arts | the m0vie blog

Doctor Who: Four to Doomsday (Review)

Posted on May 6, 2013 by Darren

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Four to Doomsday originally aired in 1982.

Come along, children. Not in front of our hosts.

– the Doctor finally manages to strike the right tone with his companions

Four to Doomsday is an interesting story, if only because it’s so rarely discussed. The second story of a particular Doctor seems to set the tone for their era. William Hartnell’s second story, The Daleks, introduced the iconic pepperpots. Patrick Troughton’s second serial, The Highlanders, introduced the companion Jamie, who would remain with him for the rest of his tenure. Jon Pertwee’s second story, The Silurians, saw Barry Letts taking over the role of producer. Tom Baker’s second story, The Ark in Space, is one of the most memorable and definitive instances of horror in the history of the show. Colin Baker had the misfortune to have Attack of the Cybermen as his second story, an adventure that set the tone for his time in the TARDIS. Sylvester McCoy didn’t really develop until his second season, but he’s probably the exception that proves the rule.

Peter Davison’s Four to Doomsday, on the other hand, just sort of… is.

Ground control to Major… dammit, why couldn’t I get this image a year earlier in the show’s run?

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Filed under: Television | Tagged: Adric, arts, bbc, doctor, DoctorWho, doomsday, Faceless Ones, Jon Pertwee, Keeper of Traken, Matthew Waterhouse, Nyssa, patrick troughton, Peter Davison, science fiction, Stratford Johns, Sylvester McCoy, tardis, Tegan, Tegan Jovanka, Tom Baker, Unearthly Child | 2 Comments »

Doctor Who: Castrovalva (Review)

Posted on May 5, 2013 by Darren

Castrovalva originally aired in 1982.

Welcome aboard. I’m the Doctor. Or will be if this regeneration works out.

– the Doctor greets Adric

Tom Baker did seven years of Doctor Who. That is impressive. No matter which way you look it, and no matter how cynical you might be, it’s hard to argue that Baker’s departure wasn’t a fundamental and radical change to the series. In fact, his influence is so great that Castrovalva even opens with a rare pre-credits sequence, just to make sure that the viewers know that Baker is gone. (Despite the fact that John Nathan Turner apparently asked that the scene be shot so that the new season could open without having to show Tom Baker.)

Baker was going to be a tough act to follow. In fact, to many people, Tom Baker is still the Doctor. I don’t mean that in a sort of “stubborn fans refusing to acknowledge change” sort of way. I mean that in a “when The Simpsons make a Doctor Who reference they use Tom Baker” sort of way. He cast one hell of a shadow, and it’s hard to truly fathom how daunting it must have been to try and step out from that show.

That Peter Davison manages to do so is nothing short of amazing. Equally impressive is the fact that Castrovalva manages to be its own story. While it suffers – as with so many Bidmead scripts – from the fact that the technical limitations of the show can’t keep pace with his ideas, there’s still a lot to love here. And not just Peter Davison. Though he helps.

“Oh! The brainy specs!”

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Filed under: Television | Tagged: Adric, arts, bbc, Castrovalva, doctor, DoctorWho, Fifth Doctor, Keeper of Traken, Master, Nyssa, Parting of the Ways, Peter Davison, Portreeve, russell t. davies, science fiction, steven moffat, tardis, Tom Baker, Unearthly Child | Leave a comment »

Doctor Who: Logopolis (Review)

Posted on May 4, 2013 by Darren

Logopolis originally aired in 1981. It was the second instalment in the “Master” trilogy.

It’s the end… but the moment has been prepared for.

– the Doctor finally figures out what this year has been about

I don’t think the departure of a Doctor has even been a bigger deal than it was with Tom Baker. Sure, Christopher Eccleston’s first season was so fixated on death that his departure seemed preordained, even in the episodes written before his decision to leave. Similarly, Peter Davison’s final year seems designed to demonstrate that the universe is no longer suited to this particular iteration of the Doctor. Maybe David Tennant’s final year is focused on his passing, but the episodes are so spaced out that it makes little difference. However, we’ve just spent an entire year focused on the idea of entropy and decay, the inevitably of change and the notion that death is just a nature part of the cycle of things.

When the Doctor assures his companions that “the moment has been prepared for”, he may as well be looking at the camera, assuring those of us at home that the past year has been spent readying them for the unthinkable: the time when Tom Baker might not be the Doctor.

Final destination?

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Filed under: Television | Tagged: arts, bbc, christopher eccleston, Colin Baker, doctor, doctor who, DoctorWho, fiction, Fourth Doctor, Janet Fielding, John Nathan Turner, Keeper of Traken, Logopolis, Master, paul mcgann, Peter Davison, Romana, science fiction, Sylvester McCoy, Tom Baker | 4 Comments »

Doctor Who: The Keeper of Traken (Review)

Posted on May 3, 2013 by Darren

The Keeper of Traken originally aired in 1981. It was the first instalment in the “Master” trilogy.

He dies, Doctor. The Keeper dies!

– Tremas heralds the end of an era

Of course, the entire season has been less than subtle about the point, but The Keeper of Traken is the point at which Tom Baker’s final season builds to critical mass, and reaches the point of no return. Entropy, decay and death have all been crucial ingredients in the year’s collection of adventures, but The Keeper of Traken is the point at which it seems like our character has set himself on an incontrovertible course, a path from which he cannot diverge. Baker’s approaching departure gives The Keeper of Traken a great deal of weight, and helps balance a story that might otherwise seem excessive or overblown. There’s melodrama here, but it feels strangely appropriate.

Lawrence Miles has argued that Logopolis was the funeral for the Fourth Doctor. If so, The Keeper of Traken is his wake – and it’s fitting that Irish poet and writer Johnny Byrne should provide this strangely lively (if morbid) celebration.

Hell of a wake…

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Filed under: Television | Tagged: arts, Barry Letts, bbc, christopher h. bidmead, Deadly Assassin, doctor, doctor who, DoctorWho, Fourth Doctor, Gallifrey, Keeper of Traken, Master, Nyssa, science fiction, tardis, Tom Baker, Unearthly Child, William Hartnell | 2 Comments »

Doctor Who: Warriors’ Gate (Review)

Posted on May 2, 2013 by Darren

Warrior’s Gate originally aired in 1980. It was the third instalment of the E-Space Trilogy.

We found it.

Yes, well, that’s one of the advantages of living in a rapidly shrinking micro-universe.

What are the others?

Other what?

Other advantages?

Ah, well, it’s difficult to say.

– Adric, the Doctor and Romana discuss modern living

I’m actually very, very fond of Warriors’ Gate. It’s a piece of bold science-fiction that actually manages to accomplish what a lot of these stories in Tom Baker’s final season try to do. It offers an effective bit of speculative fiction while playing to the theme of entropy, decay and collapse. Both Stephen Gallagher’s fine script and Paul Joyce’s direction come together to produce a very thoughtful and clever Doctor Who story that manages to avoid a lot of the problems facing this era of the show.

More than that, though, it turns some of those disadvantages into advantages. After all, when else is the show’s tiny production budget going to produce something this beautiful?

Shades of grey…

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Filed under: Television | Tagged: arts, bbc, christmas, doctor, DoctorWho, fiction, Graeme Harper, John Nathan Turner, Lalla Ward, literature, Online Writing, Romana, science fiction, Stephen Gallagher, Story arcs in Doctor Who, tardis, Warrior, Warriors' Gate | 2 Comments »

Doctor Who: The Armageddon Factor (Review)

Posted on April 27, 2013 by Darren

The Armageddon Factor originally aired in 1979. It was the sixth and final part of The Key to Time saga.

The Key to Time was perhaps the first conscious attempt to tell a season-long story in Doctor Who. Sure, we’ve had elements of an arc before. The first season, for example, gave the Doctor himself a character arc where he evolved from cowardly curmudgeon into an unlikely heroic figure. Jon Pertwee’s second season was given the Master as a linking element. Tom Baker’s Doctor embarked in a pretty much unbroken series of adventures from Robot through to Terror of the Zygons, with the ending of one serial seemingly leading directly into the next. None of these were necessarily that ambitious and you could argue they evolved more by chance than by design.

So, The Key to Time represented a bit of a learning curve, an attempt to tie a season’s stories together using an over-arching concept. As I’ve discussed quite a bit in my reviews of the season, the result was a little clunky, with those concepts seemingly clumsily shoe-horned into a separate bunch of adventures. That leaves the finalé, The Armageddon Factor to do the heavy-lifting with regards to The Key to Time saga. Unfortunately, the pay-off feels a bit jumbled, over-wrought, disorganised and non-sensical, as it juggles a wealth of elements that never add up to more than the sum of their parts.

While a great many Doctor Who six-parters suffer from being too long, too padded, too stretched for their story and concepts, The Armageddon Game feels curiously over-stuffed, lacking a tight focus on the interesting elements and too many distractions clogging up the story.

The problems are crystal clear…

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Filed under: Television | Tagged: Armageddon Factor, arts, bbc, Black Guardian, Cold War, doctor, DoctorWho, fiction, Jon Pertwee, Key, literature, Power of Kroll, science fiction, Story arcs in Doctor Who, tardis, Time Lord, White Guardian | Leave a comment »

Doctor Who: The Power of Kroll (Review)

Posted on April 26, 2013 by Darren

The Power of Kroll originally aired in 1978 and 1979. It was the fifth part of The Key to Time saga.

What? Well, you’d better introduce me.

As what?

Oh, I don’t know. As a wise and wonderful person who wants to help. Don’t exaggerate.

– the Doctor and Romana meet the locals

The Power of Kroll is a strange little serial, apparently the result of Robert Holmes being told to create the largest monster even on Doctor Who. Holmes wasn’t necessarily convinced that this was the best idea (and one can sense that from the story), but the adventure isn’t quite the mess that most people would have you believe. At the very least, it serves as a dry run (see what I did there) for the much stronger Caves of Androzani, but it also has an interesting idea or three along the way.

The power of CSO, more like...

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Filed under: Television | Tagged: arts, bbc, Carnival of Monsters, Doctor (Doctor Who), doctor who, law & order, Online Writing, Robert Holmes, Romana, The Key to Time, the Power of Kroll | 2 Comments »

Doctor Who: The Androids of Tara (Review)

Posted on April 25, 2013 by Darren

The Androids of Tara originally aired in 1978. It was the fourth part of The Key to Time saga.

Ah! That takes me back… or forward… that’s the trouble with time travel, you can never remember…

– The Doctor

There are some things that I know I should probably feel guilty about – cases where my opinion is so clearly distinct from the general consensus that I feels some sense of obligation to apologise for my radical and far-out ideas. While it falls just short of that mark, I honestly enjoy The Androids of Tara as the best story of The Key to Time. I’ll concede it isn’t as masterfully written as The Ribos Operation, nor as full of wonderfully clever constructs as The Pirate Planet, but The Androids of Tarais a refreshingly small-scale adventure that manages to accommodate the awkward humour that this era of the show is accustomed to, while remaining an excellent adventure in its own right.

Eyes without a face...

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Filed under: Television | Tagged: arts, bbc, City of Death, doctor, Doctor (Doctor Who), doctor who, fiction, Fourth Doctor, Online Writing, Peter Jeffrey, Pirate Planet, The Androids of Tara, The Key to Time, The Prisoner of Zenda | Leave a comment »

Doctor Who: Stones of Blood (Review)

Posted on April 24, 2013 by Darren

Stones of Blood originally aired in 1978. It was the third part of The Key to Time saga.

Doctor, might I ask you a personal question?

Well, I don’t see how I could stop you from asking.

Are you from outer space?

No.

Oh.

I’m more from you’d call inner time.

Ah.

– Professor Rumford and the Doctor clarify things

Stones of Blood was a bit of a landmark for the television show. Not only was it the 100th Doctor Who story broadcast, but it also aired remarkably close to the show’s fifteenth anniversary. The Three Doctorshad demonstrated that the show could celebrate its anniversaries in style, but producer Graham Williams seemed to want a more restrained celebration of the show’s run – vetoing an early scene in the TARDIS where Romana and K-9 give the Doctor a birthday cake and a present (a new scarf). Instead, it was decided that the show would celebrate its time on the air by returning to two of its more defining genres, blending those two distinct types of story into one four-part adventure. So we end up with a story that is half gothic horror and half outer space adventure.

A celebration, out of the blue!

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Filed under: Television | Tagged: Ark in Space, arts, bbc, Doctor (Doctor Who), doctor who, Graham Williams, Pyramids of Mars, Stones of Blood, tardis, The Key to Time, Tom Baker | 2 Comments »

Doctor Who: The Pirate Planet (Review)

Posted on April 23, 2013 by Darren

The Pirate Planet originally aired in 1978. It was the second part of The Key to Time saga.

Excuse me, are you sure this planet’s meant to be here?

– The Doctor

I have to admit, I admire The Pirate Planet for its lofty aim. Douglas Adams’ script is vast and impressive and epic, incorporating and number of brilliant high concept ideas, traditional science-fiction story-telling devices, and healthy sense of humour into one Doctor Who story. Unfortunately, the production is restricted both by the technical limitations of the time, but also by the sense that there’s simply too much going on over the course of this four-episode adventure. Still, it’s as bold, fun and imaginative as any Doctor Whostory, and showcases the series at its most ambitious. There’s nothing wrong with that.