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Non-Review Review: The Legend of Tarzan

The Legend of Tarzan is a dysfunctional film.

It is an interesting film in many ways, eschewing a lot of the conventional choices when it comes to adapting the Lord of the Jungle for the silver screen. There are a lot of reasons why this adaptation might want to steer clear of familiar trappings like the origin story or opt for an unconventional starting point, and the result is one of the most intriguing of the year’s big blockbusters. The Legend of Tarzan never follows the path of least resistance, and the resulting film is more fascinating for that.

"Anyone for tea?"

“Anyone for tea?”

It is also a lot less satisfying. Tarzan is an archetypal character. Many of the character’s trappings linger in popular memory. Even people who have never seen a Tarzan film will recognise the character’s battle cry. The loincloth is just as iconic as Superman’s red underwear. There are certain expectations in a Tarzan adaptation. Defying many of those choices is a bold storytelling decision, but that decision creates an absence at the heart of the film. Director David Yates and star Alexander Skarsgård never manage to fill that void.

The result is a film that is fun to puzzle out, but not entirely engaging on its own terms. Characters repeatedly acknowledge “the Legend of Tarzan”, whether sketched on posters or memorialised in song. However, the film spends so much of its first half picking apart the legend that it struggles to put it back together at the climax.

Note: there is more colour in this frame than in the entire film.

Note: there is more colour in this frame than in the entire film.

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The X-Files – Founder’s Mutation (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

In technical and aesthetic terms, Founder’s Mutation is the most modern of the six episodes to air as part of the revival miniseries.

To be fair, the other episodes in the miniseries do embrace the twenty-first century in their own unique ways. My Struggle I and My Struggle II update the mythology for the new millennium. Mulder and Scully Meet the Were-Monster deals with themes that resonate particularly strongly now that Mulder and Scully are in their middle age. Babylon is a sincere (if misguided) attempt to engage with the current political climate. However, those episodes are decidedly old-fashioned in how they choose to tell their stories.

Title drop.

Title drop.

There are little nods towards contemporary technology in the other five episodes. Mulder’s inability to work his phone is something of a running joke, whether in his failure to snap a picture of Guy Mann in Mulder and Scully Meet the Were-Monster or his inability to turn off his “find my phone” app in My Struggle II. Carter is justifiably proud of how My Struggle II incorporates cutting edge pseudo-science. However, none of those stories integrate new technology and new ideas as smoothly as Founder’s Mutation.

However, it isn’t just the use of technology that marks Founder’s Mutation out as the most modern of the six episodes. The episode’s storytelling and style are noticeably more contemporary than the episodes around it. Founder’s Mutation tells its story in a way that feels very much in step with the television landscape around it. More than the other five episodes in the miniseries, Founder’s Mutation feels like an episode of twenty-first century television.

Can you hear me at all?

Can you hear me at all?

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The X-Files – My Struggle I (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

This is journey that began for me – I’m sorry if I get emotional – twenty-three years ago. Things just don’t last in culture, these days. They… culture gobbles them up and they go away. It’s… it’s rare when something sticks around. Thanks for being part of the journey. The idea is that this is not the end. This is maybe a new beginning. And maybe we’ll do more of these if we do a really good job.

– Chris Carter’s opening remarks at the first production meeting on My Struggle I

The truth is still out there...

The truth is still out there…

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The X-Files (IDW) Christmas Special 2015 (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Nothing gives a better sense of how compressed The X-Files: Season 11 is than the decision to incorporate The X-Files Christmas Special 2015 into the larger arc of the season, as a bridge between Mulder’s capture at the end of Home Again, his detention in My Name is Gibson, and his adventuring with Scully in Endgames. Although it might be possible for readers to smoothly jump from the climax of My Name is Gibson into the high-stakes action of Endgames, the events of The X-Files Christmas Special 2015 smooth the transition.

Arriving late in the run of The X-Files: Season 10, The X-Files Christmas Special 2014 felt almost like an “out of continuity” adventure that found the cast sharing the holiday season together in the apartment of Walter Skinner. The festive levity provided a nice contrast to the trauma regularly inflicted upon these characters, providing a much lighter story in the spirit of the season. In contrast, The X-Files Christmas Special 2015 struggles to balance the lighter tone expected of a Christmas special with the demands of the larger arc.

Merry Christmas.

Merry Christmas.

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