• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: Scream III

Today, we’re reviewing the entire Scream trilogy. Sadly, I’ll have to wait to get a look at the latest instalment, but reviews of the first three will be going on-line throughout the day.

There are a lot of problems with Scream 3. It’s overlong, it’s more soap opera than horror, more camp parody than post modern deconstruction. It’s clear from the outset that very few of the people involved in the film had any interest in making it. However, its single most damning problem is that it has become exactly the type of bland and indistinct slasher movie that the first two films picked apart so skilfully.

Taking a stab at the trilogy...

Continue reading

Non-Review Review: Scream II

Today, we’re reviewing the entire Scream trilogy. Sadly, I’ll have to wait to get a look at the latest instalment, but reviews of the first three will be going on-line throughout the day.

I actually like Scream 2 a great deal – perhaps as much as I enjoyed the original Scream. Which, to be honest, takes me by surprise because it’s a much weaker movie in a lot of ways, the most obvious being the fact that it sort of fizzles out in the third act. Still, there’s just something about the cheeky and energy of the sequel that grabs my attention and keeps it, as if moving the series from a stereotypical high school and into a college film class. Of course, as Randy the resident film buff points out, the only thing more stereotypical than high school slasher movies are college slasher movies, but there’s just something cool about the fact that most of the cast (rather than just Randy) are relatively genre savvy this time around.

Film Buff-y?

Continue reading

Non-Review Review: Scream

Today, we’re reviewing the entire Scream trilogy. Sadly, I’ll have to wait to get a look at the latest instalment, but reviews of the first three will be going on-line throughout the day.

It’s hard to really look back at Scream in context these days. It was released in the mid-nineties, a period where the slasher movie had all but died off, after series after series produced weaker and weaker instalments. Audiences had been sort of numbed to the impact of the slasher film as a genre, expecting the bland stock scares, the stereotypical mumbo-jumbo, the teen angst, the sexual politics and even the unstoppable killer. It’s not too much of a stretch to believe that Wes Craven and Kevin Williamson intended the movie as something of an epilogue for the genre, a not-too-fond farewell to the type of films that had been churned out since the seventies, with never a hint of growth and development.

A dead line?

Continue reading