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Non-Review Review: A Wrinkle in Time

A Wrinkle in Time is messy and unfocused, but also beautiful and wonderful.

It is wonderful in a very literal sense. A Wrinkle in Time is best enjoyed with a sense of childlike wonder, allowing the succession of beautiful and striking images wash over the audience. Director Ava DuVernay strives for a childlike sense of wonder, adopting a very heightened and exaggerated aesthetic. A Wrinkle in Time is filled with impossible and uncanny images that seem to have sprung from a rich and vivid imagination. This sense sense of wonder often has little to do with momentum, DuVernay finding a way to make actors standing in field of wheat seem enchanting.

Here comes the science.

However, A Wrinkle in Time suffers a little bit when it tries to force these images to cohere into a singular linear narrative. The plot of A Wrinkle in Time is an archetypal children’s adventure story, about a group of children crossing impossible distances and facing impossible odds in order to reunite a broken family. However, A Wrinkle in Time follows the familiar beats and rhythms without ever suggesting a central thesis or point. The issue is not that A Wrinkle in Time is a family film without ideas. It often feels like A Wrinkle in Time has too many ideas.

A Wrinkle in Time works better from moment to moment than it does as a single story. At is best, A Wrinkle in Time feels like an album of striking and evocative images paired with clever and provocative themes. However, these elements never quite line up as smoothly as they should.

It all balances out.

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