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Daredevil – Shadows in the Glass (Review)

To celebrate the launch of Marvel’s Daredevil and the release of Avengers: Age of Ultron, we are reviewing all thirteen episodes of the first season of Marvel and Netflix’s Daredevil. Check back daily for the latest review.

Much like Stick, Shadows in the Glass emphasises the relatively episodic nature of Daredevil.

If Stick was “the mystical ninja tie-in episode”, then Shadows in the Glass is the obligatory “villain episode.” This is evident in the choice to open with a teaser dedicated to the morning routine of Wilson Fisk. It is a nice structural choice to repeat the sequence two more times, once at the midpoint and once towards the end. The second iteration of the sequence plays much the same as the first, but the third version plays out with both Wilson Fisk and Vanessa Marianna, suggesting that Fisk is no longer as alone as he claimed to be in Rabbit in a Snowstorm.

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Daredevil is a show that really does take advantage of its format to flesh out and develop the world of Matthew Murdock. It would have been easy to structure Daredevil as a simply thirteen-hour origin story with a reasonably high budget. However, the show capitalises on the extra space afforded to a thirteen-episode season. None of the Marvel films could afford to devote fifty minutes of character development to the antagonist, and even Loki has never been given as much narrative attention as Fisk. (Only Michael Fassbender’s Magneto can compete with Vincent D’Onofrio’s Fisk.)

Shadows in the Glass provides Wilson Fisk with a supervillain origin story very clearly designed to mirror that of Matt Murdock.

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