slasher movies | the m0vie blog

New Escapist Column! On the Meanness and Meaninglessness of “Halloween Kills”…

Posted on October 10, 2022 by Darren

I published a new In the Frame piece at The Escapist this evening. With the upcoming release of Halloween Ends, it seemed like a good opportunity to take a look back at the last entry in the horror franchise.

Halloween Kills is a divisive addition to the slasher movie canon, a grubby and nihilistic horror movie that completely lacks a central ordering principle. Halloween Kills is a movie without a hero. Instead, it is just a monster and his victims. The result is a surprisingly brutaly and bloody slasher movie from a major studio, at a point in time where these films are becoming increasingly homogenised by the logic of intellectual property brand management. Halloween Kills is a film in which there is no reason or logic for the horror that unfolds, and that only serves to make it more scary.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: brutality, escapist, halloween kills, Hero, horror, horror franchises, in the frame, laurie strode, meaninglessness, michael myers, murder, nihilism, slasher, slasher movies, studio horror | Leave a comment »

New Escapist Video! “Halloween Kills is a Bloody (and Ambitious) Mess – Review”

Posted on October 17, 2021 by Darren

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Halloween Kills, which released theatrically and on Peacock this weekend.

Filed under: On Second Thought | Tagged: 3mr, david gordon green, guns, halloween kills, John Carpenter, laurie strode, michael myers, nihilism, review, slasher movies, the escapist, three minute review, vigilantism | Leave a comment »

Non-Review Review: Scream

Posted on May 20, 2011 by Darren

Today, we’re reviewing the entire Scream trilogy. Sadly, I’ll have to wait to get a look at the latest instalment, but reviews of the first three will be going on-line throughout the day.

It’s hard to really look back at Scream in context these days. It was released in the mid-nineties, a period where the slasher movie had all but died off, after series after series produced weaker and weaker instalments. Audiences had been sort of numbed to the impact of the slasher film as a genre, expecting the bland stock scares, the stereotypical mumbo-jumbo, the teen angst, the sexual politics and even the unstoppable killer. It’s not too much of a stretch to believe that Wes Craven and Kevin Williamson intended the movie as something of an epilogue for the genre, a not-too-fond farewell to the type of films that had been churned out since the seventies, with never a hint of growth and development.