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Tintin: The Broken Ear (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

The Broken Ear is a strange little Tintin story. On one hand, it begins as a sort of a mystery adventure, with an artifact stolen from a museum and then replaced the following night, a little note apologising for a childish prank. As seems to be the case in these kinds of stories, the authorities decide “no harm, no foul” and go on about their daily business, but our boy Tintin is not convinced. However, over the course of his investigation, the story develops into something a bit more substantial, allowing Hergé the opportunity to indulge some of his wonderfully broad political satire. It wouldn’t be among my favourite entries in the franchise, if only because I was too young to appreciate a lot of the commentary when I first read it.

Hergé doesn't go overboard...

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