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Harsh Realm – Leviathan (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

The first three episodes of Harsh Realm are an interesting combination, and not just because they were the only three episodes of the show to air before cancellation.

All three episodes are written by Chris Carter. The first two are directed by Daniel Sackheim. Taken together, they form a loose triptych. They are effectively three separate stories that come together to form a three-part pilot for the show. It is only by the end of Inga Fossa that Thomas Hobbes (and the audience) fully accept the virtual world into which they have been placed, embracing the hero’s journey that lies ahead. It isn’t until Kein Ausgang that the show really offers the audience a sense of how it might work on a weekly basis.

Fading out...

Fading out…

This is not to suggest that the events of The Pilot flow elegantly into Leviathan, nor that the events of Leviathan bleed over into Inga Fossa. All three episodes of television are discreet and individual; foreshadowing the format that the show would take in its relatively brief life. Interestingly, Carter does not take advantage of the show’s video game structure to enforce more rigid serialisation. If anything, most the nine episodes (particularly the back six) are rigidly episodic.

Leviathan is particularly relaxed in its structure. The Pilot offered all the spectacle and exposition necessary to establish Harsh Realm. In contrast, Leviathan is a bit more focused on mood and atmosphere. There is an impressive action sequence to close out the episode, but there is a larger sense that Leviathan is about establishing what day-to-day existence must be like in this virtual world.

General problems...

General problems…

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An Interview with Chris Claremont, Part IV (of V)

All this week, to celebrate the release of X-Men: Days of Future Past, we’re publishing a serialised interview that we conducted with the wonderful Chris Claremont back in February for publication in a British comic book magazine. Many thanks to Mr. Claremont for taking the time to talk to us, and also to Adam Walsh for allowing us to publish this.

Seventeen years is a long time in real life. It’s an eternity in comic book publishing.

Chris Claremont remained on Uncanny X-Men for seventeen years non-stop from 1975 through to 1991. Even Stan Lee only wrote The Amazing Spider-Man for a decade. It’s a phenomenal accomplishment, particularly in an industry where that sort of creative stability is uncommon.

Did Claremont have any idea at the time that he would be working on the title for that long? “I never thought I would stay on for seventeen years,” he freely admits. “I just never ran out of ideas. It was too much fun. They were my friends, I didn’t want to dump them and run away.

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