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Doctor Who: The Beast Below (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Beast Below originally aired in 2010.

What are you going to do?

What I always do. Stay out of trouble. Badly.

So is this how it works, Doctor? You never interfere in the affairs of other peoples or planets, unless there’s children crying?

Yes.

– Amy and the Doctor reiterate the way things work

Steven Moffat’s first season producing Doctor Who owes a conscious debt to the rigid structure of the seasons produced by Russell T. Davies. There’s an opening episode in contemporary Britain, followed by one episode visiting the past, one visiting the future. There are three two-parters – the season finalé, a “monster”-driven two-parter and a more atmospheric and moody piece. There’s even a brief spell in the middle of the season where Moffat spices up the TARDIS dynamic by adding in a temporary companion.

This approach worked quite well. It’s worth noting that Moffat’s first season was the only point following the departure of Russell T. Davies that Doctor Who was able to deliver thirteen episodes of the show on thirteen consecutive weeks. It struck something of a happy middle between Davies’ more episodic approach to the show that the more arc-driven storytelling favoured by Moffat. Still, there are moments when it seems like this approach isn’t quite the perfect fit, with Moffat’s voice struggling to fit into the structure established by Davies.

Essentially Steven Moffat’s impression of Russell T. Davies’ update of Andrew Cartmel’s social allegory stories, The Beast Below is an interesting – if slightly unsuccessful – experiment. Moffat’s second season would feature much more effective attempts to evoke the Cartmel era of the classic show, without the sense that Moffat was trying a little too hard to emulate his predecessor.

The space in-between...

The space in-between…

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