christopher walken | the m0vie blog

Non-Review Review: True Romance

Posted on March 18, 2011 by Darren

True Romance is one of those films I’m surprised never found a stronger audience, even retroactively. It features a screenplay from Quentin Tarantino which really put the future director on the map, but it also features a huge number of pre-stardom appearances from actors as diverse as James Gandolfini, Brad Pitt and Chris Penn. The movie holds together fantastically, but perhaps it works better as a collection of scenes than as a fully-realised movie – but, when the scenes are this good, that’s not necessarily a heavy criticism.

It's Whirley ride...

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Filed under: Non-Review Reviews | Tagged: brad pitt, Chris Penn, Christian Slater, christopher walken, dennis hopper, elvis, elvis presley, ensemble, films, james gandolfini, Movie, non-review review, Patricia Arquette, quentin tarantino, review, tarantino, tony scott, true romance, true romance (film) | 4 Comments »

Non-Review Review: A View to a Kill

Posted on January 19, 2011 by Darren

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

A View to A Kill is not fondly remembered. In fact, it frequently finds itself listed amongst the dregs of the Bond films when the time comes to rank the worst of the British secret agent’s on-screen adventures. Truth be told, I find that rather harsh – I’d argue that it’s a significantly stronger effort than The Man With The Golden Gun, at least – as well as possibly Octopussy and Moonraker. After all, both Roger Moore and Christopher Walken look like they are having such a ridiculously good time.

Not quite a towering accomplishment…

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Filed under: Non-Review Reviews | Tagged: A View to a Kill, a view to a kill (movie), arts, Bond girl, christopher walken, films, grace jones, james bond, james bond january, List of James Bond villains, Man With The Golden Gun, Max Zorin, mayday, non-review review, review, Roger Moore, San Francisco City Hall, sean connery, United States | 7 Comments »

Non-Review Review: The Comfort of Strangers

Posted on April 19, 2010 by Darren

Let me tell you something: My father was a very big man. And all his life he wore a black mustache. When it was no longer black, he used a small brush, such as ladies use for their eyes. Mascara.

– Robert

The Comfort of Strangers is… a strange film. I can appreciate what it’s doing (or rather what it is trying to do), but it never quite comes together. Perhaps it’s because the movie seems structured as too much of a thought exercise rather than a finished dramatic production. There’s food for thought here, but there’s really not too much else.

Never wander off with strangers... ESPECIALLY if they're Christopher Walken...

Note: I will be discussing the film’s ending, which is kinda important. But don’t worry, I’ll flag it beforehand. Plus, this film is nearly twenty years old, so I figure it’s fair game.

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Filed under: Non-Review Reviews | Tagged: christopher walken, comfort of strangers, films, harold pinter, helen mirren, ian mcewan, Movies, natasha richardson, non-review review, paul schrader, review, rupert everett, the comfort of strangers, venice | Leave a comment »

Non-Review Review: Batman Returns

Posted on November 17, 2009 by Darren

I adore Batman Returns. It tends to be a rather polarising film, and certainly a polarising Batman adaptation. It was famously too dark and too weird for mainstream audiences, with too much creepy and freaky stuff serving to distress the parents of children who gobbled up Batman-themed Happy Meals. I think it holds up the best of the four Burton and Schumacher Batman films, because it finds a way to balance Burton’s unique approach and style with that of the Caped Crusader. While Burton’s Batman occasionally struggled to balance the director’s vision with a relatively conventional plot (to the point where Vicki Vale stuck out like a sore thumb, and the movie wasn’t the most coherently plotted of films), here there’s a much greater sense of balance at play, and a feeling that Burton isn’t compromising, and yet is working with the characters.