September | 2012 | the m0vie blog

Michael Clarke Duncan, R.I.P.

Posted on September 4, 2012 by Darren

It’s very strange to hear that an actor who really emerged during your life time has passed away. I was actually already an aspiring movie buff when Michael Clarke Duncan gave his breakout performance in The Green Mile. Duncan, of course, had been around for a while before that. He’d been working in the entertainment industry even before he decided to seriously pursue acting as a career – the early nineties saw the guy working as a bodyguard for Will Smith among others. He turned earnestly to acting in the mid- to late-nineties, and had a small but memorable role in Armageddon that led Bruce Willis to recommend him for The Green Mile. In many ways, I watched Duncan become a recognisable screen presence, and I was very shocked and saddened to hear of his passing.

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Filed under: Movies | Tagged: Academy Award, armageddon, bruce willis, Duncan, green mile, Jack Coffey, Leonardo diCaprio, los angeles, michael clarke duncan, Myocardial infarction, Omarosa Manigault-Stallworth, rest in peace, Shawshank Redemption, Television, tom hanks, Universal Channel, will smith | 7 Comments »

The Adventures of Batman & Robin – Deep Freeze (Review)

Posted on September 4, 2012 by Darren

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

Heart of Ice is a phenomenal piece of television. Paul Dini’s sharp script somehow managed to take one of the most camp and forgettable theme villains in Batman’s iconic selection foes, and elevate them to a prime position. After all, were it not for that reimagining of the villain, Victor Fries would likely be a footnote in Batman history, ranking not too far above the Killer Moth or the Calendar Man in the dregs of Batman’s rogue’s gallery. However, while the story provided a concrete and grounded origin for an otherwise Z-list villain, it also raised some interesting questions about where the character could be taken after that.

His second appearance in the series, Deep Freeze seeks to answer those question. While, ironically, it’s considerably shallower than its predecessor, it’s still an interesting look a villain defined by this show.

Freeze frame…

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Filed under: Television | Tagged: 1984, animation, batman & robin, Batman and Robin, batman: the animated series, btas, deep freeze, grant walker, mister freeze, mr. freeze, Oceania, review, Television, the adventures of batman and robin, victor fries, Walt Disney | 3 Comments »

Batman: The Animated Series – On Leather Wings (Review)

Posted on September 3, 2012 by Darren

I suppose we should start at the beginning. It’s hard to believe that it has been twenty years since Batman: The Animated Series first appeared on television. I think that it’s had a fairly massive impact – both on superheroes in animation, but also back in the original source material. Although On Leather Wings was not the first episode of the show to be broadcast (it was beaten by The Cat and the Claw, Part I), it was the first produced. While the episode itself falls quite short of greatness, it’s interesting to note just how many of the show’s successful ingredients were clearly present from the outset.

I can’t stay silent on the matter…

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Filed under: Television | Tagged: alfred pennyworth, batman, Blimp, Bruce, bruce wayne, danny elfman, Dark Knight Rises, Shirley Walker | 3 Comments »

Doctor Who: Asylum of the Daleks (Review)

Posted on September 1, 2012 by Darren

You’re going to fire me at a planet? That’s your plan? I get fired at a planet and expected to fix it?

In fairness, that is slightly your M.O.

Don’t be fair to the Daleks when they’re firing me at a planet.

And more wacky structural hijinks ensue.

The sixth and seventh seasons of the revived Doctor Who are strange beasts, for a number of reasons. The decision to split the seasons stands out, but there is also a sense that they are structured in a counter-intuitive manner. The Impossible Astronaut and Day of the Moon served as a two-part season finalé, despite opening the sixth season. In contrast, Let’s Kill Hitler played like a frothy season premiere. (The Wedding of River Song is perhaps the most difficult to place; while certainly not a light run-around season opener, it was nevertheless a bit light for a finalé.)

Things are looking up…

The seventh season arguably streamlines the structure a bit. The Name of the Doctor plays almost like a season premiere, revealing the origin story for “the Impossible Girl” and teasing ideas like the War Doctor and Trenzalore relentlessly. In contrast, Asylum of the Daleks feels like a season finalé, teasing a new companion as the existing companions struggle to get on with their real lives, featuring fleets of Dalek ships destroying planets and massive amounts of continuity.

Indeed, the biggest problem with Asylum of the Daleks is that it has not enough time to establish all its core elements. Plot points come out of nowhere. Character beats are established in the same scenes that resolve them. Asylum of the Daleks is a big episode in keeping with the “blockbuster” aesthetic of the anniversary season, but it also establishes the limitations of that approach.