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Star Trek: Voyager – Emanations (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Emanations has a pretty effective set-up and solid premise. It is very clearly one of Star Trek: Voyager‘s “planet of the week” stories – like the show directly before it and the show directly following it – but it’s build around some vaguely interesting ideas. It’s very clearly an episode designed to function as social commentary in the grand Star Trek tradition, hitting on big ideas and bold concepts.

Unfortunately, it’s not the type of script that Brannon Braga is best suited to handle. It doesn’t feel so much an exploration of an important issue as a social treatise. It’s simplistic and heavy-handed while dealing with ideas that require a bit of nuance and sophistication. It feels under-developed, contrived and a little shallow. Despite an attempt at ambiguity in its closing scene, it feels like an episode driven primarily by an agenda rather than a strong story.

Emanations is a misfire, another example of the weird tendency in the first season of Voyager to assign the wrong writers to the wrong scripts.

Harry really got wrapped up in local culture...

Harry really got wrapped up in local culture…

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Star Trek: Voyager – Ex Post Facto (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Ex Post Facto has a lot of problems.

It has logical problems. It has plot problems. It has character problems. It is difficult to fit within the framework of Star Trek: Voyager. It feels like a retread of A Matter of Perspective, a less-than-successful effort from the first season of Star Trek: The Next Generation that Michael Piller produced. It is a bit of a mess, a bit too casual about everything, a bit too contrived.

And yet, despite all this, it almost works. Almost.

"This isn't the head massage I asked for!"

“This isn’t the head massage I asked for!”

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Star Trek: Voyager – Eye of the Needle (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Eye of the Needle really should be a bigger deal than it is.

Looking at the basic premise of Star Trek: Voyager, a story like Eye of the Needle should be an “event.” It should, at the very least, be a mid-season finalé. Ideally, the episode would serve as the season finalé, bringing a sense of closure to year of adventuring by our crew, suggesting that there is some measure of hope for them. Perhaps home is not as far away as it might seem.

"Hm. You appear to have beamed me up in my pyjamas..."

“Hm. You appear to have beamed me up in my pyjamas…”

Voyager is a show about a ship stranded on the far side of the galaxy. The crew are isolated from friends and family. The return journey will take seventy years. It is quite possible that this will be a generational voyage. The Voyager crew will return home to a world that has changed without them. It’s heartbreaking even to think about.

So the ship’s first chance to get home should be something to get excited about. It should be cause for celebration; it should feel like a lifeline dangling just within the reach of our characters. There should be a sense that this sort of think might only happen once, and everybody best be prepared for it. Instead, it happens six episodes into the season, and the audience spends forty-five minutes waiting for the other shoe to drop.

Thoughtful Janeway pose #452...

Thoughtful Janeway pose #452…

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Star Trek: Voyager – The Cloud (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

The Cloud feels more like a first season episode than Time and Again and Phage did. Star Trek: Voyager has ploughed fairly effectively into its first season, primarily by treating it as the eighth season of Star Trek: The Next Generation. However, the first season has been falling into a regular pattern so fast that pausing for forty-five minutes to do some awkward and ill-defined character work doesn’t feel like a bad idea.

The Cloud is an awkwardly constructed piece of television that feels like it’s interested in building up this ensemble. As such, the pacing suffers, and the episode makes a number of awkward mistakes along the way, but it still feels like it is at least trying to do something worthwhile.

Shaking things up around here...

Shaking things up around here…

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Star Trek: Voyager – Phage (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Phage is far from perfect. It is very far from perfect. However, there’s something rather endearing about this cheesy B-movie throwback written by Brannon Braga from a pitch by Timothy DeHass and first draft by Skye Dent. The Vidiians are probably the most memorably and effective aliens from the first three seasons of Star Trek: Voyager, feeling like they could have wandered into the show from some trashy late-night horror movie on another channel.

There’s a pulpy quality to the episode that makes it more enjoyable than many of the surrounding Voyager episodes, albeit one undermined by some of the more awkward resonances in the script.

The Vidiians survive by the skin of their teeth...

The Vidiians survive by the skin of their teeth…

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Star Trek: Voyager – Time and Again (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

It’s really remarkable the sense of self that Star Trek: Voyager had three issues into its run. It took Star Trek: The Next Generation two years to figure out what it wanted to be. Star Trek: Deep Space Nine only really settled down in its fourth season. Star Trek: Enterprise reinvented itself twice before it was cancelled. On the other hand, Voyager just seemed so aware of what it was and what it was going to be within only a few episodes.

Sure, there would be a few changes made in the years ahead. The Borg would appear in the third season; Seven of Nine would join the cast in the fourth. Janeway’s fickleness has yet to be firmly established; the Doctor hasn’t come to the fore. And, yet, three episodes in, it is quite possible to look at Star Trek: Voyager and get a sense of what the next seven years will be like. The shape of things to come.

Time and Again is a time travel story, but it’s also the first time that Voyager pulls a full-on end-of-episode reset. It will not be the last.

Guest starring: anomaly of the week!

Guest starring: anomaly of the week!

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Star Trek: Voyager – Parallax (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Parallax feels like a seventh season episode of Star Trek: The Next Generation nested inside a first season episode of Star Trek: Voyager. It’s Brannon Braga’s first script for the show, having opted to join Star Trek: Voyager rather than moving over to Star Trek: Deep Space Nine. Braga would go on to become one of the longest-serving creative forces on televised Star Trek, becoming an executive producer on Star Trek: Voyager and creating (and producing) Star Trek: Enterprise.

Braga is a fantastic high-concept science-fiction writer. His scripts for The Next Generation count among the best the show ever produced – Cause and Effect, Parallels, Frame of Mind. The team of Brannon Braga and Ronald D. Moore ranks as one of the most consistently great collaborations in the history of Star Trek. On his own, Braga writes fascinating sci-fi concepts. His scripts for the various shows support that.

The problem is that Braga isn’t the franchise’s strongest character writer. Indeed, among the staff writers working on the first season of Voyager, Braga seems like the worst candid to draft in to write the big “establishing character dynamics” episode directly following the pilot. The problem with Parallax is that it’s a nice premise featuring a bunch of characters we don’t care about yet, and the script is more interested in the anomaly of the week than it is in getting us to care about those characters.

"It's like looking into the future..."

“It’s like looking into the future…”

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Star Trek: Voyager – Caretaker (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

So, Star Trek: Voyager.

Where do we begin? Voyager is probably the most divisive and controversial of the Star Trek spin-offs, the one that carries a lot of the blame for the franchise’s decline and decay in the mid to late nineties. It is the series that connects the tail end of the success story that was Star Trek: The Next Generation to the start of the dying gasp that was Star Trek: Enterprise. This spin-off had the misfortune to launch at the height of a revived franchise’s popularity and to finish as public interest waned.

Feels like going home...

Feels like going home…

Star Trek: Voyager felt like an act of hubris. It was positioned by Paramount to be the studio’s highest-profile television show. It was a feature of the television landscape, finally allowing Paramount the chance to leverage its own television network – a plan delayed since the late seventies, but deemed feasible in the mid-nineties. UPN branded itself “the first network of the new century”, a rather arrogant declaration. Caretaker was the first thing broadcast on UPN in early 1995, débuting to an audience of more than 21 million. However, Voyager would never reach those figures again.

Despite that success, things fell apart quickly. None of the shows that aired on UPN’s second night received a second season. The only shows to limp on to renewal from the network’s rocky first year were Voyager, The Sentinel and Moesha. Of these meagre freshmen hits. Voyager lasted the longest, with one more season to its name than Moesha. Over the summer of 1995, it was identified by The Los Angeles Times as the network’s “star survivor”, and the show upon which all of the network’s hopes rested. By 2000, five years later, the network had run up a debt of $800,000.

"I hope you don't mind, our tailors measured you while you were unconscious. It's all part of a standard probe."

“I hope you don’t mind, our tailors measured you while you were unconscious. It’s all part of a standard probe.”

That’s a lot of pressure for any television series to bear. Following (and, in the eyes of many, replacing) an illustrious predecessor, supporting the weight of a new television network, pushing into the future while remaining anchored to the past, it’s no wonder that Star Trek: Voyager wound up the confused mess that it became. Indeed, one can recognise many of the problems that would haunt the show through to its final season tied up in this pilot episode.

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