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Star Trek: Deep Space Nine – Extreme Measures (Review)

Extreme Measures is the closest thing to a standalone story within this epic ten-part conclusion to Star Trek: Deep Space Nine.

All of the other episodes carry over plot threads and subplots that either develop existing narratives or set-up future twists. This is true even of the more self-contained chapters: When It Rains… and Tacking Into the Wind are something of a two-parter in the middle of the arc, but they pick up in the wake of The Changing Face of Evil; although The Dogs of War has a self-contained subplot focusing on the Ferengi, it deals with baggage from Extreme Measures while setting up What You Leave Behind.

“Well, Miles. If you think it’ll make the episode go easier.”

In contrast, Extreme Measures is practically a bottle show. With the exception of a short one-scene appearance from Garak, Extreme Measures is devoid of the recurring guest stars that populate this final run of episodes. Although Damar and Martok are mentioned, neither Casey Biggs nor J.G. Hertzler appear. Perhaps glad of a week off before his double duty on The Dogs of War, Jeffrey Combs is entirely absent. There is no guest appearance from Louise Fletcher, Marc Alaimo, James Darren, Barry Jenner or Salome Jens.

Indeed, Extreme Measures is very precisely focused on the single story that it wants to tell. Most episodes in this final stretch of the final season have at least two or three plots running through them: Penumbra focuses on the loss of Worf, on Sisko’s retirement plans, on Damar’s growing unease; When It Rains… features the plotting of Dukat and Winn, the development of Damar’s rebellion, and the threat to the Alliance posed by Gowron; The Dogs of War witnesses Ferengi succession, the plan for the invasion of Cardassia, the implosion of Damar’s rebellion.

Journey to the Centre of Sloan’s Mind.

There is so much happening across these ten episodes that it feels strange that Extreme Measures can effectively call a timeout on these recurring plot threads. There are references to the Breen weapon and the Cardassian rebellion, to the ascension of Chancellor Martok and to Bashir’s lingering attraction to Ezri. However, Extreme Measures is an episode without a b-plot or a c-plot. The episode is driven entirely by its primary narrative, the story of how Julian Bashir and Miles O’Brien embark on one last adventure together.

There is something surreal, and almost endearing, about the fact that Deep Space Nine feels comfortable taking time out from its most ambitious experiment with serialisation to make the journey to the centre of Sloan’s mind.

“Julian, are you sure you haven’t been watching too much Star Trek: Voyager?”

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Star Trek: Deep Space Nine – Inter Arma Enim Silent Leges (Review)

Inter Arma Enim Silent Leges is a perfectly fitting penultimate episode of Star Trek: Deep Space Nine.

Sure, the production team had originally planned for Badda-Bing, Badda-Bang to take the audience into the sweeping ten-hour epic that would wrap up the series. That certainly would have been a satisfying deep breath before the plunge, one last story celebrating this ensemble in a low-stakes adventure that treats them like an extended family before everything hits the fan. Badda-Bing, Badda-Bang would have been immensely fulfilling in that context.

Tribunal.

However, Inter Arma Enim Silent Leges feels like a necessary episode before Deep Space Nine commits to its sprawling ten-episode-long finale. In particular, Inter Arma Enim Silent Leges is the only episode of the seventh season to devote any time or any energy to the question of what happens after the Dominion War. Deep Space Nine has been so tied up in this epic existential struggle that the production team have never really acknowledged what happens when the dust settles, beyond the rolling of the closing credits and the conclusion of the series.

Inter Arma Enim Silent Leges represents the first time that Deep Space Nine has dared to look beyond the immediate status quo, to acknowledge that life will undoubtedly continue in the Alpha Quadrant after the end of What You Leave Behind. In many ways, Deep Space Nine is notable for extending a sense of political realism and pragmatism to the mechanics of the larger Star Trek universe, and Inter Arma Enim Silent Leges feels like an organic extension of that, acknowledging that events ripple beyond that arbitrary boundaries that are conveniently labelled as “endings.”

I met a man who wasn’t there.

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Star Trek: Deep Space Nine – Inquisition (Review)

Inquisition is a superb piece of television, and a highlight of the sixth season of Star Trek: Deep Space Nine.

It is a very clever extrapolation of various themes and ideas that have been bubbling across the length and breadth of the series, particularly concerns about what happens when incredible power is concentrated in institutions that find themselves under threat. One of the underlying assumptions of the Star Trek universe is that mankind is somehow different than any other sentient life form, somehow more enlightened and more idealistic than the other major powers that make up the broader shared universe.

Luthless.

Deep Space Nine has always been wary of this assumption, in part because it is frequently made with no real exploration of what specifically makes mankind more evolved and more compassionate than the Romulans or the Klingons. More than that, Deep Space Nine has been openly suspicious of that idea because of the moral complacency involved. If Star Trek assumes that mankind is so special and so unique that it has evolved past all of its darker impulses, the franchise has a massive blindspot that could be readily exploited.

This is nothing new. Although the first season of Star Trek: The Next Generation leaned heavily into the idea of mankind as a hyper-evolved species with much to teach the wider cosmos, that series really came of age when it followed this train of thought to its logical conclusion in The Measure of a Man. A society that deems itself beyond moral reproach is capable of anything, because it lacks the introspection to really consider the moral weight of its actions. Even in peacetime, the Federation was only a single court case away from re-instituting slavery.

Imperialist leather.

Inquisition is very much a logical extension of this idea. Beyond the sprawling epic six-episode opening arc, the sixth season of Deep Space Nine arguably works best when it sits outside the Dominion War and explores the impact that the conflict has beyond the space battles. Statistical Probabilities ponders the war in numerical terms. Honour Among Thieves inquires about life in the underground and at the margins. In the Pale Moonlight touches on the backroom politics and the moral compromises. Inquisition looks at how the Federation itself has been changed by the war.

Like Homefront and Paradise Lost, Inquisition has aged well. Less than half a decade after the episode originally aired, the United States would be trying “enemy combatants” in secretive military tribunals, detaining suspected terrorists without trial in secretive holding facilities, and engaging in “enhanced interrogation” including sleep deprivation to make subjects more pliable. Although the production team could have no idea at the time, the image of a dark-skinned man being paraded in irons is a lot more evocative two decades after the fact.

“Not quite the parade that I had in mind.”

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