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My 12 for ’13: Lincoln & Lawyering

This is my annual countdown of the 12 movies that really stuck with me this year. It only counts the movies released in Ireland in 2013, so quite a few of this year’s Oscar contenders aren’t eligible, though some of last year’s are.

This is number 11…

At its best, Lincoln manages to capture that beautiful conflict at the heart of democracy – the question of the difference that exists between democracy as a form of government and simple majoritarianism. Is it possible to preserve these fine and noble institutions and structures while constantly working around them?


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Doctor Who: The Chase (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Chase originally aired in 1965.

You’re from Earth?

No, no, Ma’am. No, I’m from Alabama.

– Barbara and Morton set things straight

There are times when Doctor Who seems to straddle the line between genius and insanity, when the viewer is left completely unsure whether they’ve witnessed something profoundly clever, or infuriatingly stupid. The Chase is one of those stories, one of those rare cases where I’m honestly not sure if I’m reading too much into a piece of television or simply scratching the surface of a whole wealth of complex meaning and symbolism. The Chase is, as near as I can make out, either a desperate attempt to cash-in on the then-current Dalek craze, or one of the craziest attacks the show ever made on the fourth wall. It’s either completely terrible or breathlessly brilliant, and I refuse to rule out the possibility that it is both, possibly at the same time.

Cutting to the chase...

Cutting to the chase…

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