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Star Trek – The Corbomite Manoeuvre (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

Again, The Corbomite Manoeuvre is one of those early episodes of Star Trek that was shuffled around in the broadcast order. Not that there’s too much internal continuity to mess up or anything like that, but it is particularly noticeable when episodes at the start of a television show get shuffled around. The writers are establishing characters and concepts, so it feels strange to watch the first episode written with McCoy after we’ve already seen him established as the ship’s doctor.

(The first episode aired, The Man Trap, centres around McCoy, which makes it strange when the ship suddenly has a different Chief Medical Officer in the Where No Man Has Gone Before.)

Fortunately though, The Corbomite Manoeuvre is the last time that this really becomes a concern, as Star Trek seems to iron out all the difficulties and the nuances on a new television show. Effectively the first regular episode of the show produced after two pilots, a large part of the charm of The Corbomite Manoeuvre is really watching it all come together.

What a dummy...

What a dummy…

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Star Trek – Crew by John Byrne (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Majel Barrett Roddenberry was the first lady of the Star Trek franchise, in more ways than one. She was married to Gene Roddenberry and remained a part of the franchise after his death. She guest starred on the shows occasionally, continued to lend her voice to the computers and offered the occasional interview to the press. Although her actual influence on the television shows was relatively minimal (and she was occasionally prone to protesting various plot developments including the Dominion War on Star Trek: Deep Space Nine), she did remain involved in Star Trek until she passed away in 2008.

However, she was also involved from the start. She had the recurring role of Christine Chapel throughout the original television show, and appeared in the unaired pilot, The Cage, as Christopher Pike’s first officer. Identified only as “Number One”, this almost made her the literal “first lady” of Star Trek. I’m surprised that Number One hasn’t been used more often as a character, with her appearances in tie-ins generally restricted to her time on board Pike’s Enterprise.

John Byrne’s miniseries might have the title Crew, and feature supporting roles for Christopher Pike and Mister Spock, but it is very much the story of Number One. Published a year after her death, and dedicated to her memory, Crew feels like a fitting farewell to the actress responsible for one of the franchise’s earliest and most intriguing supporting characters.

Fate protects fools, little children... and ships named Enterprise.

Fate protects fools, little children… and ships named Enterprise.

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Star Trek – Where No Man Has Gone Before (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

In a way, there’s a very clear divide between The Cage and Where No Man Has Gone Before. It’s clearer than the strange new actor sitting in the middle of the Bridge or the fact that Spock is suddenly a lot less casual. In a way, each is perfectly positioned in popular consciousness. The Cage was produced in late 1964, but wouldn’t be shown on television until 1988, after spending years touring the fan circuit. It remains a strange bit of Star Trek history, sitting simultaneously outside any of the five television shows, and simultaneously a completely inexorable part of the franchise’s evolution. It’s where it all began, but not where the first Star Trek began.

In contrast, Where No Man Has Gone Before feels more like the pilot episode of Star Trek. Sure, the fashion changes a bit in the episodes to come, the entire cast has yet to be assembled, but this is recognisably the same ship and the same show as The Corbomite Manoeuvre or The Man Trap. It’s more than the actors filling roles, the consistent characterisation of Spock or the fact that it actually aired on television in September 1966. This is what the next three years of Star Trek will be like. It’s an aesthetic or an approach to storytelling that is markedly different to the way that The Cage tackled many of the same themes and ideas.

While The Cage laid down many of the philosophical underpinnings of the broader Star Trek universe – including the classic show – it is also a lot less physical and visceral than the classic Star Trek. Indeed, The Cage featured the Captain of the Enterprise reasoning with an advanced bunch of god-like aliens, appealing to human virtues. The action sequences felt a bit extraneous. In contrast, Where No Man Has Gone Before sees the Captain of the Enterprise punching a god-like being repeatedly in the face while hitting on the same themes.

I think that’s perhaps the most dynamic difference between not only The Cage and Where No Man Has Gone Before, but between Star Trek and its spin-offs.

All the old familiar faces...

All the old familiar faces…

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Star Trek: Early Voyages #1 – Flesh of my Flesh (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

In the late nineties, Marvel were publishing Star Trek comic books. One of those books, perhaps the book garnering the most critical praise, was Star Trek: Early Voyages. Written by Dan Abnett and Ian Edginton, the series was intended to follow the mission of the USS Enterprise under the command of Captain Christopher Pike. Published monthly, the comic is perhaps the best indication of what a Star Trek show starring Christopher Pike might have actually looked like. Although the series was cancelled suddenly after only seventeen issues, ending on a cliffhanger, it is still a fascinating look at what might have been.

Looks like they've hooked a Pike...

Looks like they’ve hooked a Pike…

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Star Trek – The Cage (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

The Cage is fascinating. Looking at it now, it holds up phenomenally well a s apiece of sixties science-fiction. However, it feels like we’re watching a prototype of Star Trek. In many respects, The Cage feels like a rough sketch that captures some essentials, but is missing out on the finer details. Spock is there! But he smiles! The set design looks the same, but the characters are different. Some of the cast fill the same roles, but some are dramatically different. Watching The Cage, you can see a lot of the philosophy that Gene Roddenberry would bring to Star Trek, but it’s very difficult to imagine an on-going series spinning out of this adventure, let alone one that managed to become as iconic or influential as Star Trek would ever be.

Still, it’s pretty solid viewing. It’s entertaining on its own terms, but it’s also informative in the context of the series. It’s more like dry run or a test drive of the concept.

To boldly go... for some reworking...

To boldly go… for some reworking…

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Star Trek: The Next Generation – Loud as a Whisper (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

At the very least, Loud as a Whisper has its heart in the right place. At least of most of its run time. Essentially an issue-driven (and guest-star-driven) show that is determined to prove to the audience that a disability need not define a person, it’s a little undermined by a subplot where Pulaski and Geordi discuss the possibility of making the Chief Engineer “normal” again. However, once you get past the earnestness of it all, Loud of a Whisper seems a little clunky as television drama, with all manner of potentially interesting ideas that are never really explored. The result is a massively disappointing story that feels a bit like a clumsy after-school special.

What goes around...

What goes around…

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Star Trek: The Next Generation – The Outrageous Okona (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

Well, I’m not sure if you can call two solid episodes in succession a “streak” or a “roll”, but Where Silence Has Lease and Elementary, Dear Data were two hours of television that demonstrated how far the second season of Star Trek: The Next Generation had come since its rocky first season. However, it appears that the two very good episodes in a row did not represent a sudden change in direction and did not assure consistency. The Outrageous Okona is a bad episode, by just about any measure. It’s not necessarily as offensive as Angel One or Code of Honour, but it is quite painful to watch.

Unlike a lot of the bungled “message” shows in the first season that contained misjudged ideas or offensive elements, The Outrageous Okona is merely a terribly written and unfunny mess of an episode that simply gnaws at the viewer.

He works best Solo...

He works best Solo…

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Star Trek: The Next Generation – Elementary, Dear Data (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

If you needed more evidence of the improvement of Star Trek: The Next Generation between the first and second seasons of the show, Elementary, Dear Data certainly provides it. Like Where Silence Has Lease directly before it, Elementary, Dear Data works so well because it takes a couple of ideas hinted at and teased in the first season and then develops them just a little bit further.

There’s a sense that the universe of The Next Generation is slowly expanding. While the first season treated our main characters as masters of all they surveyed, Elementary, Dear Data hints that the universe still has more to teach them and that they have a lot to learn.

Unfortunately, the trend would not continue into the next episode, but Elementary, Dear Data proves that the writing team (and the cast) are learning to play to the show’s strengths and that the pieces are all positioned to allow for a solidly entertaining hour of television.

Things take a turn for the better...

Things take a turn for the better…

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Star Trek: The Next Generation – Where Silence Has Lease (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

If we ignore The Child as an aberration, a recycled script necessitated by the Writers’ Guild of America Strike of 1988, Where Silence Has Lease actually makes for a much stronger starting point for the second season of Star Trek: The Next Generation. We’re not quite at the point where we’re getting consistently good episodes on a weekly basis, but episodes like Where Silence Has Lease and the following Elementary, Dear Data demonstrating that the show was at least learning what worked and what didn’t in the bets of the first season episodes.

In particular, Where Silence Has Lease allows the show to tell a straight-up science-fiction exploration story that provides commentary on the human condition, but in a manner that isn’t as clumsy as first-season efforts like Lonely Among Us. It’s not a classic episode, but it’s a solid one. However, a solid episode of the second season can stand alongside the best episodes of the first season, demonstrating that the show is making significant progress towards the consistent quality it would eventually maintain.

Into the void...

Into the void…

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Star Trek: The Next Generation – The Child (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

Let’s play make believe for a second here. Let’s imagine you are producing a television show that had a very rocky first season, but seemed to be making steps in the right direction. This was a show already respected for its depiction of social issues like racism or drug use…

However, despite that, the first year of the show had some major gender issues. Your writers and actors had been pointing out that some of the episodes in that first year could be considered sexist. Of the three actresses in you regular cast, two left. One became the first regular on a Star Trek show to die in the middle of the season, and you had to write the first episode of the second season to write out the other actress who had been having some trouble with a male producer.

Now, keeping all that in mind, let’s carefully consider what to do with the remaining female lead character. If you are producing the second season of Star Trek: The Next Generation, you choose to have an alien impregnate that character without consent, use her body as incubation chamber, exploit her maternal instincts and then make her watch what she believes to be her own child die. More than that, you make sure that the female character is completely superfluous to the script itself, and that nobody seems to care particularly about her.

Don't worry, Troi. Face of the Enemy is less than half a decade away...

Don’t worry, Troi. Face of the Enemy is less than half a decade away…

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