This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.
The comic book miniseries is notable for a number of reasons. It is the simultaneously the last X-Files comic to be published by Wildstorm and the first X-Files comic to be published by IDW. It is the first comic book crossover between X-Files characters and another established comic book franchise, and it crosses over directly through Mulder and Scully rather than using the Lone Gunmen to insulate the franchise. It is also the first X-Files comic to be illustrated by Tom Mandrake, who would later work with Joe Harris.
There are other reasons that The X-Files/30 Days of Night stands out. The comic is the work of a creative team (much) more strongly associated with 30 Days of Night than The X-Files, and there is a sense the comic services that franchise more than The X-Files. Barring the first twelve-issues of Stefan Petrucha and Charles Adlard’s Topps run, which was really more of a series of shorter interlocking stories, The X-Files/30 Days of Night is also the longest single X-Files comic book story published to this point in the franchise’s history.
It is also just really good.