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Star Trek: The Next Generation – The Bonding (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Bonding is a pretty pivotal and momentous episode for Star Trek: The Next Generation. On one hand, it’s the first episode overseen by incoming executive producer Michael Piller. Piller would go on to become one of the most influential producers to work on Star Trek. Aside from steering The Next Generation towards success, he also created Star Trek: Deep Space Nine and Star Trek: Voyager, as well as overseeing the production of the first three Next Generation films.

However, The Bonding is also the first script written by Ronald D. Moore. Obviously, the version that made it to screen had been revised and tweaked by Melinda Snodgrass and Michael Piller, but The Bonding still feels like a Moore script. Ronald D. Moore would go on to be one of the more influential writers on The Next Generation and Deep Space Nine. He also worked (very) briefly on Voyager, before departing and heading up his own reboot of Battlestar Galactica.

So The Bonding is the beginning of something new, an original direction for The Next Generation. Featuring a powerful and wonderful opening half, The Bonding suffers a bit from falling into conventional Star Trek tropes towards the end of the episode. However, it’s still a clever and powerful piece of television.

A bit of shadow...

A bit of shadowplay…

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Star Trek (DC Comics, 1989) #19 – Once a Hero… (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Once a Hero… is a notable story for a number of reasons. The most obvious is that it’s Peter David’s last issue of DC’s monthly Star Trek comic, departing the comic book after a pretty bitter disagreement with Richard Arnold, who was overseeing Star Trek licensing at the time. Given that David wrote The Incredible Hulk for twelve years and remains a prolific and well-liked comic book creator among the comic community, as well as a guiding light in Star Trek tie-in fiction, that’s a pretty damning indictment of Richard Arnold right there.

However, Once a Hero… is also notable for being an in-depth exploration and reflection on the “red shirt” narrative convention that the franchise loved so dearly.

A grave adventure...

A grave adventure…

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Star Trek: The Next Generation – Who Watches the Watchers? (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Who Watches the Watchers? continues a strong start to the third season of Star Trek: The Next Generation. It is the last episode of the third season produced by Michael Wagner. He would depart the show and leave Michael Piller in charge of the scripts for the rest of the season. It’s also the third-to-last credit for writers Hans Beimler and Richard Manning, who had both been around from the first season.

The writing duo would work on Yesterday’s Enterprise with Ira Steven Behr and Ronald D. Moore, but also finish Allegiance before departing the show at the end of the third season. (They were rather enraged by Piller’s tactless “writing 101” memo, sent later in the season.) Manning and Beimler would go on to write Paradise for Star Trek: Deep Space Nine, and Behr would convince Beimler to return to the franchise for the fourth season of Deep Space Nine. Beimler would be Behr’s most faithful writing partner on that spin-off, teaming with Behr throughout the sixth and seventh seasons in particular.

In many ways, Who Watches the Watchers? returns to some of the themes that the duo had touched upon in their strongest script of the first season, Symbiosis. It’s a complicated morality tale about the ethics of Starfleet and the burden of the Prime Directive.

The answer, apparently, is Liko.

The answer, apparently, is Liko.

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Star Trek – Operation Assimilation (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

In many ways, Operation Assimilation feels like a cynical cash-in. It’s a one-shot Marvel comic book published in the wake of the release of Star Trek: First Contact that doesn’t seem to go anywhere, doesn’t seem to seed any story points that might pay off later and doesn’t seem like it has anything particularly insightful to say. It really feels like Marvel just wanted to reaffirm the fact that they had the license to publish Star Trek comics towards the end of First Contact‘s theatrical release cycle and before the film’s home media release.

The cover does little to help this impression. Several months before Star Trek: Voyager would introduce the world to a sexy Borg drone, the cover of Operation Assimilation features a female Borg drawn in a pose (and with a costume) intended to emphasise her cleavage. “Collector’s Item Issue!” the cover boasts, reminding the reader that it is a product of the late nineties comic speculation boom that almost destroyed the industry. The shiny “1” on the cover makes it feel like more of a marketing exercise, along with a fairly light interview with Jonathan Frakes on the last few pages.

It feels almost like Operation Assimilation says more about late nineties comic books than it does about Star Trek.

Cue cheap joke about implants...

Cue cheap joke about implants…

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Star Trek: The Next Generation – The Survivors (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Michael Wagner remains something of a forgotten figure among Star Trek fans. While anybody familiar with the behind-the-scenes workings on Star Trek: The Next Generation is aware of the contributions made by the wonderful Michael Piller, and quite a few would be familiar with the work of Maurice Hurley during the first two seasons, Wagner’s four-episode tenure as executive producer and head writer is something of a mystery.

Situated right in the middle of that four-episode run, and the only Star Trek script on which Wagner does not share a credit, The Survivors seems like the most obvious indicator of what Wagner’s version of The Next Generation might have looked like. Of course, it’s impossible to extrapolate from a single episode of television, let alone a single episode of an era that was over before it already began, but it is interesting to look at how Wagner’s work here differs from the style that would be imposed by Piller.

The Survivors is a decidedly high-concept science-fiction mystery, feeling almost like an episode of an anthology featuring the regular cast. Built around a guest star, The Survivors is very much radically opposed to Piller’s vision of character-driven Star Trek.

"Nice house. Can't see much about the neighbourhood, though."

“Nice house. Can’t see much about the neighbourhood, though.”

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Star Trek: The Next Generation (DC) Annual #3 – The Broken Moon (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry. This is actually supplementary to the first season of the Next Generation, specifically the episode Conspiracy.

If you were to construct a list of the most niggling unresolved plot threads in the history of the Star Trek franchise, “what was up with those things from Conspiracy?” would likely rank up there alongside “so, did Bajor ever join the Federation?” Funnily enough, author S.D. Perry would tie those two dangling plot points up in her Deep Space Nine relaunch book, Unity.

However, several other writers have tried to figure out what exactly was going on with those mind-controlling parasites who appeared at the end of the first season of Star Trek: The Next Generation and were never heard from again. According to Ronald D. Moore on Inside the Writers’ Room on the third Next Generation blu ray box set, various writers for the show tried to revisit the idea, but Roddenberry hated that episode so much nothing was ever developed.

The Broken Moon, the third annual for DC’s Next Generation comic book series, offers its own take on the mind-controlling parasites. While writer Michael Jan Friedman wisely avoids revealing too much about these creatures, the story suffers because it never figures out anything interesting to do with them.

It always bugged me...

It always bugged me…

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Non-Review Review: The Armstrong Lie

The Armstrong Lie is about a lot of things. It’s nominally about Lance Armstrong’s attempted come back in 2009, and then about how it was all one big lie once the doping allegations became impossible for the athlete to deny. Those are, in a way, the least interesting aspects of Alex Gibney’s documentary. Instead, the film works best as an exploration of power and vested interest, as well as an exploration of narrative and how that narrative is manipulated and shaped to suit agendas.

thearmstronglie1

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Star Trek: The Next Generation – The Ensigns of Command (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

The Ensigns of Command is a Data-centric script from Melinda Snodgrass, the writer responsible for The Measure of a Man. It was the first episode produced in the show’s third season, even if it was the second to air. As with so many third season episodes, The Ensigns of Command was beset by behind-the-scenes difficulties. These issues plagued the episode through all stages of production – from the script through to post-production.

It is a wonder that The Ensigns of Command turned out watchable. While it certainly can’t measure up to Snodgrass’ earlier Data-centric story, it is an intriguing character study that benefits from a focus on character and an understanding of Star Trek: The Next Generation works. While far from an exceptional or defining episode of The Next Generation, it’s a demonstration of how far the show has come that even an episode as troubled as this could look so professional and feel so satisfying.

A fun shoot...

A fun shoot…

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Star Trek: The Next Generation – The Ensigns of Command by Melinda Snodgrass (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

One of the benefits of the internet age is the wealth of material that it makes available with comparative ease. Interviews are widely distributed, clips are circulated, and it’s often not too hard to find primary or well-sourced secondary materials available with a simple search. As such, it’s a lot easier to pry into the history and legacy of cult film and television than it has ever been before. Leaping back in Star Trek: The Next Generation more than two decades after it originally aired allows the viewer more insight than they would ever have had back then.

The third season of The Next Generation is widely (and rightly) regarded as one of the strongest seasons in the history of the franchise. Only the first two seasons of the original Star Trek, a few more seasons of The Next Generation and couple of years of Star Trek: Deep Space Nine can claim to compete on a level of quality and consistency with this twenty-six episode rejuvenation of the series that had faltered in its first two years.

Watching The Ensigns of Command, it’s hard to fathom how deeply troubled the production was. The episode was plagued by problems from scripting through to post-production. Writer Melinda Snodgrass has made no secret of her dissatisfaction with the episode. Although her name appears on the finished script, the episode had been heavily re-written. Snodgrass has made her original script available on-line via her website, and it makes for an interesting glimpse at what might have been.

tng-theensignsofcommand22

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Star Trek: The Next Generation – Evolution (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Evolution kicks off the third season of Star Trek: The Next Generation, and marks the point at which the spin-0ff really comes into its own. It’s remarkable how consistent in quality the third season is, despite the trouble brewing behind the scenes. It’s also remarkable how quickly the show finds its footing after two years of stumbling clumsily in the right direction. Within the first five episodes of the third season, The Next Generation has clearly found its voice.

However, a change is obvious even from Evolution. Michael Piller would take over the reigns four episodes into the season, but he also co-wrote the script to the season premiere. While Piller polished quite a few of the scripts passing through The Next Generation‘s third season, it is interesting that his credited work book-ends the season, setting the tone and leaving a clear impression.

While Evolution is not the strongest episode of the season to come, it does have a much stronger sense of self and purpose than anything that has really come before. It isn’t a bold or ground-breaking script by any measure; it’s actually a relatively simple story. It just tells that story with a wonderful resonance, clarity and efficiency, commodities that have been sorely lacking from The Next Generation to date.

Hold on, it's time for a change...

Hold on, it’s time for a change…

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