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Doctor Who: The Chase (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Chase originally aired in 1965.

You’re from Earth?

No, no, Ma’am. No, I’m from Alabama.

– Barbara and Morton set things straight

There are times when Doctor Who seems to straddle the line between genius and insanity, when the viewer is left completely unsure whether they’ve witnessed something profoundly clever, or infuriatingly stupid. The Chase is one of those stories, one of those rare cases where I’m honestly not sure if I’m reading too much into a piece of television or simply scratching the surface of a whole wealth of complex meaning and symbolism. The Chase is, as near as I can make out, either a desperate attempt to cash-in on the then-current Dalek craze, or one of the craziest attacks the show ever made on the fourth wall. It’s either completely terrible or breathlessly brilliant, and I refuse to rule out the possibility that it is both, possibly at the same time.

Cutting to the chase...

Cutting to the chase…

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Doctor Who: The Tomb of the Cybermen (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Tomb of the Cybermen originally aired in 1967.

In fact you might say they’ve had a complete metal breakdown.

Oooooh….

I’m sorry, Jamie.

– traveling with the Doctor can be quite pun-ishing

The Tomb of the Cybermen is a bit of miracle. Originally thought lost to history in the great BBC archives purge (along with most of the Troughton era), The Tomb of the Cybermen was recovered completely intact from Hong Kong in 1992, a quarter of a century after the adventure aired and several years after the original series had been cancelled by the BBC. It remains perhaps the most significant recovery in recent memory, and fosters hope that there might be a few other serials that have been preserved in their entirety. Still, even outside of its significant historical context, I’d make the argument that The Tomb of the Cybermen stands as the best adventure to feature the metallic men.

Sealing your tomb…

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Doctor Who: Horror of Fang Rock (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Horror of Fang Rock originally aired in 1977.

So you found the trouble then?

Yes, I always find trouble.

– Vince and the Doctor

The show was on something of a hot streak when Horror of Fang Rock aired. While producer Philip Hinchcliffe’s tenure on the show is roundly praised, and is a personal favourite, the standard of the show had been particularly high. The beloved Talons of Weng-Chiang had closed out the previous season, following hot-on-the-heels of the well-regarded Robots of Death – both classic and iconic stories that stand as the very best of Tom Baker’s time in the lead role. Horror of Fang Rockis right on up there, as perhaps one of the best gothic horrors that the series has ever produced.

Something wicked this way comes...

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Doctor Who: The Aztecs (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Aztecs originally aired in 1964.

Don’t you see? If I could start the destruction of everything that’s evil here, then everything that is good would survive when Cortes lands.

But you can’t rewrite history! Not one line!

– Barbara and the Doctor discuss time travel

The Aztecs is generally considered one of the show’s very best historicals, so I think it’s absolutely wonderful that the adventure has managed to survive the purges that wiped out a significant portion of the Hartnell era and a huge chunk of Patrick Troughton’s work.

A low-tec culture?

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Doctor Who: The Edge of Destruction (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Edge of Destruction originally aired in 1964.

The Edge of Destruction is an interesting little two-parter. Basically created to fill out a two-episode gap in the end of the initial run of episodes following the four-part An Unearthly Child and the seven-part The Daleks. It wasn’t possible to bring Marco Polo forward into this production block, as it was too long, and there wasn’t any budget provided for a guest cast or for new sets. So, as seemed to happen quite a lot on the show, the production team’s ingenuity forced their creativity. The Edge of Destruction (or Inside the Spaceship) ended up being a two-part “bottle” episode, featuring only the four members of the lead cast.

After seven episodes of The Daleks, I can’t blame the Doctor for wanting a nap…

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Doctor Who: An Unearthly Child (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

An Unearthly Child originally aired in 1963.

“Just open the doors, Doctor Foreman.”

“Eh? Doctor who? What’s he talking about?”

– Ian and the Doctor drop the title

And so, it begins…

There from the beginning…

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Doctor Who: The Girl Who Waited (Review)

You always said that for Christmas dinner, you wish there were two of you.

– Rory tries to look on the bright side

The Girl Who Waited might just be the most Moffat-esque Doctor Who script that wasn’t written by the man himself. “Timey wimey” hijinks, killer robots, glitchy technology and cultural misunderstandings all tie together one of the best episodes of the show’s sixth season. Writer Tom MacRae even throws in a juicy character dilemma to add flavour. Offering a fairly explicit example of why travelling with the Doctor might not necessarily be a good thing, despite how much fun it might seem, The Girl Who Waited serves as a prelude to The God Complex, while continuing the season’s exploration of just how tough it is to be the companion.

The waiting room…

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