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Star Trek: Voyager – Survival Instinct (Review)

Survival Instinct marks the beginning and the end of Ronald D. Moore’s involvement with Star Trek: Voyager.

Moore had been one of the most influential writers on Star Trek: The Next Generation and Star Trek: Deep Space Nine. Moore had famously been drafted into the Star Trek franchise with no outside experience; The Bonding was based upon a speculative script that he wrote, and he had been invited to join the staff when The Defector proved that he was not a one-script wonder. Moore had inspired producer Michael Piller to open the franchise to speculative scripts, a decision which led to the recruitment of writers like Bryan Fuller and Rene Echevarria.

Drone warfare.

Moore had consistently pushed the envelope in terms of what Star Trek could be. Several of Moore’s scripts feel like trailblazers, expanding the storytelling language of an established science-fiction franchise; the Klingon-centric script for Sins of the Father, the quieter character drama of Family, the epic scale of Redemption, Part I and Redemption, Part II. Paired with Ira Steven Behr on Deep Space Nine, Moore really pushed the boundaries of what Star Trek could be; Soldiers of the Empire looked at life on a Klingon ship, In the Pale Moonlight stretched (and maybe broke) Star Trek morality.

All of the other writers on Deep Space Nine chose to bow out gracefully with What You Leave Behind, to part ways with the franchise having provided their own unique take on the Star Trek mythos. However, Moore was convinced to migrate across from Deep Space Nine to Voyager. There are any number of reasons why Moore might have chosen to stay when writers like Behr and Echevarria chose to take their exit; Moore was the longest continuous-serving writer on the Star Trek franchise to that point. In terms of second-generation Star Trek, only Rick Berman could have claimed to have a deeper impression.

Armed and dangerous.

Moore arrived on the sixth season of Voyager and immediately looked to make his mark. Like Brannon Braga, Moore had always been an extremely productive Star Trek writer. He was typically credited on six or seven scripts in a season of The Next Generation and Voyager, while also scripting Star Trek: Generations and Star Trek: First Contact. Although not credited on the script, Moore was actively involved in the back-and-forth over the script to Equinox, Part II. He scripted the second episode, Survival Instinct. He was working on the story to third, Barge of the Dead.

And then the unthinkable happened. Like so much of Voyager, Moore’s arrival proved to be something of a false dawn. In early July 1999, Ronald D. Moore left Star Trek. This was within a month of the broadcast of What You Leave Behind, and nearly three months before the premier of the sixth season of Voyager. Even before Moore and Braga elaborated upon the particulars of what had happened, it was clear that something had gone disastrously wrong.

What We Left Behind.

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Star Trek: Voyager – Equinox, Part I (Review)

Equinox, Part I works better than it should.

Equinox, Part I is sustained by three important factors. The most obvious is the premise itself. Equinox, Part I and Equinox, Part II tell a story that is baked into the DNA of Star Trek: Voyager, and it is surprising that it took the production team five years to tell it. Secondly, Equinox, Part I and Equinox, Part II have the luxury of a fantastic supporting cast with John Savage and Titus Welliver playing the two most senior officers on the eponymous ship. The third factor is a sense of momentum, with Equinox, Part I and Equinox, Part II moving at a tremendous pace.

A Captain’s Ransom.

These three factors compensate for a lot of potential flaws. Equinox, Part I is an episode of television that spends forty-five minutes consciously building towards its cliffhanger. There is nothing wrong with this approach. Many of the best Star Trek cliffhangers, especially season finales, are structured as relentless build-up. The Best of Both Worlds, Part I builds to Picard’s assimilation and Riker’s command. Call to Arms builds to the Dominion retaking the station and war being declared. Equinox, Part I builds to the reveal of what Rudolph Ransom did.

Equinox, Part I is an episode that works as sheer and unrelenting build-up.

Too many captains.

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