• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Agents of S.H.I.E.L.D – Pilot (Review)

Agents of S.H.I.E.L.D. is a very competent production. It looks lavish. It connects the dots. It reminds the audience that it’s connected to a string of blockbuster movies without being pushy about it. It introduces a diverse ensemble. It sets up long-running mysteries and story arcs. It’s a tight and focused, and controlled piece of television.

Perhaps too controlled. There’s something oddly restrained and oddly refined about Agents of S.H.I.E.L.D., feeling a little smoother and a little more polished than a pilot really should. There’s not a hair out of place, but only because everything has been so meticulously styled. This isn’t a bad thing – the pilot plays remarkably well – but it just feels a bit limp, a bit lifeless.

It’s as if we’ve tuned into a Life Model Decoy of a Joss Whedon show.

Phil us in...

Phil us in…

Continue reading

West Coast Avengers Omnibus, Vol. 1 (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

I’ve never been especially fond of the classic Avengers. The group has always seemed particularly insular and self-centred for a comic book superhero team, with so much emphasis on their by-laws and regulations, their posh fifth avenue mansion and the strange sense of pride that second-tier characters like Hawkeye seem to place on their own importance within the Avengers franchise. There have been great runs, and there have been comics that I have enjoyed a great deal, but I will concede that I am not a fan of the Silver and Bronze Age Avengers aesthetic.

West Coast Avengers is a clear attempt to develop the franchise, to give Marvel a second high-profile Avengers book. Launched in 1984 and running for a decade, the book followed the establishment of a second superhero team branded on the classic Avengers model. Of course, part of me suspects that this was all just a plan to get Hawkeye out of the mansion (“you and Mockingbird can relocate quickly… and the sooner you do — the sooner our west coast team is operational — the better!” Vision insists).

There are moments of wry self-awareness in West Coast Avengers, but far too much of it reads far too earnestly.

And yet somehow this guy has appeared in two of the biggest superhero blockbusters of the past five years...

And yet somehow this guy has appeared in two of the biggest superhero blockbusters of the past five years…

Continue reading

Rick Remender’s Run on Secret Avengers – Avengers vs. X-Men (Review/Retrospective)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

Secret Avengers manages one of the strongest tie-ins to Avengers vs. X-Men. I will confess that I am not normally a fan of comic book event tie-ins. They tend to distract from on-going narratives crafted by long-term writers in order to assure a cynical short-term sales boost. At worst, they can feel like vacuous filler, comics full of nonsense that are impossible to decipher unless you’re reading the giant crossover of the month. Both Ed Brubaker’s Captain America and Matt Fraction’s Invincible Iron Man lost a lot of momentum thanks to crossovers.

On the other hand, I’ll concede that good writers can shrewdly use crossovers to tell their own stories. Perhaps the most obvious example is Alan Moore’s wonderful Swamp Thing tie-in to Crisis on Infinite Earths – stories that can be read (and be quite entertaining) on their own terms, without requiring the reader to constantly flick back or forth. Kieron Gillen’s Uncanny X-Men tie-in to Avengers vs. X-Men manages to retain its own identity and tell its own story, and Rick Remender’s Secret Avengers makes a valiant attempt.

Into the fire...

Into the fire…

Continue reading

Ultimate Comics: Hawkeye (Review)

To celebrate the release of Thor: The Dark World towards the end of next month, we’ll be looking at some Thor and Avenger-related comics throughout September. Check back weekly for the latest reviews and retrospectives.

Ultimate Comics: Hawkeye is pretty much a companion piece to Jonathan Hickman’s Ultimate Comics: Ultimates run. Unlike other miniseries like Ultimate Comics: Thor or Ultimate Comics: Captain America, Hawkeye isn’t designed to be read on its own. It is clearly intended as a story to be read in parallel with Hickman’s on-going Ultimates narrative, unfolding at the same time alongside that particular story. As such, it’s a weird miniseries to read on its own terms, doing a rather excellent job of fleshing out the global scale of Hickman’s Ultimates work, but never really working on its own terms.

Broken arrow...

Broken arrow…

Continue reading

Digging the Claws In: The Wolverine, Superman/Batman, World Building and the Future of Blockbusters…

When you produce one of the most successful movies of all time, you change the rules of the game. The Avengers was the biggest box office hit of 2012, narrowly edging out The Dark Knight Rises and Skyfall for the privilege. That means that all the other major film studies were taking note of what Disney and Marvel had done. So it’s no surprise that the majority of announcements trickling out of this year’s Comic Con feel heavily influenced by the success of that blockbuster.

Most notably, it seems like DC and Warners will be fully investing in their superhero world-building, with the sequel to Man of Steel broadening its focus from the Man of Tomorrow, announced as a Superman/Batman team-up feature that will build towards the inevitable Justice League film. It seems like The Wolverine might just be the most major stand-alone superhero feature film we’ll be seeing for quite some time.

The future is now...

The future is now…

Continue reading

Civil War: X-Men (Review)

To celebrate the release of The Wolverine later in the month, we’re taking a look at some classic X-Men and Wolverine comics every Monday, Wednesday and Friday here. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.

Ugh. There’s nothing like Civil War: X-Men to remind you just how unkind the middle part of the last decade was to Marvel’s merry mutants. It’s a soulless cash-in the worst sense of the word, a four-issue miniseries branded with the title of the gigantic universe-spanning crossover that was going on at the moment. One would imagine that the whole Civil War crossover would provide a multitude of compelling storytelling opportunities for the X-Men as a franchise.

After all, these are superheroes whose entire schtick is based around being hated and feared by the world they try to protect. You’d imagine that they’d have a few choice words for all the superheroes finding themselves suddenly confronted by the idea that the public isn’t too keen on people with superpowers just wandering around. Instead, we get a messy jumble of a plot that doesn’t make sense on its own terms, let alone as an attempt to contextualise the involvement of the X-Men in Marvel’s Civil War crossover.

Back in black...

Back in black…

Continue reading

Archie Goodwin’s (& George Tuska’s) Run on The Invincible Iron Man – The Invincible Iron Man Omnibus, Vol. 2 (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

The second omnibus contains both the tail end of Stan Lee run on Tales of Suspense and the Archie Goodwin run on The Invincible Iron Man. To make matters easier, I’ve split the review in half. This half covers Archie Goodwin’s Iron Man.

Archie Goodwin is one of the best editors to work in comic books. During his time working at DC, the editor was responsible for The Long Halloween and also James Robinson’s long-running Starman. While Goodwin was an exceptional editor, he was arguably a weaker writer. As his run on The Invincible Iron Man demonstrates, Goodwin has a very clear idea of what concepts work and won’t work with the character, and how to start “fixing” some of the more obvious flaws present in the character from his inception during Stan Lee’s Tales of Suspense run. However, Goodwin isn’t quite as deft when it comes to story construction or plot mechanics. He lacks Lee’s flair for soap opera angst and interpersonal drama.

However, his run on The Invincible Iron Man remains quite impressive, and just as influential and formative as anything written by Stan Lee. I’d argue that Goodwin’s conceptual model of the character is a lot closer to the modern version of Iron Man, and that his version of Tony Stark bleeds through the work of later writers and also into the massive billion-dollar film franchise as well. So Goodwin’s work on The Invincible Iron Man is quite iconic. It’s just some of the nuts-and-bolts scripting that seems to catch him, from time to time.

That's why they call him the Invincible Iron Man...

That’s why they call him the Invincible Iron Man…

Continue reading

Non-Review Review: Iron Man 3

Where do you go after The Avengers? Marvel brought together four separate superhero franchises to produce one mega-blockbuster last summer, producing the most successful film of 2012 and one of the most lucrative films in the history of the medium. It’s a tough act to follow. If Iron Man 3 is any indication, it seems like Disney and Marvel understand how they want to progress from here. Shrewdly deciding not to compete with The Avengers on scale, Iron Man 3 is instead a character-driven action thriller specifically tailored for the character of Tony Stark, with writer and director Shane Black very clearly having his own idea for the hero who first launched Marvel’s shared universe.

While Iron Man 3 isn’t quite perfect, it’s a solid superhero blockbuster, and perhaps second only to Kenneth Brannagh’s Thor as the best superhero film produced by Marvel Studios.

Who da Iron Man?

Who da Iron Man?

Continue reading

Non-Review Review: Iron Man 3

Where do you go after The Avengers? Marvel brought together four separate superhero franchises to produce one mega-blockbuster last summer, producing the most successful film of 2012 and one of the most lucrative films in the history of the medium. It’s a tough act to follow. If Iron Man 3 is any indication, it seems like Disney and Marvel understand how they want to progress from here. Shrewdly deciding not to compete with The Avengers on scale, Iron Man 3 is instead a character-driven action thriller specifically tailored for the character of Tony Stark, with writer and director Shane Black very clearly having his own idea for the hero who first launched Marvel’s shared universe.

While Iron Man 3 isn’t quite perfect, it’s a solid superhero blockbuster, and perhaps second only to Kenneth Brannagh’s Thor as the best superhero film produced by Marvel Studios.

Who da Iron Man?

Who da Iron Man?

Continue reading

Stan Lee & Gene Colan’s Iron Man – The Invincible Iron Man Omnibus, Vol. 2 (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

The second omnibus contains both the tail end of Stan Lee run on Tales of Suspense and the Archie Goodwin run on The Invincible Iron Man. To make matters easier, I’ve split the review in half. This half covers the end of Stan Lee’s Iron Man.

And so we come to the end of Stan Lee’s work on the character of Iron Man as part of the Tales of Suspense magazine. This part of the run is consistently illustrated by the wonderful Gene Colan, who is among my favourite artists of the era, and Colan’s pencils do a lot to give the tail-end of Lee’s work with Tony Stark a bit of weight and gravitas. Because, as we reach the end of the character’s time as one-half of Tales of Suspense, it’s hard to argue that Lee still hasn’t quite figured out what he wants to do with Iron Man as a character. While Tony Stark’s teething problems are nowhere near as severe as those of The Incredible Hulk, it still feels like the character isn’t gelling nearly as well as he should.

If you can't stand the heat...

If you can’t stand the heat…

Continue reading