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Doctor Who: The Magician’s Apprentice (Review)

“The TARDIS will not be entered. The TARDIS will be destroyed.

“Good luck with that. She’s indestructible.”

“Did the Doctor tell you that? Because you should never believe a man about a vehicle.”

 – The Daleks, Clara and Missy share some truths

The ninth season is certainly ambitious.

The idea of building an entire season around a series of interconnected two-parters is a departure from the show’s traditional format. It certainly makes it a lot harder to review the show on a week-by-week basis, if only because it means that reviewers are talking about each episode having only seen around half the story. That is not the way that people typically consume Doctor Who. Even modern DVD releases of the classic series package whole series together so it is not so much a four- (or six-) part episode as a single story.

Battlefield.

Battlefield.

Since it returned to television in 2005, Doctor Who has adopted an approach to narrative driven by the single episode as the default narrative unit. Sure, there were multi-part stories; but they were the exception rather than the rule. Sure, there were season long arcs; but they were largely driven by arc words and core themes as much as plot. This was, after all, the big controversy over Moffat’s “Impossible Girl” arc, which was presented as a plot mystery only to be revealed as a clever thematic point.

During the Davies era, the two-parters were typically allocated for big “event” episodes. There were roughly three in a season, and they allowed the show to adopt a bigger sense of scale and spectacle. The first two-parter was typically lighter and little bit toyetic (the “toy monster” two-parter) and the second was a lot darker and ominous (the “highlight of the season” two-parter). Davies would then use a two-parter to provide a suitably bombastic conclusion to the season, offering “blockbuster” family entertainment at the height of summer.

An axe to grind...

An axe to grind…

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