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A View to a Bond Baddie: Max Zorin

To celebrate James Bond’s 50th birthday on screen, we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

An interesting thing about Roger Moore’s Bond films is the fact that the best baddies tended to pop up in the worst films. Okay, I have a soft spot for Julian Glover in For Your Eyes Only, arguably the best of Moore’s outings as James Bond, but I’m thinking of Christopher Lee in The Man With the Golden Gun and Christopher Walken in A View to a Kill. In particular, Walken’s Max Zorin stands out – in my opinion – as one of the best villains of the entire franchise. He’s a character who really stands at the half-way point between the classical Bond villains and the characters we’ve seen since, positioned half-way between Auric Goldfinger and Franz Sanchez. It also helps that Walken is having a whale of a time, and that fun is contagious.

Hang on in there…

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Non-Review Review: Tremors

Man, I love Tremors. I’m a professed B-movie geek who grew up on the particularly cheesy Wes Craven and John Carpenter films of the seventies and eighties, who has always harboured a soft spot for playful monster movies, so I reckon I’m the film’s target audience. Tremors is one of those affectionate throwbacks, those movies that don’t just aim to evoke a particular genre and time period (as The Expendables was a generis eighties action movie produced twenty-five years too later) so much as offer an up-to-date and self-aware reinvention of them (as Spielberg produced a thirties adventure serial with modern sensibilities in Raiders of the Lost Ark, or Rodriguez offered a brutally hilarious modern-day Mex-ploitation film in Machete). Tremors is basically a fifties B-movie produced with late eighties A-list talent and self-awareness.

The town's gone to ground...

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