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Space: Above and Beyond – … Tell Our Moms We Done Our Best (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Fox has a very weird (and perhaps even paradoxical) reputation when it comes to cancelling television shows. On the one hand, there is the tendency to run successful shows into the ground, missing the window of opportunity to transition them into big screen franchises. The X-Files and 24 are perhaps the most obvious example of this tendency. Of course, this isn’t unusual in American television. If a show is making money, it makes sense to keep on the air for as long as possible.

On the other hand, the network is notoriously ruthless when it comes to cancelling young shows. Although popularised by the cancellation (and subsequent revival) of shows like Firefly and Family Guy in the early years of the twenty-first century, the network had already demonstrated that it had little time for dead weight in the schedule. In hindsight, it seems like a wonder that The X-Files survived its first season, and was allowed to grow and develop into a massive cultural phenomenon.

We have met the enemy...

We have met the enemy…

Indeed, considering the abbreviated runs of shows like Profit or The Tick or The Ben Stiller Show or Harsh Realm or The Lone Gunmen, Space: Above and Beyond was lucky to get a full twenty-two-episodes-and-a-pilot run on Fox, even if it couldn’t count on the network to air the episodes at a consistent time on a consistent day. Space: Above and Beyond was undoubtedly treated shabbily by the network, but it could have been a lot worse.

That’s not the best eulogy you could write for a television show, but it is worth treasuring what we got.

President of the World...

President of the World…

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Space: Above and Beyond – The Dark Side of the Sun (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Space: Above and Beyond is half-way between an epic space opera and a wartime saga.

The Dark Side of the Sun confirms something suggested as early as The Pilot. While creators Glen Morgan and James Wong have a firm grasp of the war story aspect of the show, they are a bit less comfortable with the science-fiction elements. While The Farthest Man From Home was a solid old-fashioned “love in wartime” epic, The Dark Side of the Sun is steeped in stock science-fiction elements and interesting ideas, but seems to falter in the execution.

Wild cards...

Wild cards…

It feels very much like Morgan and Wong are trying to push the show’s science-fiction elements to the fore, but aren’t entirely comfortable with those elements. The result is a curious little episode, one that does a decent amount of character and world-building, while also baking some intriguing ideas and concepts into this potential future for mankind. At the same time, there’s an awkwardness to it all, as if The Dark Side of the Sun is trying to establish the show’s sci-fi credentials and can’t quite figure how everything fits together.

The Dark Side of the Sun is a show that feels like it could have used a bit more time and another draft or two, perhaps a reminder that Morgan and Wong are still relatively new at this sort of thing.

Cold dead eyes...

Cold dead eyes…

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