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Doctor Who: City of Death (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

City of Death originally aired in 1979.

It’s quite good.

Quite good? That’s one of the great treasures of the universe and you say “quite good”?

The world, Doctor, the world.

What are you talking about?

Not the universe in public, Doctor. It only calls attention.

I don’t care. It’s one of the great treasures of the universe!

Shsh!

I don’t care. Let them gawp, let them gape. What do I care?

– Romana and the Doctor discuss the Mona Lisa

City of Death might divide fans of Doctor Who, with some regarding it as too silly or childish, but I think it’s easily the best Tom Baker serial the show produced, and probably the most entertaining serial for those unfamiliar with the classic show. It helps that the script combines some of the era’s best writers, with “David Agnew” serving to cover contributions from David Fisher, Douglas Adams and Graham Williams. I’ll concede that the farce tended to get a bit much towards the end of Adams’ tenure as script editor, but City of Deathpitches itself perfectly with some wonderful science-fiction concepts peppered over some fine location work, with a side of superb British wit.

From Paris with Love...

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Doctor Who: The Androids of Tara (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Androids of Tara originally aired in 1978. It was the fourth part of The Key to Time saga.

Ah! That takes me back… or forward… that’s the trouble with time travel, you can never remember…

– The Doctor

There are some things that I know I should probably feel guilty about – cases where my opinion is so clearly distinct from the general consensus that I feels some sense of obligation to apologise for my radical and far-out ideas. While it falls just short of that mark, I honestly enjoy The Androids of Tara as the best story of The Key to Time. I’ll concede it isn’t as masterfully written as The Ribos Operation, nor as full of wonderfully clever constructs as The Pirate Planet, but The Androids of Tarais a refreshingly small-scale adventure that manages to accommodate the awkward humour that this era of the show is accustomed to, while remaining an excellent adventure in its own right.

Eyes without a face...

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Doctor Who: The Pirate Planet (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Pirate Planet originally aired in 1978. It was the second part of The Key to Time saga.

Excuse me, are you sure this planet’s meant to be here?

– The Doctor

I have to admit, I admire The Pirate Planet for its lofty aim. Douglas Adams’ script is vast and impressive and epic, incorporating and number of brilliant high concept ideas, traditional science-fiction story-telling devices, and healthy sense of humour into one Doctor Who story. Unfortunately, the production is restricted both by the technical limitations of the time, but also by the sense that there’s simply too much going on over the course of this four-episode adventure. Still, it’s as bold, fun and imaginative as any Doctor Whostory, and showcases the series at its most ambitious. There’s nothing wrong with that.

Pulling a fast one...

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