To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.
The Eleventh Hour originally aired in 2010.
So, coming?
No.
You wanted to come fourteen years ago.
I grew up.
Don’t worry. I’ll soon fix that.
– the Doctor and Amy
The arrival of a new producer on Doctor Who always represents a shift in some way shape or form. The change from Barry Letts to Philip Hinchcliffe must have seemed radical, even at the time. Graham Williams following Hinchcliffe represented a similarly strange departure. The departure of Russell T. Davies, the producer who had brought Doctor Who back to television after over a decade, was always going be a pretty significant change for those watching. Steven Moffat’s first episode as producer might not seem like it’s a shocking departure from what came before, but it also quite efficiently and effectively distinguishes Moffat’s tenure from that of his direct predecessor.
While by no means as radical a shift as Spearhead from Space, there is a very clear feeling that The Eleventh Hour brings with it significant tonal and thematic changes to the tale of the Doctor.
A mad man with a box…
Filed under: Television | Tagged: amy, amy pond, arts, Aztec, bbc, Davies, doctor, doctor who, DoctorWho, Eleventh Doctor, Eleventh Hour, Moffat, rose, russell t. davies, science fiction, steven moffat, tardis | Leave a comment »
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