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Star Trek – Where No Man Has Gone Before (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

In a way, there’s a very clear divide between The Cage and Where No Man Has Gone Before. It’s clearer than the strange new actor sitting in the middle of the Bridge or the fact that Spock is suddenly a lot less casual. In a way, each is perfectly positioned in popular consciousness. The Cage was produced in late 1964, but wouldn’t be shown on television until 1988, after spending years touring the fan circuit. It remains a strange bit of Star Trek history, sitting simultaneously outside any of the five television shows, and simultaneously a completely inexorable part of the franchise’s evolution. It’s where it all began, but not where the first Star Trek began.

In contrast, Where No Man Has Gone Before feels more like the pilot episode of Star Trek. Sure, the fashion changes a bit in the episodes to come, the entire cast has yet to be assembled, but this is recognisably the same ship and the same show as The Corbomite Manoeuvre or The Man Trap. It’s more than the actors filling roles, the consistent characterisation of Spock or the fact that it actually aired on television in September 1966. This is what the next three years of Star Trek will be like. It’s an aesthetic or an approach to storytelling that is markedly different to the way that The Cage tackled many of the same themes and ideas.

While The Cage laid down many of the philosophical underpinnings of the broader Star Trek universe – including the classic show – it is also a lot less physical and visceral than the classic Star Trek. Indeed, The Cage featured the Captain of the Enterprise reasoning with an advanced bunch of god-like aliens, appealing to human virtues. The action sequences felt a bit extraneous. In contrast, Where No Man Has Gone Before sees the Captain of the Enterprise punching a god-like being repeatedly in the face while hitting on the same themes.

I think that’s perhaps the most dynamic difference between not only The Cage and Where No Man Has Gone Before, but between Star Trek and its spin-offs.

All the old familiar faces...

All the old familiar faces…

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