chris claremont | the m0vie blog

Wolverine: Save the Tiger (Review/Retrospective)

Posted on June 1, 2012 by Darren

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

In 2009, Marvel published a Wolverine Omnibus. I’m honestly surprised that it took the company that long to pull together a large volume of work featuring the character and dump it on the market. However, browsing the gigantic hardcover, I’m amazed at just how much Wolverine-related material Marvel published before the character got his own on-going series. There was the Claremont/Miller miniseries, Kitty Pryde & Wolverine, and seemingly numerous cameos and guest appearances in books outside the X-Men line. However, Save the Tiger, a ten-part story that opened the anthology series Marvel Comics Presents, occupies a crucial place in Wolverine lore. Written by Chris Claremont and illustrated by John Buscema, it reads as something of a dress rehearsal for the character’s seemingly inevitable on-going series.

No claws for concern…

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Filed under: Comics | Tagged: Avenger, chris claremont, Claremont, cyclops, Jean Grey, John Buscema, Madripoor, marvel, Marvel Comic, Professor X, Psylocke, uncanny x-men, wolverine, x-men | 3 Comments »

Kitty Pryde and Wolverine (Review/Retrospective)

Posted on May 31, 2012 by Darren

Chris Claremont didn’t invent Wolverine, but he defined him. Long before Wolverine was appearing in multiple team books and multiple solo series, the short and hairy Canadian was developed within Claremont’s Uncanny X-Men. When the time came to develop the character beyond that, it was Claremont that handled the four-issue Wolverine series, and it was Claremont who handled this six-issue Kitty Pryde & Wolverine miniseries. The market had yet to reach Wolverine saturation. However, Kitty Pryde & Wolverine is remarkable as a spiritual extension of Claremont’s Uncanny X-Men run. Without the influence of Frank Miller, this six-issue collection feels more distinctly like a microcosm of Claremont’s extended work on the franchise, bringing into focus his strong character work, his pulpy sense of storytelling and, occasionally, his excessively purple prose.

Stayin’ sharp…

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Filed under: Comics | Tagged: Al Milgrom, astonishing x-men, Avenger, avengers, chris claremont, Comics, japan, joss whedon, Kitty Pryde, marvel, marvel comics, Ogun, uncanny x-men, x-men | Leave a comment »

X-Men: Fatal Attractions (Review/Retrospective)

Posted on May 30, 2012 by Darren

I’ll freely concede that I feel a bit conflicted when it comes to the X-Men comic books in the nineties. On the one hand, they were prone to nineties excesses, seemingly constantly in the midst of a sales-boasting crossover event, increasingly toyetic with steretypical portrayals and male and female anatomy. Also, to be entirely honest, they were never as exciting or creative as they had been when Claremont was directing the line – even his more esoteric efforts developed key themes and harboured a hint more ambition and sophistication than most of what followed.

However, I don’t want to give the impression I’m not fond of the X-Men in the nineties. That era, through the toys and the cartoon show, introduced me to the team. And, to be entirely fair, the books were very far ahead of the worst of what Marvel was publishing (as I’m currently reading The Crossing, I can vouch for that). I also have a certain amount of sympathy for a bunch of writers trying to find a direction for an entire line of books after a monumental and defining run by Chris Claremont. In many ways, Fatal Attractions reads like an attempt to draw a line in the sand under Claremont’s contributions to the franchise, and to boldly push forward with a modern take on the merry mutants.

It’s his magnetism, Charles…

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Filed under: Comics | Tagged: charles xavier, Charlotte Jones, chris claremont, Chuck, Claremont, Death of Superman, Down syndrome, Fabian Nicieza, Fatal Attractions, marvel, peter david, Professor X, Scott Lobdell, Storm, uncanny x-men, x-factor, x-men | 7 Comments »

X-Men: The Dark Phoenix Saga – 30th Anniversary Edition (Review/Retrospective)

Posted on May 30, 2012 by Darren

Chris Claremont enjoyed the company of some of the most respected and renowned artists in comics while working on Uncanny X-Men. He had the pleasure of helping to establish talent like John Romita Jr., Marc Silvestri and Jim Lee, all modern giants working in the field. However, it’s hard to argue that Claremont ever worked in tighter synergy than he did with John Byrne. Byrne succeeded artist Dave Cockrum on the book, and helped Claremont helm several iconic and defining X-Men stories, delivering pay-off on years of set-up and radically reshaping notions of what a superhero comic could and could not do. Though the pair produced several genuine classics, The Dark Phoenix Saga stands as the artistic triumph of their run. One could make a compelling case that it’s Claremont’s finest X-Men story, or the finest X-Men story, or – if one weren’t feeling especially modest – perhaps the finest mainstream superhero story ever told.

Bird of prey…

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Chris Claremont & Frank Miller’s Wolverine (Review/Retrospective)

Posted on May 28, 2012 by Darren

It’s almost hard to believe that Wolverine only earned his first solo miniseries in 1982. The character had first appeared as a foe in The Incredible Hulk in 1974, and was coopted in the X-Men with Len Wein’s Giant-Sized X-Men #1 a year later. During Chris Claremont’s celebrated Uncanny X-Men run, Wolverine emerged a hugely popular character. In fact, I think you could make the argument that Wolverine and Storm were the central protagonists of Claremont’s epic X-Men run. Still, given how ubiquitous the character has become in recent years, it’s impressive that it took so long for him to get a solo adventure. The four-part Wolverine miniseries, written by Chris Claremont and illustrated by Frank Miller, is generally regarded as one of the best miniseries that Marvel ever produced, and I think that it provided a lot of the momentum and characterisation that would sustain the character over three more decades of solo appearances.

Get some…

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Filed under: Comics | Tagged: 20th Century Fox, alan moore, chris claremont, Claremont, Clint Eastwood, dark knight returns, frank miller, HughJackman, James Mangold, japan, Len Wein, wolverine, x-men, X-Men Origins: Wolverine | 4 Comments »

X-Men: The Age of Apocalypse Omnibus (Review/Retrospective)

Posted on May 24, 2012 by Darren

The nineties represent a contentious time for fans of the X-Men franchise. The decade saw comic books explode into a huge market, with ridiculous sales and publicity, and the entire X-Men franchise rode that wave perfectly. Chris Claremont and Jim Lee’s adjectiveless X-Men #1 remains the biggest-selling comic book of all time, after all, and the franchise quickly secured itself as Marvel’s premiere comic book franchise. On the other hand, the line had been thrown into disarray by the departure of long-term steward Chris Claremont and its era-defining artist Jim Lee. The family of titles had struggled to find a footing through some uneven crossovers and events like X-Cutioner’s Song and Fatal Attractions. However, I think the decade produced one gem that can be considered as a true classic, along with the best of Claremont’s tenure and the work of Grant Morrison. The Age of Apocalypse might seem an odd choice to identify as one of the highlights of the X-Men saga, but I think it deserves very serious consideration.

Apocalypse now…

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Filed under: Comics | Tagged: Age of Apocalypse, apocalypse, chris claremont, David Lapham, grant morrison, marvel, marvel comics, psychology, Rick Remender, Social Sciences, time travel, walt simonson, x-force, x-men | 4 Comments »

X-Men by Jim Lee and Chris Claremont (and Whilce Portacio) Omnibus, Vol. 2 (Review/Retrospective)

Posted on May 23, 2012 by Darren

Gotta say this for the man — he knows how to make an exit.

– Archangel, X-Men #3 (Claremont’s last issue)

And so, this is the end. The end of Claremont’s quite simply epic run on the X-Men books. It’s amazing to look back on the writer’s output today, and simply try to consider the size of his contribution to the franchise. While he departed the books as they were at the height of their appeal (X-Men #1 famously being the best-selling comic book of all time), it’s hard to argue that X-Men ever would have reached that height without Claremont’s vision and style. While the writer undoubtedly had his weaknesses, I think his contributions to the medium are rather undervalued. While writers like Alan Moore and Frank Miller reinvented comic books, I think that Claremont was an expert at incorporating those radical changes into his work, and a writer who managed to secure the support of his fans by giving the X-Men a sense of pop culture resonance that a lot of subsequent writers tried and failed to capture.

Through X-tremes…

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Filed under: Comics | Tagged: alan moore, chris claremont, Claremont, collected edition, crossroads, cyclops, Gulf War, Iceman, jack kirby, Jean Grey, jim lee, Louise Simonson, magneto, magneto was right, marvel omnibus, mutant massacre, Professor X, rubicon, Savage Land, Shadow King, stan lee, Starjammer, Storm, x-men, x-men #1, x-men omnibus, Zaladane | 5 Comments »

X-Men: X-Tinction Agenda (Hardcover) (Review)

Posted on May 22, 2012 by Darren

X-Tinction Agenda makes for a potentially fascinating X-Men crossover, tying together Uncanny X-Men, X-Factor and New Mutants to tell a single cohesive story. It’s not a new approach – it was pioneered by The Mutant Massacre and Inferno – but it is perhaps the definitive approach to X-Men related crossovers (it’s still in use today for stories like Second Coming). It’s fascinating, because it sees the creative teams pick up on something that Claremont had introduced over thirty issues earlier, as if recognising a gem of an idea really deserved further development. That said, despite some decent writing and art, X-Tinction Agenda can’t help but feel like it wastes its potential, hitting on an absolutely fascinating premise and deftly tying the three on-going monthly comic books together, but ending up as little more than an explosive knock-down brawl.

The Wolv pack…

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Filed under: Comics | Tagged: 1990s, Cameron Hodge, chris claremont, Claremont, extinction agenda, Genosha, jim lee, magneto, mutant massacre, new mutants, Psylocke, Rob Liefeld, south africa, uncanny x-men, x-men, X-Men: X-tinction Agenda, X-Tinction Agenda, xtinction agenda | Leave a comment »

X-Men by Jim Lee and Chris Claremont (and Marc Silvestri) Omnibus, Vol. 1 (Review/Retrospective)

Posted on May 21, 2012 by Darren

If the nineties could be said to belong to any particular comic book franchise, they belonged to the X-Men. Marvel has done a great job collecting classic X-Men storylines in oversized hardcover, already having more than half of Chris Claremont’s very long run available in the format. Reading his work collected here, I find myself frequently conflicted – I can’t decide whether the writer was one of the best long-form storytellers in the medium, or whether he was writing by the seat of his pants. A lot of the threads he ties together might not wrap up satisfactory, but his overarching stories suggest an incredible amount of planning. As the author led the Uncanny X-Men into the nineties, the title seems almost in chaos, but the most carefully organised chaos imaginable.

We all have our crosses to bear…

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Filed under: Comics | Tagged: arts, Captain Britain, chris claremont, Claremont, dark knight returns, Havok, Jean Grey, jim lee, Len Wein, Marc Silvestri, marvel, marvel comics, Moira MacTaggert, Professor X, Shadow King, Siege Perilous, sigourney weaver, uncanny x-men, wolverine, x-men, X-Tinction Agenda | 2 Comments »

X-Men: X-Cutioner’s Song (Review/Retrospective)

Posted on May 17, 2012 by Darren

In a way X-Cutioner’s Song marks a fairly significant turning point in the history of the X-Men franchise. The X-Men books were in a state of turmoil. They had lost their long-term writer Chris Claremont only recently, and Jim Lee had departed to work on other projects. The central theme of the books – exploring prejudice and racism – looked to be losing steam slightly as South Africa’s apartheid regime collapsed and the country developed into a truly democratic state. It seemed like the books were struggling to cope with all these changes occurring so rapidly, and X-Cutioner’s Song reads like an attempt to assert control on the franchise – as if to assure readers that everything was okay and it was business as usual.