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Hannibal – Trou Normand (Review)

Trou Normand has a rather beautiful twist, and one which caught me – and, I suspect, a significant portion of the audience – completely off-guard. It’s not overstated or overplayed, but it manages to pack one hell of a punch. It fits surprisingly well with everything we know about the show and the characters who inhabit it, while still serving as something of a game-changer. It doesn’t change the rules of Hannibal too much, but only because the show has been so dedicated to playing with audience assumptions.

In any other show, Abigail Hobbs would be the victim that Will Graham so desperately needs her to be. Jack Crawford’s cynical suspicions would prove to be as completely off-base as his absolute faith in Hannibal Lecter. It would provide a nice moral victory for Will, even if only the audience ever knew about it, and serve as foreshadowing to Jack’s only blindness. It’s a neat narrative hook, we’ve become so subconsciously familiar with the way that these sorts of narratives work that we have come to expect it.

However, Hannibal isn’t any other show, and it demonstrates it by pulling off a particularly shrewd (and nasty) character twist.

A monument...

A monument…

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