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Win! Tickets to a Jameson Cult Film Club GHOSTBUSTERS screening of biblical proportions!

Posted on October 29, 2015 by Darren

‘Try to imagine all life as you know it stopping instantaneously and every molecule in your body exploding at the speed of light’ – this is what will happen to those who miss out on the double Jameson Cult Film Club screening of the iconic supernatural comedy, Ghostbusters. The double screening is taking place in a secret venue in Dublin on Tuesday November 4th and Wednesday 5th, rumoured to have its own paranormal activity.

Tickets are free from JamesonCultFilmClub.ie, simply register your details for the chance to win, but we have some – highly sought after – pairs of tickets up for grabs for readers to the screening on Thursday November 5th.

These free events are much more than just your typical screening, as characters from the movie, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening. Expect to see Venkman and Spengler batting ghouls along with an appearance by the film’s real stars ‘Slimer’ and Stay-Puft Marshmellow Man

So if you and a friend want to be part of a crack team of supernatural elimination agents, then don’t wait another minute, grab your jumpsuits, proton packs and answer the below question to win tickets to the screening on Thursday November 5th:

← Back

Thank you for your response. ✨

All entrants must be over 18 – ID must be presented if requested.

Enjoy Jameson Sensibly. Visit Drinkaware.ie

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The X-Files – Surekill (Review)

Posted on October 27, 2015 by Darren

This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.

And with Surekill, the eighth season of The X-Files hits a problem.

The eighth season of The X-Files starts out strong, doing a good job of introducing a new major character without forcing him down the audience’s throat and allowing viewers to come to terms with the idea of The X-Files without Mulder. Even if some of the episodes are not jaw-droppingly amazing, there is a novelty to the format and a genuine curiosity that makes the opening seven episodes of the season more intriguing and exciting than the show has been in quite some time.

A hole lot of trouble…

The eighth season also finishes strong. It is tempting to put this all upon the return of David Duchovny to the show, bringing a sense of stability to the series. That is definitely a factor, but discussions of the eighth season tend overlook how the final stretch of the year is the most serialised that the show (and the mythology) has ever been and ever will be. For one brief (roughly ten-episode) run, it seemed like The X-Files had burst into the twentieth century with a new-found purpose and joie de vivre.

Notably, this leaves something of a lull in the middle of the season, between the opening stretch and before the season begins gathering momentum. This is the point at which it feels like this grand experiment might not actually work out, after all. It is very much an attempt to do by-the-book “monster of the week” stories in the traditional style of The X-Files, now that Doggett has settled in. Unfortunately, this only has the effect of reinforcing that one of the key ingredients of a classic by-the-book “monster of the week” story is sorely missing. Doggett is no Mulder.

Throwing in the towel…

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Filed under: Movies, The X-Files | Tagged: doggett, invisible, scully, see-through, surekill, the x-files, transparent, walls, x-files, x-ray | Leave a comment »

Non-Review Review: Spectre

Posted on October 24, 2015 by Darren

Second acts are always tough.

This is very much the case with Spectre, whether in terms of the film itself and its relationship with Skyfall. Despite the considerable backlash that Skyfall has generated since its release – an inevitability in this era of hype – it remains one of the best-loved and best-received James Bond films. It makes sense for the follow-up to try to capitalise on that success, in much the same way that Tomorrow Never Dies attempted to up the ante from GoldenEye and that Quantum of Solace attempted to build upon Casino Royale.

Spectre will suffer in the inevitable comparisons to Skyfall. The film doesn’t have the same clarity of purpose, revisits a few too many of the same things, and lacks the sheer beauty of Roger Deakins’ cinematography. Any direct comparisons between the two films will see Spectre coming up short. This is a shame as, taken on its own merits, Spectre is a remarkably successful James Bond film. Indeed, with three out of his four films firmly in the “hit” category, Daniel Craig assures his place as a James Bond for the ages.

Spectre is perhaps a little over-extended and gets a little lost in its own extended middle section. It perhaps falls a little too heavily into the “origin story” territory teased by Skyfall. However, it is stylish and confident, with charisma to spare. Spectre retains the energy and verve of its predecessor, capitalising on a script that knows what it wants to be about and perhaps the franchise’s most artful director. Spectre is one of the better Bond films, but it suffers from having to follow one of the very best.

A nice ring to it…

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Filed under: Non-Review Reviews | Tagged: film, james bond, non-review review, review, spectre | 17 Comments »

Non-Review Review: Black Mass

Posted on October 20, 2015 by Darren

Black Mass has endearing ambition.

This is an old-school crime biography, one that foregoes clarity or singularity of purpose in favour of sprawling scale. Black Mass covers decades in the life of notorious Boston gangster James “Whitey” Bulger. The thematic throughline is his connection to the local branch of the Federal Bureau of Investigation and Agent John Connolly. Connolly grew up with Bulger, and hits on the seemingly ingenious idea of advancing his own career by bringing Bulger into the fold as an “informant.” It is an arrangement that benefits Bulger and Connolly more than the FBI.

Gangbusters…

There is an interesting story to be told there, the tale of two men gaming the system for their own advantage. Many of the stories around Bulger are so ridiculous and improbable that they defy belief; they make for perfect cinematic fodder. With two strong lead actors, and a clear arc, the tale of Bulger and Connolly could be compelling and revealing. However, it also seems far too modest for Black Mass. Although Bulger and Connolly form the spine of the film, its limbs sprawl out in every possible direction trying to cover everything.

It is a valiant effort. There are moments when Black Mass really works as it picks on an awkward conversation or a loaded confrontation. However, these moments feel fleeting; they are a chain of short stories rather than a single cohesive narrative. Black Mass is frequently fascinating but seldom satisfying.

Awash with corruption…

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Filed under: Non-Review Reviews | Tagged: Adam Scott, Benedict Cumberbatch, black mass, Corey Stoll, Dakota Johnson, film, Jesse Plemons, Joel Edgerton, johnny depp, Julianne Nicholson, Juno Temple, kevin bacon, Movie, non-review review, Peter Sarsgaard, review, Rory Cochrane, scott cooper, whitey bulger | 4 Comments »

Non-Review Review: The Last Witch Hunter

Posted on October 19, 2015 by Darren

There are quite a lot of things wrong with The Last Witch Hunter, to the point that it’s almost endearing that the film sends so long setting up a potential sequel. (The Second Last Witch Hunter, perhaps?)

The Last Witch Hunter is a misbegotten mess that feels like the work of five different writers working with five different directors and a surprisingly consistent VFX team. The film is stilted, illogical, clumsy and ill-judged. Indeed, it seems like the production went wrong from the moment it was decided that Vin Diesel would be the perfect actor to convey the enormity and tragedy of immortality. Diesel is a reliable screen presence, with considerable gravitas, but he is not ideally suited to this sort of pathos.

… and carry a big sword…

The Last Witch Hunter stumbles from half-formed idea to half-formed idea, through a mess of CGI and misjudged direction. There are point where the action can be difficult to follow, whether through the script’s dependence on liberal amounts of exposition or the fast-paced editing that makes it difficult to get a sense of character or location in the midst of all this computer-generated mayhem. There is something frustrating to all this, given the faintest hints of interesting concepts that are smothered in rip-offs of other better films.

The audience might well wish that it really is The Last Witch Hunter.

Any witch way, but loose…

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Filed under: Non-Review Reviews | Tagged: film, Movie, non-review review, review, the last witch hunter, Vin Diesel | 4 Comments »

A Jameson Cult Film Club screening of biblical proportions… GHOSTBUSTERS returns to the big screen for two nights only, November 4th and 5th…

Posted on October 17, 2015 by Darren

‘Try to imagine all life as you know it stopping instantaneously and every molecule in your body exploding at the speed of light’ – this is what will happen to those who miss out on the double Jameson Cult Film Club screening of the iconic supernatural comedy, Ghostbusters. The double screening is taking place in a secret venue in Dublin on Wednesday November 4th and Thursday November 5th, rumoured to have its own paranormal activity.

So far, Jameson Cult Film Club have screened Friday the 13th Part Two in an abandoned camp site, Silence of the Lambs in a psychiatric hospital and Predator in a dense rainforest. They even engineered an exploding shark in the murky confines of a closed theatre space for the recent JAWS screening. Now, they’re giving Ghostbusters the same Jameson Cult Film Club treatment.

These free events are much more than just your typical screening, as characters from the movie, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening. Expect to see Venkman, Spengler and Stantz batting ghouls along with an appearance by the film’s real stars ‘Slimer’ and Stay-Puft Marshmellow Man.

So are you are troubled by strange noises in the middle of the night? Or experience feelings of dread and despair in regular cinemas or tv rooms? Do you or any of your mates want to be part of a crack team of supernatural elimination agents? If the answer is yes…then don’t wait another minute, grab your jumpsuit, proton pack and log onto jamesonclubfilmclub.ie to be part of the action.

DJ Aidan Kelly will be taking to the decks with sounds from the movie before and after the screening while guests are treated to ‘Slimer’ burgers and refreshing Jameson, Ginger and Lime long drinks.

Filed under: Movies | Tagged: Ghostbusters, jameson cult film club | 2 Comments »

Non-Review Review: Mississippi Grind

Posted on October 12, 2015 by Darren

Mississippi Grind is an intimate and thoughtful character study, featuring two superb central performances from Ben Mendelsohn and Ryan Reynolds. Written and directed by the team of Anna Boden and Ryan Fleck, Mississippi Grind finds two gamblers winding their way down the eponymous river in the hopes of winning big at a poker game in New Orleans. “Like Huck Finn,” compulsive gambler Gerry insists when the idea first comes to him. It seems an appropriate comparison, given the themes of the film.

Never pushing its meditations on the American Dream too hard, and never labouring its points too heavily, Mississippi Grind achieves an honesty that borders on the profound. More than that, it captures both the romance and the desperation of that one last bet – the inability to settle for “enough” and the insistence that there is always everything to be won, even if it means that everything can be lost.

Meet me in St. Louis…

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Filed under: Non-Review Reviews | Tagged: Anna Boden, ben mendelsohn, film, Gambling, gmabling addiction, Mississippi, mississippi grind, Movie, non-review review, review, Ryan Fleck, ryan reynolds | Leave a comment »

Non-Review Review: Pan

Posted on October 10, 2015 by Darren

There is something delightfully off-kilter about Pan, to the point that it seems almost surprising that it got made.

After all, Peter Pan doesn’t seem to need an origin story. All the core ingredients are included in the original stories that J.M. Barrie wrote at the start of the twentieth century, allowing generations of other writers to improvise and elaborate around a rather robust blueprint. Steven Spielberg hit on an interesting idea in theory (if not necessarily execution) in Hook, producing a sequel imagining what might happen if the boy who never grew up… actually grew up. However, there does not seem to be an equivalently interesting hook into a prequel story.

Don’t be so harsh, Blackbeard…

Indeed, there is very little in Pan that connects it to its source material, beyond a few overlapping names and sly in-jokes. Captain Blackbeard meditates on Neverland as the realm of death, alluding to the historical context of the stories, but the film is absolutely fascinated by the concept of death in Neverland. James Hook might be taunted with a “tick tock” and dangle his hand in crocodile-infested waters, but the film has very little interesting to say about his relationship with Peter Pan beyond falling back on the trope of suggesting that they were once friends.

However, there is something fascinating about the execution of Pan. Even if the script doesn’t hold together, and the film often seems like two-hours of punk pop candy floss, there is an endearingly gonzo quality to the film that makes its complete refusal to work all the more interesting.

Sheets to the wind…

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Filed under: Non-Review Reviews | Tagged: blackbeard, film, hugh jackman, Joe Wright, Movie, non-review review, pan, peter pan, review, Rooney Mara | 6 Comments »

Non-Review Review: Macbeth

Posted on October 8, 2015 by Darren

Justin Kurzel understands Macbeth.

A lot of Shakespeare’s work is viewed through the lens of cultural importance, and quite rightly. His plays codified a phenomenal amount of the English language in use today, incorporation and amalgamating words and phrases that people use without even thinking. Shakespeare codified drama and storytelling in the English language, to the point where any number of his plays can be cited as the defining example of particular styles of dramaturgy. There is no other figure who can cast such a shadow over English-language culture.

A Field in Scotland…

However, the tendency to treat Shakespeare’s works as priceless artefacts – an attitude engrained by the (rightful) reverence they receive and the way that they are taught in schools – is to miss the vitality and excitement of his work. Shakespeare might have endured as the defining wordsmith of the English-language, but before that he was just a really popular writer with an incredibly populist touch. His plays existed as spectacle before they became holy relics. The jokes played to the galleries packed with punters wanting both high and low culture.

As much as Macbeth might be a searing and insightful exploration of the relationship between violence and masculine identity, it was also pure unadulterated pulp. Justin Kurzel plays up this pulpy spectacle, crafting a version of Macbeth that anchors apocalyptic horror in two amazing central performances. Macbeth is a joyous and horrific piece of cinema, brutal and beautiful in a way that befits its source material.

Oh I just can’t wait to be king…

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Filed under: Non-Review Reviews | Tagged: justin kurzel, macbeth, marion cotillard, Michael Fassbender, non-review review, review, shakespeare | 8 Comments »

Non-Review Review: The Walk

Posted on September 30, 2015 by Darren

“It is not real,” Philippe Petit reflects quite early in The Walk.

Resting his chin against one of the steel supports running the height of the World Trade Centre, Philippe stares upwards into infinity. Up until that moment, the Twin Towers had existed as a conceptual object for the young French tightrope artist; he had only seen them in photographs and sketches, framed in comparison to the Eiffel Tower to afford them a sense of scale. Appreciating the majesty of the World Trade Centre in the flesh is almost too much to process. Making them more real has somehow made them less real.

Walk on the wild side…

Philippe could just as easily be talking about the film that surrounds him. Director Robert Zemeckis might be best known for his work on Back to the Future, but a lot of his twenty-first century filmography has been fixated upon the unreal; Zemeckis has become known for his fascination with motion-capture and computer-generated imagery, the illusive pursuit of verisimilitude through the uncanny valley. The special effects used to realise The Walk are superb and top of the line, but there remains a feeling of unreality to the whole film.

It would be impossible to film The Walk in a real location using real stunts. The Walk is an ode to New York City, but to a version of New York City that no longer exists. Tourists cannot visit it, although perhaps it might be found on a postcard or trapped in a photo. The Walk cleverly and consciously refuses to downplay that feeling of unreality, feeling almost like a nostalgic memory recalled through the fog of time. Philippe Petit’s tightrope walk between the Twin Towers was so effective because it was real; The Walk is so effective precisely because it is unreal.