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Star Trek: The Next Generation – The Measure of a Man: Extended Cut (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

This is a rare treat.

The Measure of a Man is generally regarded as one of the best episodes that Star Trek: The Next Generation ever produced, and a crown jewel in the entire Star Trek franchise. As such, it’s a prime candidate for this sort of lavish restoration treatment, with the blu ray collection featuring not only the televised version of the episode, but a special extended edition.

This extended edition was the version originally filmed and edited together, until the production team realised that it ran almost a quarter-of-an-hour over the slot allocated to the show on syndicated airing.

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Star Trek: The Next Generation – The Measure of a Man (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Ah, The Measure of a Man.

It’s the first point in the run of Star Trek: The Next Generation where we’ve reached an episode that could legitimately be ranked as one of the best that the show would ever produce. Even today, the episode remains a favourite of Star Trek fans around the world, and a superb demonstration of what the series is capable of. Almost half-way into the second season, we get a glimpse of what The Next Generation could be, and how it balance its own identity against the proud philosophical traditions of its parent series.

It’s also quite brilliant.

A Data with destiny...

A Data with destiny…

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Star Trek: Myriad Universes – Echoes and Refractions: Brave New World by Chris Roberson (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Quite a few of the Myriad Universe stories feel like “for want of a nail” stories. Changing one little detail of Star Trek history and the entire universe comes apart at the seams. In the Echoes and Refractions collection alone, The Chimes at Midnight offers a nightmare glimpse of a universe where Spock died in childhood, while A Gutted World explores what might have happened if the Cardassians had never left Bajor. Neither alternate universe represented a sustainable alternative to the Star Trek we know and love. The subtitles might as well have been “… and then things got worse.”

With the final story in the collection, Chris Roberson takes another tack. Brave New World isn’t a story about how removing one vital thread of the Star Trek tapestry causes the whole thing to unravel. Instead, it’s something quite a bit bolder. It’s a genuine alternate universe, one boldly different – not inherently better or worse, but just an example how things might have unfolded if just one little thing had been different.

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Star Trek: The Next Generation – A Matter of Honour (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The second season of Star Trek: The Next Generation might be a bit rough around the edges (among other places), but there’s still a sense that the show is trying to improve itself, struggling to find its own voice. Most of the first season seemed content to offer a pale imitation of the classic Star Trek show, ignoring the fact that a lot had changed in the two decades since Kirk and Spock took to the air.

A Matter of Honour is an example of The Next Generation engaging the late eighties instead of trying to evoke the lost spirit of the sixties. Taking the “Klingons as Communists” metaphor as far as it could logically go, and serving as a companion piece to Star Trek VI: The Undiscovered Country, A Matter of Honour is a tale of deep space détente.

Guess who's going to dinner where?

Guess who’s going to dinner where?

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Star Trek: The Next Generation (DC Comics, 1988) (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode Encounter at Farpoint.

When Malibu comics launched their Star Trek: Deep Space Nine comic in 1993, the first season of the show had concluded. Due to licensing issues, Marvel Comics published the first Star Trek: Voyager tie-in comic in late 1996, after the show’s second season had concluded. The notoriously dodgy Gold Key Star Trek comics did run alongside the classic television show, but at least waited until 1967 to begin getting the details horribly wrong.

So publishing a tie-in to Star Trek: The Next Generation in early 1988 was an ambitious move by DC comics. By that point, the show’s first season was an ambitious prospect. The six issue miniseries was launched as part of a big publicity push at the start of The Next Generation, with editor Robert Greenberger explaining in the afterword to the first issue that Paramount had approached them “sometime early this year” to write the series.

This means that the comic was being written before Encounter at Farpoint was even finished. In the letters section in the second issue, Greenberger concedes, “As I write this, it’s mid-September and Star Trek: The Next Generation has yet to debut anywhere in America.” It’s no wonder that Michael Carlin’s series wound up so inconsistent and so decidedly strange. While it’s an interesting demonstration of just how firmly Paramount were pushing their new show, it’s hardly a triumph of tie-ins.

These are the voyages...

These are the voyages…

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Star Trek: The Next Generation – Unnatural Selection (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

It’s really strange that this is our first Pulaski-centred episode. It’s even stranger that it’s the shows only Pulaski-centred episode, given she’s a new character being inserted into an established ensemble. It’s even stranger-er that the episode doesn’t really seem to have much to say about Pulaski apart from the fact that she is the show’s new doctor – and she’s a bit of an idiot. Which is not necessarily what you want when you’re trying to endear a new character to the audience.

Then again, Unnatural Selection is a pretty good indicator of where Star Trek: The Next Generation is right now. The show hasn’t quite figured out that it’s a good idea to anchor character-centric stories in the character upon which that intended to centre. It’s one of the most successful aspects of Michael Piller’s approach, and part of what really revitalised the writing in the show’s third season. As it stands, Unnatural Selection seems to be a story about medical stuff, so it gets to focus on Pulaski. Who is really just sort of there.

I can see this getting old fast...

I can see this getting old fast…

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Star Trek: The Next Generation – The Schizoid Man (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

I should probably hate The Schizoid Man. It is certainly a very, very flawed piece of television. It would be a lot more forgivable had it aired during the first season of Star Trek: The Next Generation, when the show was still trying to find its feet – including it early in the second season feels like the show is pushing it a little. In many respects, The Schizoid Man embodies a lot of the (legitimate) complaints about the weaknesses of The Next Generation as a television show: the performances from the peripheral members of the main cast are a bit ropey, there’s an incredibly false sense of urgency generated by techno-babble and the dialogue is just terrible.

And yet, despite that, there’s quite a lot here to like. Stripping away the terrible dialogue and the unnecessary convolutions, The Schizoid Man is a very basic morality play, one touching on themes the show will handle a lot better a few episodes down the line. Brent Spiner is surprisingly creepy as Graves-as-Data, and W. Morgan Sheppard is pretty great in an admittedly thankless part as the misogynistic and creepy Ira Graves.

23rd century Schizoid Man...

23rd century Schizoid Man…

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Star Trek: The Lost Era – The Buried Age by Christopher L. Bennett (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode Encounter at Farpoint.

“I’m offering the chance to find something entirely new,” Picard teases at one point in The Buried Age. “To begin filling in a tremendous gap in our understanding of galactic history.” In a way, Picard might as well be addressing the reader, explaining one of the many joys of Christopher L. Bennett’s The Buried Age. It is a chance to delve into the world of Star Trek, exploring the lacuna that exists leading directly into Encounter at Farpoint.

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Star Trek: The Next Generation – Dark Mirror by Diane Duane (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Dark Mirror was released a few mere months before Crossover was broadcast – one of those moments of pop culture synergy where it turns out that two different individuals can have the same idea, but with infinitely different nuance or emphasis. Indeed, the timing syncs up so well that Crossover actually aired between the hardcover and soft cover printings of Dark Mirror, suggesting that a return to the mirror universe was something of an inevitability for Star Trek, in one form or another.

Duane’s approach to the mirror universe is markedly different to that of writers Michael Piller and Peter Allan Fields, with both Dark Mirror and Crossover taking the ending of Mirror, Mirror and running with it in opposite directions. Piller and Fields used the aftermath of Kirk’s meddling as a means to explore the consequences of interference in a culture that Kirk didn’t quite understand – a mechanism to explore the way that the original Star Trek didn’t seem to grasp moral relativity, and to explore political complexities outside Kirk’s value system.

In contrast, Dark Mirror is a more philosophical meditation on the nature of good and evil, a more metaphysical exploration of a fictional world built around the concept of selfishness and strength, and how such a universe would have to work on different physical laws than that of Star Trek: The Next Generation.

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Star Trek: The Next Generation – Requiem by Michael Jan Friedman & Kevin Ryan (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

At the risk of stating the obvious, Star Trek is a franchise spanning almost half-a-century with six leading actors and five different television shows. Due to its nature, one of the more enjoyably fanboy-ish pastimes is attempting to reimagine various confrontations and encounters, swapping out the characters involved. How would Kirk have responded to the Borg? Would Sisko have been ideally suited to dealing with the Xindi threat? What if Janeway faced the Doomsday Machine? Different characters have different defining moments, and those moments often play to their particular strengths. It might be fun to watch Khan spar with Picard, but it probably wouldn’t work as well as it did with Kirk. Q and Kirk would probably have difficulty striking it off.

Still, Kirk’s confrontation with the Gorn in Arena stands as one of the most iconic moments in the whole of the franchise, to the point where the weird toga-wearing god-like being at the end barely gets a look-in. Indeed, based on Sisko’s fanboy gushing in Trials and Tribble-ations, it seems to be one of Kirk’s defining moments within the shared Star Trek universe. So it might be fun to take Captain Jean-Luc Picard, and put him through that same sort of confrontation.

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