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My 12 for ’18: “Annihilation” and Creating Something New…

It’s that time of year. I’ll counting down my top twelve films of the year daily on the blog between now and New Year. I’ll also be discussing my top ten on the Scannain podcast. This is number one.

It’s not destroying. It’s making something new.

Rankings can be very revealing. They say a lot, both about wider culture, but also about the person who is making the list and the time at which the list is being made.

The best top tens inevitably reveal something about the time at which they were made. New Year’s Eve is a time for reflection, and a large part of the process of putting together these sorts of end-of-year lists is to reflect upon the year that has been. Any end-of-year top ten (or twelve) inevitably reveals something about how the person making that list experienced the previous twelve months. Whether consciously or not, every such list suggests a time capsule of the year, offering a snapshot of the general mood or even an outline of the zeitgeist.

A lot of the movies included in this list are examined through the lens of 2018, whether in terms of filmmaking, storytelling, or broader cultural concerns. Spider-Man: Into the Spider-Verse was a superhero origin for a hyper-literate internet-raised generation. Three Billboards Outside Ebbing, Missouri was a meditation on how quickly and viciously anger can spread. A Quiet Place reflected trends in contemporary horror cinema at literalising the experience of watching a horror film, a “meta” mode of horror.

Annihilation does something very similar. Alex Garland’s adaptation of Jeff VanderMeer’s novel is a film that is about a strange phenomenon that warps and distorts the biology of anything that comes into contact with it. Those who wander into “the Shimmer” are lost, their sense of direction disturbed and they are promptly confronted with monstrosities that appear to be sewn together from a variety of familiar shapes, often bent and broken in unsettling ways. In this sense, Annihilation feels like a knowing commentary on popular culture in 2018.

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