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351. Halloween 4: The Return of Michael Myers – All-o’-Ween (#—)

Posted on October 28, 2023 by Darren

Hosted by Andrew Quinn, Darren Mooney and Joey Keogh, this week with special guest Peter Keenan, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This year, we are running a season looking at the films in the Halloween franchise. So this week, Dwight H. Little’s Halloween 4: The Return of Michael Myers.

It has been ten years since Michael Myers’ rampage through Haddenfield. For that decade, the killer has lain dormant. However, during a routine transfer, the innocuous mention of Myers’ last surviving blood relative stirs the slasher from his slumber. Myers makes his way towards Haddenfield, and towards his innocent young niece: Jamie Lloyd.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: america, culture, dwight h. little, evangelicals, franchise, halloween, halloween 4, halloween 4: the return of michael myers, halloween iv, horror, joey keogh, michael myers, moustapha akkad, peter keenan, politics, religious right, sequels, slasher, stabbing, stranger danger, violence | 1 Comment »

The X-Files – Signs and Wonders (Review)

Posted on September 16, 2015 by Darren

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

Religion is a major part of The X-Files. After all, what is the show but a meditation on faith?

In a way, this is an aspect that dates the series. While the show’s conspiracy theories and surveillance culture paranoia resonate as effectively in 2015 as they did in 1995, the show’s religious themes seem innocent and naive in the wake of 9/11 and the War on Terror. Signs and Wonders was broadcast towards the end of January 2000. It is hard to imagine the episode being produced even two years later, once the world had been so thoroughly shaken by acts of religious zealotry.

Snaking along…

The X-Files exists as a product of the nineties, pre-dating what many have termed “the new atheism.” It exists against the backdrop of the Clinton era, in the space between the fall of the Berlin Wall and the start of the War on Terror. There are points when the shew resonates beyond that; The X-Files is often a profound and thoughtful meditation on issues like trust and faith. However, there are also points where The X-Files almost seems fused in time; where it seems like a moment has been captured in celluloid like a mosquito trapped in amber.

Signs and Wonders feels like one of those moments, sitting between the failed impeachment of President Bill Clinton and the triumphant election of President George W. Bush. This is what the last gasp of the nineties looks like.