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Star Trek – Miri (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

It is amazing how Star Trek manages to deftly balance the absurd with the horrific, the bizarre with the terrifying and the camp with the truly haunting. It’s something that’s really unique to the first iteration of the show, that deft ability to go completely for broke, willing to look completely ridiculous without any hint of embarrassment or modesty. Any of the spin-offs would be too conservative and too dignified to attempt anything quite as insane as Miri, with the failure of episodes like Move Along Home demonstrating that it’s impossible to replicate the freedom and the enthusiasm of the original show.

As a result, Miri is a wonderfully weird hour of television, one which is – on just about any level – incredibly wacky. And yet, despite that truly “out there” approach, it’s also a strangely compelling and engaging example of Star Trek.

Feels like going home...

Feels like going home…

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Star Trek – Dagger of the Mind (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

I knew we were due a nice Shakespearean title soon. And The Conscience of a King is just around the corner, to boot. Seriously though, I have to admit a massive fondness for these wonderfully lofty and high-minded episode titles. It’s something that links the original Star Trek and Star Trek: Deep Space Nine quite firmly, and was sadly never enthusiastically taken up by any of the other spin-offs. It’s a shame, because – regardless of the quality of the episodes in question – there’s something undeniably endearing about forty-five minutes of television given a pretentious name like For the World is Hollow and I Have Touched the Sky, The City on the Edge of Forever or Wrongs Darker Than Death or Night.

A scream...

A scream…

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Star Trek – Errand of Vengeance: The Edge of the Sword by Kevin Ryan (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

When you think about it, Star Trek finished its first season with its mythology reasonably well established. There were the Romulans, the Klingons and the Federation. (Oh, my!) We knew that Kirk had a brother on the colonies, who died in the season finalé. Vulcan was a hot desert planet. The Prime Directive existed, and we even got a taste of how Starfleet operated. However, these things all developed gradually over the course of the year, and early episodes couldn’t even seem to agree who exactly Kirk was working for.

The Federation was first mentioned in Arena and only fully named in A Taste of Armageddon. The Klingons were introduced in Errand of Mercy, with a cold war between the two galactic powers finally turning hot. Of course, it’s hard to write “finally” when they had only been introduced in this particular episode. So where were the Klingons during the show’s first year? How come we didn’t pick up any of the tension that must have been simmering?

Kevin Ryan’s Errand of Vengeance trilogy attempts to offer some context, suggesting that the Klingon threat had been brewing during the entire first season. It follows Jon Anderson, a new recruit to the ship’s security department, arriving just before the events of What Are Little Girls Made Of? Oh, and he’s a Klingon infiltrator.

tos-errandofvengeance1

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Non-Review Review: Star Trek – Into Darkness

Note: This is a spoiler-heavy review. If you want a spoiler-lite recommendation, click here. If not, continue at your own risk.

Towards the climax of Star Trek: Into Darkness, Kirk and the Enterprise flee an aggressor by entering warp. At that speed, several factors the speed of light itself, they surmise that they must be safe from their pursuer. Of course, they prove to be wrong – brutally so. Everything in Into Darkness moves fast, so fast that the Enterprise’s top speed seems more like a casual jog than a breakneck acceleration. The plot rockets along with incredible speed, from plot point to plot point, counting on the momentum to sustain the film and carry it across the line.

There is enough material here to produce a trilogy of films. Indeed, cynics might suggest that a lot of the movie’s iconography and plot points are indeed recycled from the central “trilogy” of the original Star Trek films, running from the homages to Star Trek II: The Wrath of Khan right down a climactic visual reference to Star Trek IV: The Voyage Home. Abrams and his team of writer continue their work from 2009’s breakout blockbuster Star Trek by putting the franchise’s most compelling images and cues into a high-speed blender.

Into Darkness just substantially increases the concentration.

Seeing red...

Seeing red…

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Star Trek – What Are Little Girls Made Of? (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

What Are Little Girls Made Of? is the first episode from a script written by Robert Bloch, perhaps best known as the author of Psycho. Interestingly, it wasn’t the first script Bloch wrote for the show. Apparently Bloch contributed Catspaw first, when the show asked him for a Halloween special, even though it wouldn’t be produced until the series’ second year. And, to be fair, you can sense that What Are Little Girls Made Of? is a bit more comfortable with the Star Trek conventions than Bloch’s other two episodes. An uncredited re-write from Gene Roddenberry probably helped.

With Bloch’s third script, Wolf in the Fold, serving as a loose adaptation of (or spiritual successor to) his celebrated short story Yours Truly, Jack the RipperWhat Are Little Girls Made Of? stands out among Bloch’s contributions to the show. It’s an iconic episode, one that has undoubtedly influenced the way that we remember Star Trek, serving as the source for all manner of Star Trek memes like Kirk overwhelming a hot android with his sexual charisma, and defeating a less physically attractive robot with a logic puzzle. It features some of the most iconic costuming of the original Star Trek show, and also serves as the root of the whole “what constitutes life?” philosophical strand that would find itself embodied by Data on Star Trek: The Next Generation.

It helps that, like so much of this first season of Star Trek, it is just good pulpy fun.

A cold reception...

A cold reception…

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Star Trek – Romulans: Pawns of War by John Byrne (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Where were the Klingons? That seems to be one of the most frequently asked questions when a modern writer re-visits the early part of the first season of Star Trek. It makes sense. The Klingons are the franchise’s flagship aliens, and their long-term relations with the Federation mark one of the show’s earliest examples of continuity. The Organian Peace Treaty from Errand of Mercy is mentioned once or twice, but it informs a lot of the appearances of the Klingons in the classic Star Trek, as the warriors are prevented from engaging in direct warfare with the Federation.

However, when first introduced in Errand of Mercy, towards the end of the first season, the Klingons have just declared war on the Federation. However, it seems like this has been expected for a long time. Kirk speaks of the Klingons like old enemies. Kor knows that captain of the Enterprise by name. There’s a sense of a pre-established history, which makes their appearance towards the tale-end of the season all the more perplexing. Apparently they have been there all along, even if we haven’t seen them before.

John Byrne’s Alien Spotlight issue might have been themed around the Romulans, and the collected edition might be Romulans: Pawns of War, but it seems more devoted to exploring what exactly the Klingons were up to behind the scenes between their appearances on Star Trek.

Cry havok, and let slip the dogs of war...!

Cry havok, and let slip the dogs of war…!

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Star Trek – Charlie X (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

It really is incredibly difficult to divorce Star Trek from the sixties. I know that this has become something of a (very obvious) theme in these daily reviews, but Charlie X is the kind of Star Trek episode that could only have been produced for television in the sixties. It isn’t necessarily the presence of a single factor, it’s more the package as a whole. While the general concept (“The Day Charlie Became God”, to quote Roddenberry’s succinct synopsis from his 1964 Star Trek Is… pitch) could easily be adapted for any of the spin-offs (and Hide & Q clearly plays on the same idea), the execution is so firmly anchored in the sixties that it’s very hard to separate and parse.

Part of it is the weird use of coloured lighting on the mostly grey Enterprise sets, something that Inside Star Trek suggests was down to the fact that NBC was owned at the time by RCA, a major manufacturer of colour television sets. Part of it is the somewhat confused sexuality that is a weird mix of liberated and outdated. Part of it is the fact that the show features an impromptu musical and dance number. The idea of Charlie X might be fairly simplistic, but the execution is very clearly and very distinctively Star Trek.

Screaming to the Evans...

Screaming to the Evans…

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Star Trek 101: The Best of The Original Series

To celebrate the release of Star Trek: Into Darkness, we’re holding a month full of Star Trek  related fun. We’re reviewing every episode of the show’s first season, from The Cage through to Operation — Annihilate!, one-per-day for all of May. We’re also looking at some of the various spin-offs, tie-ins and pop culture intersections, so there’s always something going on to do with Star Trek. Anyway, with the release of the new film, we thought it might be interesting to make some recommendations for fans of the new films who wanted to “dip their toes in the water” so to speak, offering a quick taste of the best that the classic 1960s original Star Trek has to offer those wanting to boldly go with Kirk, Spock and McCoy.

tos-operationannihilate26

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Non-Review Review: Star Trek – Into Darkness

Note: This is a spoiler-lite review. If you want a spoiler-heavy in-depth look at the film, click here.

Towards the climax of Star Trek: Into Darkness, Kirk and the Enterprise flee an aggressor by entering warp. At that speed, several factors the speed of light itself, they surmise that they must be safe from their pursuer. Of course, they prove to be wrong – brutally so. Everything in Into Darkness moves fast, so fast that the Enterprise’s top speed seems more like a casual jog than a breakneck acceleration. The plot rockets along with incredible speed, from plot point to plot point, counting on the momentum to sustain the film and carry it across the line.

There is enough material here to produce a trilogy of films. Indeed, cynics might suggest that a lot of the movie’s iconography and plot points are indeed recycled from the central “trilogy” of the original Star Trek films, running from the homages to Star Trek II: The Wrath of Khan right down a climactic visual reference to Star Trek IV: The Voyage Home. Abrams and his team of writer continue their work from 2009’s breakout blockbuster Star Trek by putting the franchise’s most compelling images and cues into a high-speed blender.

Into Darkness just substantially increases the concentration.

Seeing red...

Seeing red…

Continue reading

Star Trek – The Corbomite Manoeuvre (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

Again, The Corbomite Manoeuvre is one of those early episodes of Star Trek that was shuffled around in the broadcast order. Not that there’s too much internal continuity to mess up or anything like that, but it is particularly noticeable when episodes at the start of a television show get shuffled around. The writers are establishing characters and concepts, so it feels strange to watch the first episode written with McCoy after we’ve already seen him established as the ship’s doctor.

(The first episode aired, The Man Trap, centres around McCoy, which makes it strange when the ship suddenly has a different Chief Medical Officer in the Where No Man Has Gone Before.)

Fortunately though, The Corbomite Manoeuvre is the last time that this really becomes a concern, as Star Trek seems to iron out all the difficulties and the nuances on a new television show. Effectively the first regular episode of the show produced after two pilots, a large part of the charm of The Corbomite Manoeuvre is really watching it all come together.

What a dummy...

What a dummy…

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