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The X-Files – Lord of the Flies (Review)

This December, we’re taking a trip back in time to review the ninth season of The X-Files.

Lord of the Flies is an interesting episode, but not a good one.

After 4-D worked so hard to offer a glimpse of what The X-Files could or should look like in December 2001, Lord of the Flies feels like a step backwards. It is a regression, and not just because it awkwardly transitions Scully back into the role of lead character or because it returns to the comedy stylings largely eschewed by the eighth season. Lord of the Flies feels like a script that could have been written for the show in its third or fourth seasons, returning to the well-tapped reservoir of teen angst that has sustained quite a few episodes at this point.

Flies by...

Flies by…

Only a handful of elements serve to mark Lord of the Flies as a piece twenty-first century television. While Scully gets to play action hero at the climax, Mulder is gone; Doggett and Reyes do a lot of the generic detective work across the hour, even if little of their personalities gets to shine through. More than that, Aaron Paul and Jane Lynch pop up in supporting roles that nod towards the various futures of network television. In particular, Paul appears in a home-made stunt show called “Dumb Ass”, an obvious (and shallow) parody of Jackass.

However, Lord of the Flies is not particularly interested in any of these newer elements. The script very clearly wants to hark backwards, towards a past that is no longer easily accessible.

Somewhere, Scully is jealous...

Somewhere, Scully is jealous…

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