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Doctor Who: Logopolis (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Logopolis originally aired in 1981. It was the second instalment in the “Master” trilogy.

It’s the end… but the moment has been prepared for.

– the Doctor finally figures out what this year has been about

I don’t think the departure of a Doctor has even been a bigger deal than it was with Tom Baker. Sure, Christopher Eccleston’s first season was so fixated on death that his departure seemed preordained, even in the episodes written before his decision to leave. Similarly, Peter Davison’s final year seems designed to demonstrate that the universe is no longer suited to this particular iteration of the Doctor. Maybe David Tennant’s final year is focused on his passing, but the episodes are so spaced out that it makes little difference. However, we’ve just spent an entire year focused on the idea of entropy and decay, the inevitably of change and the notion that death is just a nature part of the cycle of things.

When the Doctor assures his companions that “the moment has been prepared for”, he may as well be looking at the camera, assuring those of us at home that the past year has been spent readying them for the unthinkable: the time when Tom Baker might not be the Doctor.

Final destination?

Final destination?

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