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Non-Review Review: Good Ol’ Freda

This film was seen as part of the Jameson Dublin International Film Festival 2014.

Freda Kelly was secretary to The Beatles, and the head of the official Beatles fan club. She managed letters and schedules and magazines and wages and all these different aspects of the lives of John, Paul, Ringo and George. However, she remains something of a peripheral figure in the grand tapestry of Beatles lore. According to most of the commentators in Good Ol’ Freda, there’s a very simple reason for this.

“My mother never played the fame game,” her daughter notes. Freda never published a tell-all book. She never betrayed confidence. Indeed, one of the stories in Good Ol’ Freda has her firing two assistants for one’s attempt to pass off the hair of a sibling for the hair of a Beatle. Integrity was very much the watchword of Freda Kelly, and it’s something that comes across in the documentary, as Freda rather pointedly refuses to be drawn on more personal or intimate questions.

As a result, there’s very little information here that won’t be familiar to fans of the Fab Four. There are some nice insights and an occasionally endearing anecdote – poor Ringo and his nine fan letters! – but Good Ol’ Freda never really pries too deeply into lives Freda managed for a decade at the peak of their popularity. Instead, Good Ol’ Freda works best as a character study of its subject, a glimpse of a woman who was caught up in a maelstrom and walked out almost completely unaffected.

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Greg Rucka and Marco Checchetto’s Run on The Punisher, Vol. 9 (Review)

This March, to celebrate the release of Captain America: The Winter Soldier, we’ll be taking a look at some classic and not-so-classic Avengers comic books. Check back daily for the latest updates!

The Punisher isn’t really a complex character.

Indeed, despite his popularity and appeal, there’s really only so much you can do with the character before it feels like you’re repeating yourself. He is a vigilante who brutally murders criminals, possibly because criminals killed his family. That’s part of the reason why Rick Remender’s Punisher run was so exhilarating. It genuinely felt unlike anything that had been done with the character before – even if Remender had to take Frank Castle off the reservation to do it.

Writer Greg Rucka and artist Marco Checchetto came up with their ingenious way of making the Punisher seem novel again. Realising that readers have probably become a little too over-familiar with Frank Castle and his world, Rucka and Checchetto shrewdly decide to look at Frank Castle from the outside, treating the Punisher as something like a force of nature, a terror glimpsed fleetingly as he stalks the concrete jungle.

A smoking gun...

A smoking gun…

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Non-Review Review: Borgman

This film was seen as part of the Jameson Dublin International Film Festival 2014.

Part of what is so fascinating about Borgman is just how little Alex van Warmerdam is willing to tell us about what is going on. There are points when van Warmerdam’s biting black comedy seems to veer from domestic drama into straight-up fantasy, with very little concession made to explaining the events seen on screen to the audience. Who (or what) is the eponymous drifter? What does he want? Why does he do whatever it is that he seems to be doing?

Van Warmerdam doesn’t feel obligated to provide any explicit answers, and Borgman feels much stronger for it.

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Warren Ellis and Mike Deodato Jr.’s Run on Thunderbolts (Review/Retrospective)

This March, to celebrate the release of Captain America: The Winter Soldier, we’ll be taking a look at some classic and not-so-classic Avengers comic books. Check back daily for the latest updates!

Warren Ellis and Mike Deodato Jr.’s year-long twelve-issue run on Thunderbolts is a phenomenal piece of work from a mainstream comic book company. It’s an absurdly fun comic book – one that goes completely off the rails any number of times, moving with momentum of a runaway freight train. Ellis’ unhinged plotting and dialogue find a perfect partner in Deodato’s dark and moody (yet photo-realistic) artwork.

While Ellis includes quite a bit of social, political and even meta commentary in this year-long anti-hero team-up book, there’s a sense that Thunderbolts was written with an intention of going completely overboard, basking in the surreal absurdity of superhero storytelling conventions while playing with a selection of (mostly) second-tier characters that free Ellis’ hand significantly. There are few dependencies and obligations that Ellis has with this cast, allowing him to go to town with them.

In many respects, Thunderbolts feels like a slightly more cynical, slightly more grounded counterpart to his (roughly) contemporaneous Nextwave: Agents of H.A.T.E. Over course, “slightly more grounded” simply means that a middle-aged civil servant in a goblin outfit is the villain of the piece, rather than a hyper-intelligent talking dinosaur.

Norman Osborn is a perfectly sane individual...

Norman Osborn is a perfectly sane individual…

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Non-Review Review: Afternoon Delight

This film was seen as part of the Jameson Dublin International Film Festival 2014.

Middle class attitudes towards sex are weird. Middle class attitudes toward middle class attitudes toward sex are particularly weird. Afternoon Delight is a film about the complexities around those attitudes, but it’s written from a point of view very grounded in that middle class perspective. There’s a sense that Afternoon Delight isn’t anywhere near as cutting and subversive as it wants to be, working hard to develop the character of “sex worker” McKenna only to throw it all away for a biting climax. (No pun intended.)

There’s a suffocating heavy-handedness and profundity to Afternoon Delight, a movie that edits a casual afternoon surfing on the beach as if we’ve wandered into a life-and-death scenario. There are wonderful moments of levity and wit in Afternoon Delight, but the film works far too hard to keep them boxed off and contained.

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Roger Langridge & Chris Samnee’s Thor: The Mighty Avenger (Review)

This March, to celebrate the release of Captain America: The Winter Soldier, we’ll be taking a look at some classic and not-so-classic Avengers comic books. Check back daily for the latest updates!

There really aren’t enough all-ages friendly comic books, and there certainly aren’t enough comic books that you can pop into a curious stranger’s hands and say “hey! read this!” In this era of blockbuster movies and hit television shows based off comic book properties, you’d imagine that companies would be working hard to attract new fans, trying to make comics accessible and enjoyable to those with little experience of picking up a comic book or graphic novel.

Thor: The Mighty Avenger is a wonderfully accessible piece of work that provides a brilliant introduction to Marvel’s take on the classic Norse God of Thunder. However, it remains a tragedy that this is one of very few efforts to provide such a comic, and also that Thor: The Mighty Avenger came to such an unceremonious end, cancelled after only eight issues.

Taking Thor for a spin...

Taking Thor for a spin…

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Non-Review Review: Wakolda (aka The German Doctor)

This film was seen as part of the Jameson Dublin International Film Festival 2014.

Wakolda is a good old-fashioned pulpy pot boiler. The latest film from writer and director Lucia Puenzo, adapted from her own novel, is set in Argentina in 1960. Given the title, it’s easy enough to predict which direction Puenzo’s piece of historical fiction will be going. The history of the Nazis who sought refuge in South America following the Second World War is pretty compelling stuff, and Puenzo skilfully builds off this basic premise.

As much as popular history likes to paint the Second World War as an epic conflict of good against evil that neatly tidied itself up, there were lots of lingering threads – lots of loose ends dangling from the edge of this historical tapestry. The flight from justice, the protection that these people were afforded, and the desperate desire to bring these criminals to justice makes for a gripping pulpy narrative – but there’s also something more unsettling at work.

After all, acknowledging that the history of Nazi war criminals does not end after the signing of the German surrender means confronting the reality that such beliefs and philosophies cannot be vanquished with the stroke of a pen. Darkness still lurks in the wider world.

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Avengers: Season One by Peter David et al (Review)

This March, to celebrate the release of Captain America: The Winter Soldier, we’ll be taking a look at some classic and not-so-classic Avengers comic books. Check back daily for the latest updates!

What exactly is the point of Marvel’s Season One initiative? Is it to update the origins of classic superheroes to make them accessible to modern and casual audiences? Is it to re-tell familiar stories just with modern touches like Facebook and iPhone references? Is it to dance between the rain drops and package an adventure from the early days of our heroes’ careers without disrupting established continuity? Is it an attempt to reach beyond the core comic book audience? Is it an attempt to package some material for feature film adaptation?

It’ hard to know. Marvel has made some nods towards accessibility in recent years, but all too often these feel more like sales gimmicks than genuine attempts to court new readers. Written by comic book superstar (and successful novelist in his own right) Peter David, Avengers: Season One should be something of a slam dunk. It’s a book featuring characters from a multi-billion dollar movie franchise, in a stand-alone graphic novel, with a slew of great writers and untethered to serialised long-form storytelling.

Unfortunately, Avengers: Season One winds up feeling like a mess.

Here come the heroes...

Here come the heroes…

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Non-Review Review: The Muppets Most Wanted

“We’re doing a sequel,” the Muppets sing in the opening number of The Muppets Most Wanted. “That’s what they do in Hollywood. And everybody knows that the sequel’s never quite as good.”

That’s the sort of wry self-awareness we’ve come to expect from the gang, but there’s also a note of truth in the statement. The Muppets was a cinematic highlight of 2011, and the best movie musical of the past decade. It was light, it was fun, it was sweet and it was moving. There was – as with the best Muppets material – an endearing sincerity underpinning all the well-observed gags and broad comedy.

The Muppets Most Wanted falls into the traditional pattern of Muppet sequels. Like The Great Muppet Caper or Muppet Treasure Island before it, there’s a sense that The Muppets Most Wanted has been constructed as a lighter film. The film lacks the emotional resonance of The Muppets, instead opting for high-concept fun. The result is endearing and enjoyable, but doesn’t feel quite as satisfying.

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Stalker is Still Playing at Dundrum!

Mark O’Connor got in touch and just asked me to mention that his Irish film Stalker is still playing at Dundrum, and will be playing until Thursday. So, if anybody wants to see it, now is the chance.

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