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Non-Review Review: The Last Right

The Last Right is perhaps a little too driven by cliché and a little too heavy handed in its emotional beats, but it’s genuinely charming and benefits from a clever concept and an endearing cast.

To be fair, The Last Right runs into its problems in its first and third acts, in setting up and resolving its central dynamics. These problems flow largely from the fact that so many of details around the edge of the central premise of the film feel lifted from a collection of stock eighties American dramedies. Certain key elements of The Last Right feel like they came packed in an IKEA box ready for assembly, and so the movie’s introduction of and conclusion for those elements tends to feel rather rote.

Carry on…

However, The Last Right really kicks into gear once it has done that initial set-up, allowing its characters room to breath and interact with one another within the relatively safe but also free-form template of the classic road movies. Road movies largely live or die based on the chemistry of the cast and strength of the humour, and The Last Right works well on both counts. There’s a relaxed ease to The Last Right, a willingness to trust the actors and the characters to carry the bulk of the film.

The result of a trip with a few bumps along the way, particularly at either end of the journey. However, for most of the adventure, The Last Right is a pretty enjoyable ride.

Death drive.

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