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The X-Files: Season 11 (IDW) (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

The X-Files: Season 11 is a relatively lean beast.

The X-Files: Season 10 seemed to struggle to map out a clear direction or identity for itself. This was most obvious in the context of the comic book’s mythology, as writer Joe Harris and his collaborators frequently found themselves revising and rewriting the mythology from one story to the next. All the elements introduced in Believers were reduced to a footnote in Monica & John. Although Gibson Praise made his first reappearance in the final pages of Believers, the mythology only truly galvinised around him over the course of Elders.

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In contrast, The X-Files: Season 11 has a very clear idea of where it is going and room for a minimal amount of distractions along the way. While the art team on Season 10 changed quite frequently, the nine comic book issues that comprise Season 11 are all handled by the core team of writer Joe Harris, penciller Matthew Dow Smith and colourist Jordie Bellaire. There is a consistency and focus to the run that is striking. There is no time for exploration or improvisation. Everything serves its purpose in the context of the story being told.

This is a double-edged sword. While it does reduce the chance of an endearing standalone story like Chitter or Immaculate, it does afford the run a purity and energy that was somewhat lacking as Harris had to revise and rewrite his mythology while the revival miniseries moved closer and closer to public announcement. In some respects, Season 11 feels kind of like the version of The X-Files that some fans wanted when the revival was announced. It is an efficient attempt to resolve dangling plot threads and bring closure to the story being told.

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The X-Files – Season 10 (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

The six episode revival miniseries is a strange beast.

It is hard to think of it as the tenth season of the show. In fact, the marketing of the DVD and blu ray sets describes it as “the event series”, perhaps a tact acknowledgement of that fact. There are a number reasons why it is difficult to think of these six episodes comprising a tenth season. Most obviously, the season is only six episodes. Even in the current context of truncated episode orders and split season, that is a short season. By modern standards, it would be a short half-season. Referring to it as the tenth season of The X-Files feels like false advertising.

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However, there are other reasons that it is difficult to think of these six episodes as constituting a season. Quite frankly, the six episodes are wildly variable in tone and quality, to the point that it is difficult to distill a singular unifying theme or meaning from. They are six random episodes of television, some good and some less good, with one masterpiece and one boldly ambitious mess. It is almost easier to talk about the episodes individually than it is to discuss them as a single season television.

Then again, that’s what makes them feel so much like The X-Files.

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The X-Files Deviations (IDW) #1 – Being and Time (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Being and Time is not a good comic book.

There are a number of reasons why the comic doesn’t work, but the simple fact of the matter is that it has an interesting premise but does little of interest with that premise. Nevertheless, there is something quite intriguing the set-up, an “out-of-continuity” tale that offers a glimpse of a parallel universe where Fox Mulder was abducted in the place of his sister Samantha. More to the point, it seems entirely telling that the only supplemental X-Files comic to be published by IDW during the entirety of The X-Files: Season 11 was one entirely outside continuity.

What might have been.

What might have been.

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Non-Review Review: Finding Dory

Finding Dory is a demonstration of everything that Pixar does well, a bright and colourful treat for kids that offers enough depth for adults.

Pixar have one of the strongest track records in animation, even acknowledging recent missteps like Cars 2 or The Good Dinosaur. At its best, the studio is transcendent, producing films that speak as keenly to parents as they do to children, building entire worlds from pixels that feel so textured and real that audiences do not need 3D to end up lost in them. Inside Out is the most recent demonstration of the studio’s prowess in that regard, a film that deserved to be in the conversation as one of the very best movies of 2016.

I think I see her!

I think I see her!

Finding Dory is not quite at that level. The movie seems unlikely to be remembered as one of the studio’s finest efforts alongside Wall-E or Up. However, second tier Pixar is still fantastic. There is a solid argument to be made that Finding Dory is the film of the summer, a family-friendly treat that can appeal to whole audiences. Kids of all ages will react fondly to the colourful (and beautifully rendered) characters, while the movie also resonates on more profound levels for the more mature members of the family.

As with the best Pixar films, Finding Dory speaks to the idea of family and growing up. The film is held together by a beautiful metaphor about what it means to find a family, and about the idea of returning home as an emotional rather than a literal journey. It is a fascinating and powerful film, but also one with as much heart and energy as anything in the Pixar canon.

Something fishy is going on...

Something fishy is going on…

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The X-Files – My Struggle II (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

“This is the end,” the opening credits tease.

This is not the end.

This is not the end.

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The X-Files: Season 11 (IDW) #6-8 – Endgames (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

With Endgames, it all comes to an end.

The grand epic story that writer Joe Harris had built across thirty-five issues of The X-Files: Season 10 and The X-Files: Season 11 comes to a close with this three-part story. Given that the default length of a mythology-heavy story in Season 10 was five issues, Endgames cannot help but feel somewhat truncated. However, there has always been a sense that Season 11 is winding down rather than ratcheting up.

Alien nation.

Alien nation.

In some ways, Endgames suffers from being overly ambitious. Harris reintroduced the faceless rebels into his mythology with My Name is Gibson and The X-Files Christmas Special 2015, but they feel like they crowd out what is otherwise a straightforward confrontation with Mulder and Scully squaring off against Gibson Praise. It is in some ways disappointing that all of Gibson’s plans build to a handful of trucks in the desert.

And, yet, in spite of that, there is something oddly charming about Endgames. The three-parter might be a compromised twist on the ending that Joe Harris originally envisaged for his massive epic, but it is still an ending.

Full circle.

Full circle.

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Non-Review Review: Ghostbusters (2016)

It is very strange to think of Ghostbusters as a film.

For the past year or so, the word has existed as part of a storm ravaging the pop cultural landscape. It became the source of heightened controversy, its own front in the pop culture wars that had already consumed video gaming and the Hugos. To venture an opinion on the film was to wade into that storm, to chase the tornado and to find your opinion subject to all manner of criticism and second-guessing. If you were interested in the film, you were a raving feminist crushing the hopes and dreams of a generation. If you were sceptical, you were a misogynist.

Rocked and loaded.

Rocked and loaded.

With that in mind, it is strange to think of Ghostbusters as actually existing as a film that can actually be watched in a cinema. The film has been the source of so much discussion and debate – so much thought and energy – that it somehow feels “bigger” than two-hour long supernatural action comedy directed by Paul Feig and starring a great cast. Trying to separate the film from that larger discussion feels like a Herculean task of itself, one compounded by the fact that it is neither terrible nor brilliant.

Being sensational or being awful would make the matter a bit easier, because it would tie neatly into one of the two narratives swirling around the film’s production. Instead, it is merely very good. It is an enjoyable supernatural action comedy with a great cast that is always fun to watch, even if it isn’t perfect. In the end, it is just a film. A very good, very enjoyable, slightly flawed film.

Stream of thought...

Stream of thought…

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The X-Files – Babylon (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

There are two schools of thought on Babylon.

The first school of thought is that the episode is quintessentially X-Files. It is Chris Carter taking advantage of the flexibility of the show’s form to produce an episode of television that looks utterly unlike anything else on television. This is the series at its most creative and its most gonzo, the free-spirited free association that powered early Carter episodes like Syzygy, The Post-Modern Prometheus, Triangle, Fight Club, First Person Shooter and Improbable. It is crazy and “out there”, but… well, so is the truth.

Party on, Mulder.

Party on, Mulder.

The second school of thought is that the episode is spectacularly and recklessly ill-judged. Although undoubtedly well-intentioned, Chris Carter produces a script that is deeply problematic and even potentially inflammatory. Given that so much of the script hinges on the idea that thoughts have “mass” and that ideas can be dangerous, the resulting episode is definitely clumsy and borderline reckless in its exploration of a sensitive issue. This is just as problematic as “classic” episodes like Teso Dos Bichos, Teliko or Badlaa.

Both of these things can be true.

"... I just don't think it'll understand..."

“… I just don’t think it’ll understand…”

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The X-Files – Home Again (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

If Mulder and Scully Meet the Were-Monster demonstrates the strengths of this six-episode miniseries format, then Home Again makes a case for the weaknesses.

Home Again is not a bad episode of itself. However, it does suffer from two glaring weaknesses of the revival format. The most obvious is that the revival is only six episodes long, which means that everything is truncated and reduced. This was quite clear in My Struggle I, which was essentially a mythology two- or three-parter with all the non-exposition bits cut out. However, it is also clear with Home Again, which feels like two great episodes that have been combined to form one good episode.

"This one has a monster in it."

“This one has a monster in it.”

Glen Morgan is also the weakest director of the four directors working on the revival miniseries. Morgan is a phenomenal writer, but he lacks the stylistic flourish of Chris Carter or the dynamism of James Wong. He does not tailor the script for Home Again to suit his directorial sensibilities in the way that Darin Morgan does with his scripts for Jose Chung’s “Doomsday Defense” or Somehow, Satan Got Behind Me. Morgan is a good director, but one of the most under-appreciated ingredients of The X-Files was its murderer’s row of great television directors.

As a result, Home Again is an episode that is much stronger on paper than it is on camera.

"Mulder and Scully, FBI."

“Mulder and Scully, FBI.”

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The X-Files – Mulder and Scully Meet the Were-Monster (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

We’ve been given another case, Mulder.

It has a monster in it.

Total eclipse of the heart.

Total eclipse of the heart.

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