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Torchwood: Children of BBC Sci-Fi

I have to admit, my family’s hooked to Torchwood: Children of the Earth playing on the BBC at the moment. For those unfamiliar with the concept and execution, it’s a five-part epic that is playing at 9pm every night this week. It’s the type of television event that shows why the BBC might just be the best broadcasters in the world – the show is perfect for the format. The tension is elevated by the fact we know the run will end on Friday, the budget is clearly there for all the spectacle and all the talent involved is top notch. It’s the kind of thing that I wish that RTE might pick up on, even once. The really beautiful thing about this run is that manages to demonstrate that not only are the Beeb doing something very well, but they’ve been doing it well all along. From what we’ve seen so far, Children of the Earth can hold its head high with all the other great science fiction events the channel has pulled off over the years.

Back in black...

Back in black...

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No More Animated Patrick Troughton? It’s a War Crime!

The War Games, the final Doctor Who serial featuring Patrick Troughton, materialises on DVD today. I haven’t seen it (I’ll probably pick it up from HMV today if the price is right), but reviews seem to state it’s one of the show’s few ten-parters that doesn’t feel padded… well as padded. Anyway, I’m a big fan of Troughton’s Doctor (whose one-adjective-summation would be “loveable” – in the same way that Tom Baker’s would be “dramatic” or Eccleston’s would be “human” or Hartnell’s would be “bratty” and so on), but we’re nearing the end of Troughton serials available for release. Which is a damned shame. Is animation the next step forward?

The "Reanimated" Cybermen...

The "Reanimated" Cybermen...

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Ashes to Ashes, Funky to Funky…

Caught the finale of Ashes to Ashes on the Beeb last night. It was actually quite good, all told – though it did end on the twist that I had predicted erroneously that Life on Mars would end on. Still, though the second series was a vast improvement over the first, I couldn’t help but think that Ashes to Ashes remained in the shadow of Life on Mars throughout its run. It was solidly entertaining television and one of a handful of shows I’d watch week-in and week-out, but it wasn’t really spectacular. And it had so much potential…

Here come the fashion police...

Here come the fashion police...

Update: Apparently Ashes to Ashes is to have a three-season run, confirmed by Philip Glenister on BBC Breakfast yesterday, so this article is rather premature. I’m not sure if this changes how I feel about that  brilliant  final scene, but I’ll be tuning in…

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Irish television…

Why can’t RTE produce a standard thirteen-part drama once a year? I am a huge television fan and I can’t wrap my head around it. I know they aren’t the BBC – nor should they or could they – but it’s incredibly hard to justify given that the station has possibly the best current affairs department in the world and an above-average record with comedies (though they never should have passed on Father Ted).

I flick over to the ever-reliable Beeb and I see any number of highly-watchable drama shows that run once-a-year every year – Doctor Who, Torchwood, Spooks, Hustle, Ashes to Ashes, New Tricks to name but a few. Wow. And for my irish television licence, what do I get? Raw. A show about a restaurant that is reviewing terribly. Still, we get a second season, so that’s good, right? Maybe they’ll commission a second season of something good.

(Very) Raw talent

(Very) Raw talent

We have the talent in the country – The Abbey and The Gate see to our acting talent, many of whom emigrate to find work; there’s a rapidly emerging Irish film circuit that provides the directors; we’re a nation highly respected as writers – so why hasn’t it happened yet? I have dozens of TV shows on DVD, but not one of them is Irish, save the crappy Reeling in The Years compilation RTE produced. No Irish drama. (And the show is amazing… due to rights issues, the DVD less so.)

We have room in the schedule – a disturbing proportion of RTE’s broadcasts are imports – and we also have the money, we’re just spending it wrong. Why do I need RTE to show Lost when I can see it in higher quality on Sky? What’s the point of getting Desperate Housewives on RTE when there are 101 other boland import-filled channels on my digibox? Sure, it might garner ratings and advertising revenue by acquiring exclusive rights, but what’s the point of having a state broadcaster to do that for us?

It made sense before the internet allowed us to see anything anywhere almost simultaneously. It made sense before digital made it possible for ordinary households to see anything we wanted. What is the purpose of a public-service broadcaster that doesn’t offer anything we can’t get anywhere else? Even if you could argue that Irish drama isn’t financial lucrative, there’s a reason we fund the public arts. And it’s not to see 30 Rock (awesome as it may be) a few weeks early.

Sure, you counter, RTE does original programming. I’ll give you current affairs. I love Prime Time and I want to run away and marry Brian Dobson. I’ll accept comedy like Bachelors Walk, as it is high quality entertainment. Hell, even the one off drams can be good (Whistleblower), but they can also be so bad it’s horrible (Butter Sweat). I am disgusted with the amount of crass reality television knockoffs we produce as a nation. I makes my physically sick. Sure, every other station in the world does it, but the good ones offset it with something good and smart and brave (or at least better and smarter and braver), instead of patting the audience on the head with some American sitcom.

I want to love RTE, I really do. It’s all there, ready and waiting to be used. They don’t seem to be willing to use it though. And that really ticks me off.

I’m going to go watch the BBC.