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Mike Carey’s Run on Ultimate Fantastic Four – Vol. 4-6 (Hardcover) (Review/Retrospective)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

Ultimate Fantastic Four was never really the crown jewel of the Ultimate line. It wasn’t ever as consistent as Brian Michael Bendis’ 100+ issues on Ultimate Spider-Man, nor as zeitgeist-y as Ultimate X-Men (which had the success of the X-Men trilogy to back it up at least). Instead, like Fox’s Fantastic Four movies, Ultimate Fantastic Four was just… well, just kinda there, really. To be fair, I dug Mark Millar’s twelve-issue run on the title. Hell, I even enjoyed elements of the opening arc by Millar and Bendis, and the year-long run by Warren Ellis that followed. However, Mike Carey’s run is somewhat disappointing. This was the run which essentially saw the series through to the big Ultimatum event, and perhaps it justified the decision to clean the slate when it came to Marvel’s Ultimate line. Because, whatever Carey’s run was, it certainly wasn’t consistently fantastic.

That surfer dude looks spaced...

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Fantastic Four by John Byrne Omnibus (Review/Retrospective)

Celebrating the 50th anniversary of the Fantastic Four, I’m taking a look at some of the stories featuring the characters over the past half-century.

John Byrne’s Fantastic Four run is pretty major as Marvel comic book runs go. It’s generally regarded to be one of the better comic book runs of the eighties, alongside Frank Miller’s Daredevil and Walt Simonson’s Thor, but it’s also widely regarded as the best run on Marvel’s flagship family since Stan Lee and Jack Kirby finished their record-setting run establishing both the series and the shared Marvel Universe. (The length of the run has since been surpassed, appropriately enough, by Brian Michael Bendis and Mark Bagley on Ultimate Spider-Man.) This was my first time reading the run, which has received the massive omnibus treatment from Marvel. I have to admit, while not quite blown away by it, I was remarkably impressed by the love and craftsmanship that Byrne poured into the run. I wouldn’t class it as iconic or genre-defining, but it’s a remarkably solid examination of the franchise that launched the Marvel Universe.

Fantastic!

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Non-Review Review: Machete

I really liked Machete. It sounds strange from somebody who was relatively unimpressed with Robert Rodriguez’s contribution to Grindhouse, the lackluster b-movie throwback Planet Terror. I think that Machete works because it’s considerably more obvious in its humour, while still walking through a fairly conventional “exploitation” plot. Although the storyline and characters could easily have come from some dingy shot-on-video-camera b-movie, Rodriguez seems somewhat clearer in his parody here, as if he’s making an intentionally hilarious film, rather than merely trying to create the sense of an unintentionally hilarious film. I think it really works, because it’s everything a film like this should be: it’s gleefully silly, ridiculously violent, hilariously “relevent”, and presented in an insanely over-the-top manner.

Machete don't fold...

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The Doctor Is In? Is Doctor Who “Too British” For American Audiences?

Well, it’s been about a week since the news broke that David Yates would be directing the new Doctor Who movie, being produced by the BBC, aimed at American audiences. Perhaps Steven Moffat’s rumoured commentary was perfectly apt: it seems that neither the director nor the studio have any idea what exactly they are planning, and the announcement might have been more than a little preemptive. There’s a lot of chatter out there about what this means for the television show, which is rumoured to be running severely over-budget and under pressure from the BBC executives. Because, you know, it’s not like the show makes enough to justify its costs.

I don’t know if this means potential cancellation or a reboot after the fiftieth anniversary, or even if the show and the movie will run alongside in two distinct continuities (and people said Moffat’s “timey-wimey” plots were too complicated!). Being entirely honest, I’m not sure if Yates knows either. However, something does fascinate me about this. Bringing Yates on-board represents a vote of confidence, suggesting that Doctor Who could be somewhere in the region of “Harry Potter” success stateside.

I can’t help but wonder if Doctor Who is simply “too British” for mainstream American audiences, and if launching a movie franchise to appeal to the demographics will be able to keep the core of the character and the show, while courting North American movie-goers.

States of play?

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Non-Review Review: Superman II (The Theatrical Cut)

I kinda feel sorry for Superman II. As a film, it’s overshadowed by the enormous controversy over the firing of director Richard Donner. Donner, who directed the original film, had begun work on the follow-up, when he was dismissed by the producers – reportedly for resisting the “campy” direction that the Salkinds where trying to force on the film. Richard Lester (who worked with the Salkinds as producer on The Three Musketeers, The Fourth Musketeer and as an uncredited producer on the original Superman) stepped in to fill the vacant position, and was ultimately credited on the finished product. While the film works relatively well, it suffers from the simple fact that Lester is nowhere near the craftsman that Donner was.

You'll believe a man can make a woman forget his secret identity!

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Lyrical Dissonance: Musical Musings…

I don’t normally write about music here… probably because I know next-to-nothing of music. I couldn’t pick most modern musicians out of a line-up. Not in a “modern musicians suck” sort of way, but in a “I don’t really listen to the radio, and therefore pop music” sort of way. So I’m actually even less qualified than a layman to talk of music and such. Still, I have to admit that I am fascinated at how so few people who rate so many classic songs so highly seem to be aware of what the song they’re listening to (or singing along to) is even about. While it isn’t anything that “grinds my gears”, I am still a little amused every time I hear Every Breath You Take played at a wedding, or Good Riddance (Time of Your Life) played at graduation.

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Non-Review Review: Catch Me If You Can

Catch Me If You Can is an enjoyable little film which feels like Spielberg indulging in some sixties nostalgia, while allowing Leonardo DiCaprio to scratch yet another name off his “greatest living directors” bingo card. It’s always impressive when a movie running for two-and-a-half hours just breezes by – some might suggest that such a film is “light”, and it’s a hard position to disagree with, but I think it marks a nice change of pace from the darker movies Spielberg was directing during the first decade of the new millennium. It’s not a classic, but it’s an enjoyable piece of cinema, crafted by talented people, that moves almost as fast as its lead character.

They should cheque better next time...

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Jameson Cult Film: Alien, 29th November

All film fans in the Dublin area! There’s date for your diary: the 29th November! The wonderful folks over at the Jameson Cult Film Club have put together a screening of Ridley Scott’s classic 1979 Alien… in a venue designed to look like the Nostromo itself. I can’t stress enough how incredible the Jameson screenings are. I’m normally cautious about plugging stuff on here, but these really are events that an Irish film fan would be absolutely mad to miss. You can tell that the guys at Jameson really love their cinema – their screening of Snatch was easily one of the highlights of my cinematic year. There’s a lot of genuine care and affection that goes into organising these nights, and I think they really pay off.

The best part? Tickets are absolutely free.

I’ve included the text of the press release below, but there’s no reason to read it – that just wastes valuable time you could be using to head on over to their website to apply for free tickets.

Ash to Ash...

I am psyched. This is actually up there with the release of The Girl with the Dragon Tattoo as my most anticipated film moment remaining in 2011.

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Non-Review Review: Twilight – Breaking Dawn, Part I

Twilight tends to generate a great deal of controversy on the internet, which is something I’ve never really understood. After all, all aspects of fandom – movies, television, comic books, video games – tend to suffer from a mainstream prejudice, so it seems strange that Twilight should attract such a harsh response from fans of other niche culture. In fact, I’d subscribe to the argument that Twilight: Breaking Dawn, Part I is just like any other major franchise film, like The Expendables or Transformers III. The only major difference is that it’s aimed at the female demographic rather than a male one. Keep in mind this isn’t a defense (it has many of the same weaknesses as those two films), but rather an observation – it’s something I’ve always found strange.

To have and to hold...

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Non-Review Review: Clue

Clue is an interesting movie. It’s an obviously flawed one, but it’s also conducted with such impressive energy and a cheeky sense of fun that it’s quite easy to overlook some of the structural problem, and rather glaring plot holes. It’s an affectionate parody of those classic “whodunnit” mysteries, stories like Agatha Christie’s Ten Little Indians, featuring a small cast trapped together, investigating a murder. Based on the game Clue (or Cluedo to us Europeans), it’s the first movie based on a boardgame, and I can’t help but feel that it’s still the best.

The usual suspects...

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