feels like the production team were trying to turn the show into a copy of The X-Files.

The third season of Millennium has fairly terrible reputation among fans. This is not entirely undeserved; the early stretch of the third season contains a string of the worst episodes that Millennium ever produced. As sympathetic as the surrounding circumstances might make an audience to the show, that goodwill evaporates when confronted with episodes like The Innocents, Exegesis, TEOTWAWKI, Skull and Bones, Through a Glass Darkly, Human Essence and Omertà. The series improves dramatically in its middle section; but it is never consistent.

The third season contains a number of underrated episodes that do count among the best that the show ever produced, and a whole host of more interesting failures around those episodes. Perhaps the best thing that might be said about the third season is that it is interesting at least as often as it is bad. That might not sound like a ringing endorsement. It isn’t. The third season of Millennium doesn’t work. The reasons for this are entirely understandable, but that does not make it any easier to watch.

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Filed under: Millennium | Tagged: cancelled, Chip Johannessen, chris carter, continuity, direction, Fox, history, ken horton, michael duggan, millennium | 2 Comments »

The X-Files – Alpha (Review)

Posted on July 27, 2015 by Darren

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

After a couple of misfires in the first few seasons, The X-Files had most steered clear of “classic” monsters. The first season had struggled with werewolves and ghosts and cryptozoology in Shapes and Shadows and The Jersey Devil respectively. 3 had been the show’s first “true” vampire episode, and had ended up as a bit of a mess. Perhaps it indicated that The X-Files was not a show that did “traditional” monsters particularly well; or maybe it was just a sign that the creative team were still figuring out how to make the show.

There was some evidence that the show might have been getting better at this sort of thing. In the fourth season, Elegy had been a (mostly) effective traditional ghost story. In the fifth season, Bad Blood had demonstrated that it was possible to make a good episode of The X-Files about vampires. Perhaps it was time to try another werewolf story. After all, the budget on The X-Files was bigger than it had ever been. There would likely be no better time to tell a classic werewolf story. Sadly, Alpha is anything but a classic werewolf story.