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Star Trek: Khan – Ruling in Hell (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins and other interesting objects. Check back daily for the latest reviews and retrospectives.

Khan is a massively important figure in the grand mythology of Star Trek.

One need only look to Star Trek Into Darkness as proof of that assertion – a film that trades on how iconic the name “Khan” is, even to the most casual of fans. However, despite the fact that Khan has only appeared in a single episode and two feature films, each spaced apart by more than a decade, the character continues to exert a strong pull over the rest of the franchise. He is arguably more iconic and well-known than any lead character from a show produced after Star Trek: The Next Generation.

War of the supermen...

War of the supermen…

After all, Khan’s influence can be felt on just about every iteration of the franchise. On Star Trek: Deep Space Nine, he haunted the character of Julian Bashir. When the fourth season of Star Trek: Enterprise began its high-profile journey into the franchise’s continuity, Khan became something of a touchstone. The season’s first three-part episode (Borderland, Cold Station 12 and The Augments) was devoted to exploring the legacy of Khan Noonien Singh. Indeed, the show even tied Khan into the origin of the flat-foreheaded Klingons in Affliction and Divergence.

And yet, despite all this, there really is only so much material the character can support. Khan Noonien Singh is an iconic bad guy, but there’s a point where he ends up over-saturated.

The sands of time...

The sands of time…

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Star Trek II: The Wrath of Khan (IDW, 2009) #1-3 (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins and other interesting objects. Check back daily for the latest reviews and retrospectives.

Due to bad timing, the Star Trek comic book license was between publishers when Star Trek II: The Wrath of Khan was released into cinemas in 1982. As the license transitioned between Marvel and DC, the movie adaptation got lost in the shuffle. As a result, the film was the only classic Star Trek film without a contemporary comic book adaptation. It remained that way for over a quarter of a century.

However, on the release of JJ Abrams’ rebooted Star Trek, current license holder IDW decided to release an omnibus of the classic movie adaptations as a tie-in. In doing so, they discovered a Wrath-of-Khan-sized hole in the collection, and so set about filling it with a three-issue miniseries that could be included in the omnibus for completeness’ sake.

Stationary orbit...

Stationary orbit…

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Non-Review Review: Oculus

Oculus is torn between two extremes. On the one hand, it’s an ambitious horror film that engages with questions of perception and subtext, while throwing all manner of horror tropes together to form something of a horror movie stew. On the other hand, it rather quickly devolves into a fairly generic horror film that coasts on gore to unsettle the audience and always takes the easiest possible scare. Oculus is at its best during its muddled and exposition-filled opening acts.

While certainly flawed, these segments have an endearing substance to them. In contrast, Oculus is at its worst in the obligatory third act run-around.

All work and no play makes Rory Cochrane a dull boy...

All work and no play makes Rory Cochrane a dull boy…

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Star Trek II: The Wrath of Khan by Vonda N. McIntyre (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins and other interesting objects. Check back daily for the latest reviews and retrospectives.

Gene Roddenberry novelised Star Trek: The Motion Picture. While there’s some lingering discussion about whether Roddenberry actually wrote the novelisation, the book reads like the work of a screenwriter turning his hand to prose. It’s more of a manifesto than a novel – an excuse for Roddenberry to expand on his utopian vision for the franchise.

In contrast, Vonda N. McIntyre was hired to write the novelisation of Star Trek II: The Wrath of Khan. Unlike Roddenberry, McIntyre was an experienced and professional novelist. She had been writing since the mid-seventies, and had a wealth of experience in both media tie-ins and her own original work. In fact, McIntyre wrote The Entropy Effect, the book published directly after the publication of The Motion Picture, and only the second Star Trek book published by Pocket Books.

All of this is a very round-about way of explaining that The Wrath of Khan is very much an adaptation in a way that The Motion Picture simply was not.

st-twk-novel

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Star Trek – Untold Voyages (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins and other interesting objects. Check back daily for the latest reviews and retrospectives.

There’s something of a continuity lacuna that exists between Star Trek: The Motion Picture and Star Trek II: The Wrath of Khan. Although the movies were released three years apart, more time appears to have passed for the characters themselves. Some of the changes are quite startling. After fighting so hard to get the Enterprise back in The Motion Picture, Kirk has retired to Earth once again at the start of The Wrath of Khan. After putting the Enterprise back in action in The Motion Picture, it has been converted into a cadet cruiser in The Wrath of Khan.

A lot of stuff has happened, and the gap is relatively under-explored by tie-in material. In contrast, the gap between The Turnabout Intruder (or The Counter-Clock Incident) and The Motion Picture is filled with all sorts of material designed to offer the show the type of closure that it never got on television. The same is true of the gap between The Cage and Where No Man Has Gone Before, with books and comics eager to offer accounts of Pike’s time in command and the transition to Captain James Tiberius Kirk.

Star Trek: Untold Voyages is a five-issue Marvel Comics series published in 1998 designed to bridge The Motion Picture and The Wrath of Khan. Although it wallows a bit in continuity and references, writer Glenn Greenberg uses the series to make some very clever and introspective points about Star Trek as a franchise – in effect, cleverly transitioning from Gene Roddenberry’s “future humans are the best” attitude toward Nicholas Meyer’s more reflective and introspective take on the characters and their world.

Shining star...

Shining star…

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Jameson Cult Film Club Screening of Fight Club!

The Jameson Cult Film Club screenings are always a highlight of the Irish cinematic calendar. A loving celebration of beloved films, the nights bring cinematic classics to life – organising screenings in unconventional locations featuring interactive and vibrant elements.

The screening of David Fincher’s Fight Club was no exception, a wonderful evening celebrating one of David Fincher’s most iconic and enduring films. Atmospherically staged in Dublin’s Tivoli theatre, the evening was a delight for cinephiles. As ever, a fantastic evening from all inPhotos from the evening and the post-event release are below. Enjoy!

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Star Trek – The Entropy Effect by Vonda N. McIntyre (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins and other interesting objects. Check back daily for the latest reviews and retrospectives.

The Pocket Books Star Trek line has to be one of the most stable and successful tie-in book ranges in the world. While the comic book license has bounced from publisher to publisher, Star Trek prose has remained firmly rooted at Pocket Books through the highs and the lows of the Star Trek franchise. This is undoubtedly because Pocket Books is a subsidiary of Simon and Schuster, which has been owned by the company that has owned Star Trek since 1975.

As such, from 1979 until the present day, Pocket Books has produced an incredible amount of tie-in material to support the Star Trek franchise. From reference material through to novels set within the fictional universe, the line has published a wealth of material across all the shows and all the time frames. Indeed, Pocket even launched their own separate spin-off brands run by authors like Peter David or Keith R.A. DeCandido.

While Gene Roddenberry’s novelisation of Star Trek: The Motion Picture was the first official Star Trek novel published by Pocket Books, and the line had published a number of reference books in the interim, Vonda N. McIntyre’s The Entropy Effect is the first original novel published by Pocket Books. In many ways, the influence of McIntyre’s work is still being felt, as she demonstrated how best to approach a Star Trek tie-in novel.

theentropyeffect

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Star Trek: The Newspaper Strips – Called Home (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins and other interesting objects. Check back daily for the latest reviews and retrospectives.

It’s amazing how diverse and expansive the history of the Star Trek franchise is. Even odd little curiosities like the Gold Key Comics and The Newspaper Strips endure in one form or another – passed down over the years and lovingly maintained. There really are no truly forgotten pieces of Star Trek out there, and one of the great things about IDW’s management of the Star Trek license has been their willingness to dig into the annals of Star Trek history to produce some striking pieces of work.

(I am really hoping that their reprint programme extends at some point to include the British Star Trek comic strips, which were wonderfully dynamic pieces of work that were never properly reprinted outside the United Kingdom. However, given how thorough the reprint programme has been, it seems almost inevitable that those strips will see the light of day in some form or another.)

The Newspaper Strips were launched in 1979, débuting four days before the cinematic release of Star Trek: The Motion Picture. The strip only ran for until 1983, cancelled due to the fact that the market was crowded out with more popular science-fiction comic strips like Star Wars or Flash Gordon. Still, despite the ignominious finish for the strip, it is a fascinating piece of Star Trek history, an example of one of the many ways the franchise survived during its long hiatus from television.

tos-calledhome

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Star Trek (Marvel Comics, 1979) #1-3 – The Motion Picture (Review)

This June, we’re taking a look at some classic Star Trek movie tie-ins and other interesting objects. Check back daily for the latest reviews and retrospectives.

What better way to announce the arrival of Star Trek at Marvel Comics than with an adaptation of Star Trek: The Motion Picture? Initially published as a giant Marvel Super-Size issue, the adaptation was subsequently split across the opening three issues of Marvel’s ill-fated Star Trek monthly.

It is worth noting that the franchise’s initial association with Marvel was relatively brief, with the Star Trek monthly series only lasting eighteen issues from 1979 through to 1982. In 1982, the Star Trek comic book franchise moved to DC Comics, where it remained until the nineties. Things became a bit more complicated at that stage, but it was a long-term relationship.

Still, in 1979, Marvel became the second company to publish monthly comics based around the Star Trek license. However, they were a substantially more impressive operation than Gold Key Comics, the previous license-holder. For example, this adaptation of The Motion Picture comes from some very talented creators, and its publication was treated as something of an event.

The light at the end of the tunnel...

The light at the end of the tunnel…

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Non-Review Review: Fight Club

Fight Club was released in 1999, and seems to perfectly capture a brief moment in the history of disemfranchised American masculinity.

Situated between the end of the Cold War and the start of the War on Terror, Fight Club is the story of disenfranchised middle-class masculinity, a cultural group gripped by sense of impotence and despair and lost amid an era of financial prosperity and material success. “We’re the middle children of history, man,” Tyler Durden informs his followers. “No purpose or place. We have no Great War… no Great Depression.” It’s a line that gets more bitterly ironic with each re-watch.

A film frequently misunderstood by a significant portion of its fans and its critics, Fight Club is perhaps the quintessential cult film of the nineties. A clever hook that encourages further viewings, a mean subversive streak and a bleak irreverence that is impossible to look away from, Fight Club manages to perfectly encapsulate a moment of shared cultural consciousness and insecurity.

Seeking a friend at the end of the world...

Seeking a friend at the end of the world…

Note: This review contains spoilers for Fight Club. Consider yourself warned.

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